Roman Theatres


Book Description

This book is a definitive architectural study of Roman theatre architecture. In nine chapters it brings together a massive amount of archaeological, literary,and epigraphic information under one cover. It also contains a full catalogue of all known Roman theatres, including a number of odea (concert halls) and bouleuteria (council chambers) which are relevant to the architectural discussion, about 1,000 entries in all. Inscriptional or literary evidence relating to each theatre is listed and there is an up-to-date bibliography for each building. Most importantly the book contains plans of over 500 theatres or buildings of theatrical type, as well as numerous text figures and nearly 200 figures and plates.




Roman Theatres


Book Description

This book is an up-to-date and comprehensive account of Roman theatre architecture. It contains information, plans, and photographs of every theatre in the Roman Empire for which there is archaeological evidence, together with a full analysis of how Roman theatres were designed, built, and paid for, and how theatres differ in different parts of the Roman Empire. It is lavishly illustrated with plans, text figures, photographs, and maps.




Theatres in Roman Palestine and Provincia Arabia


Book Description

This volume deals with the architectural history of the theatre in Roman Palestine and Provincia Arabia, a region which comprised a Jewish, Nabataean, and Hellenized population but lacked any tradition of classical theatre. The earliest examples, erected by Herod, were actually a foreign imposition upon the landscape of Judaea, while the theatres built in the Nabataean kingdom provided no more than an architectural setting for activities which were often unrelated to theatre in the accepted sense. When the Hellenized cities in the region began building their theatres, classical plays were already disappearing from the stage throughout the Roman world, their place taken by lighter, less select forms of public entertainment. The author then offers a comprehensive architectural analysis of each of the thirty theatres so far uncovered in the area. Richly illustrated, it provides a vivid reconstruction of a world which, though long gone, continues to fascinate.




Ancient Hellenistic and Roman Amphitheatres, Stadiums, and Theatres


Book Description

This is the first collection of pictures of almost all the ancient theatres, odeons, bouleuterions, stadiums, and amphitheatres in existence. Sure to give enjoyment to the armchair traveler, this clothbound volume is also an essential reference for all those interested in ancient architecture. The purpose of this book is to tempt similar-minded others with a passionate bent toward Hellenistic and Roman theatres and amphitheatres (and temples, aqueducts, bridges, and triumphal arches) to drive the borders of the Mediterranean and revel in and marvel at these ancient glories. It was the pleasure of the drive through these beautiful and generally hospitable countries almost as much as the "discovery" of ruins that beguiled the author and his wife to compile the collection.




The Roman Stage


Book Description

The Roman Stage (1964) gives a connected account of the drama of ancient Rome in its historical setting. Using original source material, whole plays as well as fragments, of tragedies, comedies and farces, it traces the development of theatre in Rome, and notes the historical importance of these plays – the Elizabeth world looked back with reverence on the days ‘when Roscius was an actor in Rome’ (Hamlet). It also examines the physical conditions of drama in Rome – the types of theatres, and their place in the lives of the Roman inhabitants.




A Cultural History of Theatre in Antiquity


Book Description

Theatre was at the very heart of culture in Graeco-Roman civilizations and its influence permeated across social and class boundaries. The theatrical genres of tragedy, comedy, satyr play, mime and pantomime operate in Antiquity alongside the conception of theatre as both an entertainment for the masses and a vehicle for intellectual, political and artistic expression. Drawing together contributions from scholars in Classics and Theatre Studies, this volume uniquely examines the Greek and Roman cultural spheres in conjunction with one another rather than in isolation. Each chapter takes a different theme as its focus: institutional frameworks; social functions; sexuality and gender; the environment of theatre; circulation; interpretations; communities of production; repertoire and genres; technologies of performance; and knowledge transmission.







Spectacle in the Roman World


Book Description

Gladiatorial combat, animal displays, naumachiae (staged naval battles) and spectacular executions were all an important part of Roman culture. The provision of a wide range of purpose-built buildings (from theatres to amphitheatres to circuses) as venues across the empire is testimony to the popularity and significance of these displays. This book offers an introduction to the main forms of spectacle in the Roman world (human and animal combat, chariot racing, aquatic displays), their nature, context and social importance. It will explore the vast array of sources, from literary to archaeological material, that informs the subject. It will examine the spectacles with special emphasis on their physical setting, and will also consider the variation in the provision of venues and their context across the Empire. A final section will review the modern reception of Roman spectacles, especially those involving gladiators.




The Roman Stage


Book Description




The Oxford Handbook of Roman Britain


Book Description

This book provides a twenty-first century perspective on Roman Britain, combining current approaches with the wealth of archaeological material from the province. This volume introduces the history of research into the province and the cultural changes at the beginning and end of the Roman period. The majority of the chapters are thematic, dealing with issues relating to the people of the province, their identities and ways of life. Further chapters consider the characteristics of the province they lived in, such as the economy, and settlement patterns. This Handbook reflects the new approaches being developed in Roman archaeology, and demonstrates why the study of Roman Britain has become one of the most dynamic areas of archaeology. The book will be useful for academics and students interested in Roman Britain.