Richard Carew, The Examination of Men's Wits


Book Description

Juan Huarte de San Juan (1529-1588) was a Spanish physician and natural philosopher who strove to answer why men possess specific natural abilities that prepare them to excel only in particular fields of knowledge. With his treatise Examen de ingenios para las ciencias (Baeza, 1575), dedicated to King Philip II, Huarte hoped to form a body of naturally accomplished professionals by providing readers with clues to identify their leading wit and the career path associated with it. The book experienced such overwhelming success in the sixteenth and seventeenth centuries—it underwent fifty-five editions in six different languages—that it is now considered one of the most influential Spanish scientific books of the early modern period. The present edition modernizes the text of Richard Carew’s The Examination of Men’s Wits (London, 1594), the first rendering into English of Huarte’s work—via a previous Italian translation. In addition, the Introduction contextualizes both the Spanish and the English texts and their authors, discusses the censorship imposed by the Inquisition, the (often deliberate) textual divergences of the English translation, the multiple translations and editions the book underwent in early modern Europe, and its domestic and European reception, with a focus on the English scientific, educational and literary arenas. William Camden, John Marston, Ben Jonson and Sir Francis Bacon are some of the household names acquainted with Huarte’s theories, thanks to Richard Carew’s widely read English version.










Enacting Gender on the English Renaissance Stage


Book Description

Collection of essays which engages debates over gender in the English Renaissance theater--Cover.




Shakespeare, Memory and Performance


Book Description

This collection by leading Shakespeare scholars, first published in 2006, brings together memory and performance.







Shakespeare and the Mismeasure of Renaissance Man


Book Description

Shakespeare's poems and plays are rich in reference to "measure, number, and weight," which were the key terms of an early modern empirical and quantitative imagination. Shakespeare's investigation of Renaissance measures of reality centers on the consequences of applying principles of measurement to the appraisal of human value. This is especially true of efforts to judge people as better or worse than, or equal to, one another. With special attention to the Sonnets, Measure for Measure, Merchant of Venice, Othello, King Lear, and Hamlet, Paula Blank argues that Shakespeare, in his experiments with measurement, demonstrates the incommensurability of the aims and operations of quantification with human experience.From scales and spans to squares and levels to ratings and rules, Shakespeare's rhetoric of measurement reveals the extent to which language in the Renaissance was itself understood as a set of alternative measures for figuring human worth. In chapters that explore attempts to measure human feeling, weigh human equalities (and inequalities), regulate race relations, and deduce social and economic merit, Blank shows why Shakespeare's measures are so often exposed as "mismeasures"—equivocal, provisional, and as unreliable as the men and women they are designed to assess.