Richmondshire Churches


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Romantic Richmondshire


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The Archdeaconry of Richmond in the Eighteenth Century


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This 1990 publication is the first printed edition of early eighteenth-century historical notes on Yorkshire parishes by the Bishop of Chester.







Church and Manor


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Church Building and Society in the Later Middle Ages


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The construction of a church was undoubtedly one of the most demanding events to take place in the life of a medieval parish. It required a huge outlay of time, money and labour, and often a new organisational structure to oversee design and management. Who took control and who provided the financing was deeply shaped by local patterns in wealth, authority and institutional development - from small villages with little formal government to settlements with highly unequal populations. This all took place during a period of great economic and social change as communities managed the impact of the Black Death, the end of serfdom and the slump of the mid-fifteenth century. This original and authoritative study provides an account of how economic change, local politics and architecture combined in late-medieval England. It will be of interest to researchers of medieval, socio-economic and art history.













My First Booke of My Life


Book Description

An early modern domestic and spiritual memoir, My First Booke of My Life depicts the life of Alice Thornton (1626–1707), a complex, contradictory woman caught in the changing fortunes and social realities of the seventeenth century. Her memoir documents her perspective on the Irish rebellion and English civil war as well as on a plethora of domestic dangers and difficulties: from her reluctant marriage, which sought to rescue the sequestered family estate and clear her brother’s name, to financial crises, to the illnesses and deaths of several family members and six children, to slanderous criticisms of her fidelity and her parenting. This first complete edition of an autobiographical apologia begins with recollections of Thornton’s childhood and ends with the death of her husband, restoring almost half of the original text omitted from the nineteenth-century edition. The image she fashions of a woman devoted to God and family evolves from the conventional format of the deliverance memoir into a rhetorically sophisticated defense of her life in response to rumored scandal. Inseparable from the praise of God and family is the distinctive sense of identity that emerges from the introduction, text, and annotations, all of which provide a significant contribution to early modern woman’s writing.