Romanticism and the Re-Invention of Modern Religion


Book Description

"The fundamental concern of Romanticism, which brought about its inception, determined its development, and set its end, was the need to create a new language for religion"--




Religion in the Age of Romanticism


Book Description

The conflict between Romantic thought of the early 1800s in Europe and traditional Christian beliefs resulted in liberalism competing against conservatism. This text attempts to show how writers such as Schleiermacher, Hegel, Schelling and Auguste Compte did not reject religion, despite the influence of the increasingly science oriented culture of their time.




The Cambridge Companion to German Romanticism


Book Description

Explains the development of Romantic arts and culture in Germany, with both individual artists and key themes covered in detail.




The Romantic Imperative


Book Description

This study restores and enhances the philosophical aspect of early German Romanticism, offering an understanding of the movement's origins, development, aims and accomplishments.




The Romance of Religion


Book Description

C. S. Lewis said that Christianity works on us like every other myth, except it is a myth that really happened. Dwight Longenecker grabs this idea and runs with it, showing that the Christian story is the greatest story ever told because it gathers up what is true in all the fantasy stories of the world and makes them as solid, true, and real as a tribe of dusty nomads in the desert or the death of a carpenter-king. In The Romance of Religion Longenecker calls for the return of the romantic hero—the hero who knows his frailty and can fight the good fight with panache, humor, and courage. Conflict and romance are everywhere in the story of Christ, and our response is to dust off our armor, don our broad-brimmed hats, pick up our swords, and do battle for Christ with confidence, wonder, and joy. Is religion no more than a fairy tale? No, it is more than a fairy tale—much more: it is all the fairy tales and fantastic stories come true here and now. “This book is witty, whimsical, and deadly serious. With panache and aplomb, Dwight Longenecker sets out to prove that Christianity is, in every sense of the word, fabulous. And does he succeed in his quest? I encourage you to read it to find out.” —Michael Ward, senior research fellow, Blackfriars Hall, University of Oxford, and professor of apologetics, Houston Baptist University “If you've never thought about the Christian faith as romance and story, then this book will introduce you to a whole new way of thinking.”—Frank Viola, author of God's Favorite Place on Earth




Christian Platonism


Book Description

Platonism has played a central role in Christianity and is essential to a deep understanding of the Christian theological tradition. At times, Platonism has constituted an essential philosophical and theological resource, furnishing Christianity with an intellectual framework that has played a key role in its early development, and in subsequent periods of renewal. Alternatively, it has been considered a compromising influence, conflicting with the faith's revelatory foundations and distorting its inherent message. In both cases the fundamental importance of Platonism, as a force which Christianity defined itself by and against, is clear. Written by an international team of scholars, this landmark volume examines the history of Christian Platonism from antiquity to the present day, covers key concepts, and engages issues such as the environment, natural science and materialism.




Before Religion


Book Description

Examining a wide array of ancient writings, Brent Nongbri dispels the commonly held idea that there is such a thing as ancient religion. Nongbri shows how misleading it is to speak as though religion was a concept native to pre-modern cultures.




Middling Romanticism


Book Description

Romanticism is often understood as an age of extremes, yet it also marks the birth of the modern medium in all senses of the word. Engaging with key texts of the romantic period, the book outlines a wide-reaching project to re-imagine the middle as a constitutive principle. Sng argues that Romanticism dislodges such terms as medium, moderation, and mediation from serving as mere self-evident tools that conduct from one pole to another. Instead, they offer a dwelling in and with the middle: an attention to intervals, interstices, and gaps that make these terms central to modern understandings of relation.




The Cambridge Companion to British Romanticism and Religion


Book Description

The first survey of the connections between literature, religion, and intellectual life in the British Romantic period.




Irony and Idealism


Book Description

Irony and Idealism investigates the historical and conceptual structure of the development of a philosophically distinctive conception of irony in early- to mid-nineteenth century European philosophy. The principal figures treated are the romantic thinkers Friedrich Schlegel and Novalis, Hegel, and Kierkegaard. Fred Rush argues that the development of philosophical irony in this historical period is best understood as providing a way forward in philosophy in the wake of Kant and Jacobi that is discrete from, and many times opposed to, German idealism. Irony and Idealism argues, against the grain of received opinion, that among the German romantics Schlegel's conception of irony is superior to similar ideas found in Novalis. It also presents a sustained argument showing that historical reconsideration of Schlegel has been hampered by contestable Hegelian assumptions concerning the conceptual viability of romantic irony and by the misinterpretation of what the romantics mean by 'the absolute.' Rush argues that this is primarily a social-ontological term and not, as is often supposed, a metaphysical concept. Kierkegaard, although critical of the romantic conception, deploys his own adaptation of it in his criticism of Hegel, continuing, and in a way completing, the arc of irony through nineteenth-century philosophy. The book concludes by offering suggestions meant to guide contemporary reconsideration of Schlegel's and Kierkegaard's views on the philosophical significance of irony.