Rhapsody For The Theatre


Book Description

For Alain Badiou, theatre—unlike cinema—is the place for the staging of a truly emancipatory collective subject. In this sense theatre is, of all the arts, the one strictly homologous to politics: both theatre and politics depend on a limited set of texts or statements, collectively enacted by a group of actors or militants, which put a limit on the excessive power of the state. This explains why the history of theatre has always been inseparable from a history of state repression and censorship. This definitive collection includes not only Badiou’s pamphlet Rhapsody for the Theatre but also essays on Jean-Paul Sartre, on the political destiny of contemporary theatre, and on Badiou’s own work as a playwright, as author of the Ahmed Tetralogy.




Rhapsody in Red


Book Description




In Praise of Theatre


Book Description

In Praise of Theatre is Alain Badiou’s latest work on the ‘most complete of the arts,’ the theatrical stage. This book, certain to be of great interest to scholars and theatre practitioners alike, elaborates the theory of the theatre developed by Badiou in works such as Rhapsody for the Theatre and the ‘Theses on Theatre’ and enquires into the status of a theatre that would be adequate to our ‘contemporary, market-oriented chaos.’ In a departure from his usual emphasis upon canonical figures of the stage such as Bertolt Brecht and Samuel Beckett, Badiou devotes In Praise of Theatre largely to a consideration of contemporary practitioners, including Jan Fabre, Brigitte Jacques and Romeo Castellucci. In addition, the book features an incisive analysis of the precarious status of the theatre today, in which Badiou describes not only the current threats to the theatre from the right, but the far more insidious threat from the left.




Journal of Badiou Studies 5


Book Description

The fifth volume of the Journal of Badiou Studies, "Architheater," energized by the publication of Badiou's Rhapsodie pour le théâtre (2014), knits together distinguished approaches to artistic production engaging with the work of Alain Badiou: "Engaging" here means articulated positions that include, imply, or criticize the Badiouiesque corpus. The issue does not therefore seek to implement Badiou's philosophical insights in interpretations of art or of aesthetics, but rather to take Badiou's philosophy as a center of convergence-nexus of a plethora of philosophical positions that include artistic production as a central element of their structure. Thematically, the volume limits its discussion to "a two" of architecture and theater, thinking their overlapping, juxtaposition, and respective generative capacities.




Colored Rhapsody


Book Description

Starring Kerry Vaughn and Virginia Paris and produced by Ralton R. James.




Rhapsody in Blue


Book Description

To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.




Mephisto (A Rhapsody)


Book Description

In the town of Balbek the far right are about to seize power. At the local theatre, Aymeric dreams of celebrity; Lucas longs for a liberal revolution; Michael is seduced by the extremists; Juliette Demba is in fear for her life. As this political earthquake ripples through the town, Aymeric must make his choice: resist the forces of hatred or harness them for his own success. Based on the real life story of Gustaf Gründgens, whose dreams of fame led him to betray everything, and at the peak of his career, perform Faust for Hitler, Mephisto [A Rhapsody] is a searing contemporary response to Klaus Mann's banned, and fiercely political cult novel. Samuel Gallet's urgent new play asks: what would you sacrifice to do the right thing?




The Book of Joseph


Book Description

The discovery of a stash of letters stamped with swastikas opens clues to an untold family history spanning multiple generations in The Book of Joseph – the gripping true story of resilience and truth-tracking determination spanning Baltimore and beyond. Richard Hollander’s book Every Day Lasts a Year: A Jewish Family’s Correspondence from Poland is brought to the stage in this mesmerizing new adaptation that restores a family’s uncharted legacy – celebrated by revelation and remembrance.




946 : The Amazing Story of Adolphus Tips


Book Description

Imagine being told to leave your home... Imagine American soldiers occupying your house and land... Imagine being 12 and angry, with only a cat to tell your secrets to... Well it all happened (most of it anyway) in Slapton Sands, Devon, in 1944. Based on Michael Morpurgo’s The Amazing Story of Adolphus Tips, this play explodes everything we thought we knew about the D-Day landings. With signature Kneehigh sorcery, 946 uses music, puppetry and foolishness to tell this tale of war, prejudice and love. Tender, political and surprisingly romantic, this story speaks to us all and will finally reveal the secrets the US and British governments tried to keep quiet.




Further On, Nothing


Book Description

Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists, stage directors, and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada, surrealist, Constructivist, and happening theatre forms. Kantor's most widely known productions--The Dead Class (1975), Wielopole, Wielopole (1980), Let the Artists Die (1985), and Today Is My Birthday (1990)--have had a profound impact on playwrights and artists who continue today to engage with his radical theatre. In Fur.