Author : George Melly
Publisher : London : Allen Lane
Page : 264 pages
File Size : 49,8 MB
Release : 1970
Category : Art
ISBN :
Popular culture in Britain during the 1960s, including pop music, the media and literature, as well as the visual arts.
Author : George Melly
Publisher : Faber & Faber
Page : 179 pages
File Size : 45,11 MB
Release : 2012-04-05
Category : Music
ISBN : 0571281117
'The first serious attempt to analyse pop culture by someone who was part of it.' Julian Mitchell, Guardian The redoubtable George Melly (1926-2007): flamboyant jazz singer, sexually ambiguous raconteur, prodigiously gifted critic. In the early sixties, at the birth of what we now recognise as the pop revolution, Melly began work as a broadsheet journalist, commenting upon this new cultural phenomenon. Revolt into Style (1970) is his first-hand account of those turbulent and exciting years when all things creative - whether music, fashion, film, art or literature - were changed utterly. Central to the book are The Beatles - the epitome of the swinging sixties - who charted the decade's changes and about whose significance the Liverpudlian Melly had a special feel and insight. Alongside the Fab Four is a large cast of movers and shakers, of wannabes and taste-makers, all dissected by Melly's surgical mind.
Author : Justyna Stępień
Publisher : Cambridge Scholars Publishing
Page : 185 pages
File Size : 25,13 MB
Release : 2015-09-18
Category : Art
ISBN : 1443882941
British Pop Art was seen as an integral, even central, part of social change in the Sixties. It was a movement that developed innovative ways of dealing with reality, both reflecting on and participating in the culture. Its aesthetics was often homogeneous with the industrial, with the mass-produced, and, hence, with the artificial, manufactured character of the urban environment. This discontinuity in the traditional approach towards artistic creation furthered the globalization of diversity, which constitutes the abiding concerns of postmodern art. Drawing from postmodern thought and cultural analysis, this book critically examines British Pop Art within the broad interdisciplinary domain of the social and cultural changes that led to flexibility in conceptualization, and provides a contribution to the artistic processes which form and deform the cultural sphere, confirming its relevance to current debates in which questions of postmodern aesthetics prominently figure.
Author : Gordon Thompson
Publisher : Oxford University Press
Page : 361 pages
File Size : 15,25 MB
Release : 2008-09-10
Category : Business & Economics
ISBN : 0195333187
The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.
Author : Andy Bennett
Publisher : Routledge
Page : 182 pages
File Size : 50,28 MB
Release : 2017-09-29
Category : Music
ISBN : 1351218654
The Woodstock festival of 1969, which featured such groups and artists as the Who, Country Joe and the Fish, Ten Years After, Janis Joplin and Jimi Hendrix, is remembered as much for its 'bringing together' of the counter-cultural generation as for the music performed. The event represented a milestone in the use of music as a medium for political expression while simultaneously acting as a springboard for the more expressly commercial of rock and pop events which were to follow. In the thirty years since the festival took place, Woodstock has become the subject of many books, magazine articles and documentaries which have served to mythologise the event in the public imagination. These different aspects of the Woodstock festival will be discussed in this wide ranging book which brings together a number of established and new writers in the fields of sociology, media studies and popular music studies. Each of the five chapters which will focus on a specific aspect of the Woodstock festival and its continuing significance in relation to the music industry, the rock festival 'tradition', sixties nostalgia and the cultural impact of popular music.
Author : Philip Clarke
Publisher : Bloomsbury Publishing
Page : 177 pages
File Size : 45,54 MB
Release : 2024-07-25
Category : Photography
ISBN : 1350301671
The Rise of the Stylist examines the social factors that contributed to the stylist becoming a key role in fashion image-making. The 1980s' stylist is presented as a cultural intermediary and auteur, as commercial compass and avant-garde innovator. Focusing on London from 1980 to 1990, Philip Clarke draws on oral history interviews with the young creatives who were involved in the specific subcultural scenes, educational environments and new modes of publishing that informed a unique moment in British cultural life. By documenting the history of the stylist in fashion and dress, as well as their contribution to fields such as food photography and car manufacture, this study looks beyond the style press and bridges the gap between production and promotion. The Rise of the Stylist defines the specific nature of the stylist's role in relation to that of other creative occupations and locates discussion of styling within the context of postmodern society, where political shifts, technological developments and changing attitudes in all fields of cultural production are reflected in the manufacture and dissemination of fashion.
Author : Jon Stratton
Publisher : Springer Nature
Page : 276 pages
File Size : 17,44 MB
Release : 2022-10-31
Category : History
ISBN : 3031090128
This book explores dancing from the 1960s to the 1980s; though this period covers only twenty years, the changes during it were seismic. Nevertheless continuities can be found, and those are what this book examines. In dancing, it answers how we moved from the self-control that formed the basis for ballroom dancing, to ecstatic rave dancing. In terms of music, it answers how we moved from the beat groups to electronic dance music. In terms of youth, it answers how we moved from youth culture to club culture.
Author : Irene Morra
Publisher : Routledge
Page : 266 pages
File Size : 22,80 MB
Release : 2013-10-30
Category : Music
ISBN : 1135048959
This book offers a major exploration of the social and cultural importance of popular music to contemporary celebrations of Britishness. Rather than providing a history of popular music or an itemization of indigenous musical qualities, it exposes the influential cultural and nationalist rhetoric around popular music and the dissemination of that rhetoric in various forms. Since the 1960s, popular music has surpassed literature to become the dominant signifier of modern British culture and identity. This position has been enforced in popular culture, literature, news and music media, political rhetoric -- and in much popular music itself, which has become increasingly self-conscious about the expectation that music both articulate and manifest the inherent values and identity of the modern nation. This study examines the implications of such practices and the various social and cultural values they construct and enforce. It identifies two dominant, conflicting constructions around popular music: music as the voice of an indigenous English ‘folk’, and music as the voice of a re-emergent British Empire. These constructions are not only contradictory but also exclusive, prescribing a social and musical identity for the nation that ignores its greater creative, national, and cultural diversity. This book is the first to offer a comprehensive critique of an extremely powerful discourse in England that today informs dominant formulations of English and British national identity, history, and culture.
Author : P. Jackson
Publisher : Routledge
Page : 772 pages
File Size : 17,17 MB
Release : 2003-09-02
Category : History
ISBN : 1135794936
This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
Author : Mark Johnson
Publisher : Routledge
Page : 246 pages
File Size : 31,90 MB
Release : 2016-04-01
Category : Religion
ISBN : 1317057856
Seditious Theology explores the much analysed British punk movement of the 1970s from a theological perspective. Imaginatively engaging with subjects such as subversion, deconstruction, confrontation and sedition, this book highlights the stark contrasts between the punk genre and the ministry of Jesus while revealing surprising similarities and, in so doing, demonstrates how we may look at both subjects in fresh and unusual ways. Johnson looks at both punk and Jesus and their challenges to symbols, gestures of revolt, constructive use of conflict and the shattering of relational norms. He then points to the seditious pattern in Jesus' life and the way it can be discerned in some recent trends in theology. The imaginative images that he creates provide a challenging image of Jesus and of those who have relooked radically in recent years at what being a ’seditious’ follower of Christ means for the church. Introducing both a new partner for theological conversation and a fresh way of how to go about the task, this book presents a powerful approach to exploring the life of Christ and a new way of engaging with both recent theological trends and the more challenging expressions of popular culture.
