Rose & Poe


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ÒPowerful . . . ToddÕs vivid language is perfectly suited to the epic sweep of his narrative.Ó Ñ Publishers Weekly, starred review of Rain Falls Like Mercy Set in mythical Belle Coeur County in a time not too far from our own, Rose & Poe gloriously re-imagines ShakespeareÕs The Tempest from the point of view of Caliban and his mother. Rose and her giant, simple son, Poe, live quietly on the fringes of their town Ñ tending their goats and working at odd jobs. Prosper Thorne, banished from his big-city law practice and worrying about his fading memory, obsessively watches over his beloved daughter Miranda. When Poe erupts from the forest one day carrying MirandaÕs bruised and bloody body, he is arrested, despite his protestations of get help-get help-get help. Overnight, Rose and Poe find themselves pariahs in the county where they have lived all their lives. In the face of bitter hatred and threats from her neighbours, the implacable Rose devotes all her strength to proving PoeÕs innocence and saving him from prison or worse. Rose & Poe is a tale of a motherÕs boundless love for an apparently unlovable child, and a stunning fable for our own troubled times. It will stick in your memory like sweet wild honey.




The Home Life of Poe


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Poe's Pym


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"The interpreter's dream-text," as one critic called Edgar Allan Poe's The Narrative of Arthur Gordon Pym has prompted critical approaches almost as varied as the experiences it chronicles. This is the first book to deal exclusively with Pym, Poe's longest fictional work and in many ways his most ambitious. Here leading Poe scholars provide solutions and interpretations for many challenging enigmas in this mysterious novel. The product of a decade of research and planning, Poe's "Pym" offers a factual basis for some of the most fantastic elements in the novel and uncovers surprising connections between Poe's text and exploration literature, nautical lore, Arthurian narrative, nineteenth-century journalism, Moby Dick, and other writings. Representing a rich cross-section of current modes of literary study--from source study to psychoanalytic criticism to new historicism--these sixteen essays probe issues such as literary influence, the limits of language, racism, the holocaust, prolonged mourning, and the structure of the human mind. Poe's "Pym" will be an invaluable resource for students of both contemporary criticism and nineteenth-century American culture. Contributors. John Barth, Susan F. Beegel, J. Lasley Dameron, Grace Farrell, Alexander Hammond, David H. Hirsch, John T. Irwin, J. Gerald Kennedy, David Ketterer, Joan Tyler Mead, Joseph J. Moldenhauer, Carol Peirce, Burton R. Pollin, Alexander G. Rose III, John Carlos Rowe, G. R. Thompson, Bruce I. Weiner




The Mercy Chair


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'Mesmerising, macabre and magnificent. The Mercy Chair is truly terrifying, laugh-out-loud funny, and impossibly clever. Poe and Tilly are unstoppable' Chris Whitaker 'Washington Poe is a brilliant creation, from one of the finest and most inventive crime writers of today' Peter James ---- Are you sitting comfortably? Then I'll begin . . . Washington Poe has a story to tell. And he needs you to listen. You'll hear how it started with the robber birds. Crows. Dozens of them. Enough for a murder . . . He'll tell you about a man who was tied to a tree and stoned to death, a man who had tattooed himself with a code so obscure, even the gifted analyst Tilly Bradshaw struggled to break it. He'll tell you how the man's murder was connected to a tragedy that happened fifteen years earlier when a young girl massacred her entire family. And finally, he'll tell you about the mercy chair. And why people would rather kill themselves than talk about it . . . Poe hopes you've been paying attention. Because in this story, nothing is as it seems . . . ---- 'Craven renders the darkness of the human condition with immense skill, ratcheting the tension to a nails-on-chalkboard pitch. Don't turn out the lights.' Vaseem Khan MORE PRAISE FOR MW CRAVEN: 'The kind of novel that inspired me to write fiction in the first place. A guaranteed great time.' Chris Brookmyre 'Darkly entertaining' The Telegraph 'If you haven't read any M.W. Craven yet, fix that immediately' S. A. Cosby 'I've been following M.W. Craven's Poe/Tilly series from the very beginning, and it just gets better and better' Peter Robinson 'Poe and Tilly books are a joy' Steve Cavanagh 'In Tilly and Poe, M.W. Craven has created a stand-out duo who are two of the most compelling characters in crime fiction in recent years' Fiona Cummins 'Darkly comic . . . Thrilling' The Independent 'Clever, sophisticated, utterly gripping thriller from one of the best writers around' Mari Hannah 'Craven has unleashed Ben Koenig into the thriller world. Long may he raise hell in the pages. A superb thriller that will have everyone talking, and gasping.' David Baldacci 'Paging Lee and Andrew Child: you've got company' The Times




The Step Ladder


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William Shakespeare's The Merry Rise of Skywalker


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Complete your collection of the William Shakespeare’s Star Wars® series and experience the blockbuster finale to the Star Wars® saga in a brand-new way, here reimagined as though it had been penned by the Bard of Avon. As our story opens, a sea of troubles threatens the valiant Resistance, who are pursued by the sound and fury of the vile First Order. Can Rey, Poe, Finn, Rose, BB-8, Chewbacca, and their allies overcome such toil and trouble? Shall Kylo Ren be proven fortune’s fool or master of his fate? What will become of the House of Skywalker? And is all well that ends well? Authentic meter, stage directions, reimagined movie scenes and dialogue, and hidden Easter eggs will entertain and impress fans of Star Wars® and Shakespeare alike. Every scene and character from the film appears in the book, along with twenty woodcut-style illustrations that depict an Elizabethan version of the Star Wars® galaxy.




University of Virginia Record


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Facts about Poe


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Feminism and American Literary History


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For more than a decade Nina Baym has pioneered in the reexamination of American literature. She has led the way in questioning assumptions about American literary history, in critiquing the standard canon of works we read and teach, and in rediscovering lost texts by American women writers. Feminism and American Literary History collects fourteen of her most important essays published since 1980, which, combining feminist perspectives with original archival research, significantly revise standard American literary history. In Part I, "Rewriting Old American Literary History," the focus is on male writers. Essays range from close readings of individual works to ambitious critiques of the main paradigms by which scholars have conventionally linked disparate texts and authors in a narrative of nationalist literary history: the self-in-the-wilderness myth, the romance-novel distinction, the myth of New England origins. Part II, "Writing New American Literary History," studies examples of women's writing from the Revolution through the Civil War. Stressing much overtly public and political writing that has been overlooked even by feminist scholars, noting public and political themes in supposedly domestic works, the essays substantially modify and historicize the paradigm by which premodern American women's writing is currently understood. The contentious and influential essays in Part III, "Two Feminist Polemics," address feminist literary theory and pedagogy, advocating a pluralist practice as the basis for scholarship, criticism, and humane feminism. No one interested in American literature or in women's writing can afford to ignore Baym's revisionist work. Humorous and gracefully written, this book is enjoyable and indispensable.