Rudolf Steiner and Contemporary Art


Book Description

Ever since the Rudolf Steiner's panel drawings were first exhibited in a contemporary art context in the summer of 1992 at the Galerie Monika Sprüth in Cologne, they went on tour as the transmitter of an 'anthroposophy for the future' through the best known museums in the world. In addition to his paintings, drawings and sculptures, these panel pictures are clearly located at the junction between art and science, programmatically pointing to the key interrelationship between mankind and the cosmos. It was always Steiner's extraordinary way of seeing objects and non-objects that led to sustainable reform projects in such fields as agriculture, education and medicine. This book examines for the first time Anthroposophist thought as reflected in contemporary art and to what extent its integral concepts and aesthetic ideas are realized in the visual arts. This exhibition 'homage' to Rudolf Steiner features artworks by Joseph Beuys, Anish Kapoor, Tony Cragg, Olafur Eliasson among many others. Published on the occasion of the exhibition Rudolf Steiner and Contemporary Art at Kunstmuseum Wolfsburg, May - October 2010, and Kunstmuseum Stuttgart, February - May 2011. English text.




Art as Spiritual Activity


Book Description

14 lectures, Stuttgart, August 21-September 5, 1919 (CW 294) How do Waldorf teachers put their educational ideals into practice in the classroom? How does a teacher connect geography and art and language in a way that enlivens the souls of children? What does a child's respect for the teacher mean for later life? These are only a few practical aspects of this initial course for Waldorf teachers. During an intensive two weeks, Rudolf Steiner gave three simultaneous educational courses to those who would be the first teachers of the original Waldorf school. One course provided the foundational ideas behind Waldorf education (The Foundations of Human Experience); another provided a forum for questions and lively discussions on specific issues in the classroom (Discussions with Teachers). In this course, Steiner takes the middle-path by integrating theory and practice. Here, Steiner spoke of new ways to teach reading, writing, geography, geometry, language, and much more. His approach is tailored to the spiritual and physical needs of the children themselves, not to an arbitrary curriculum based solely on external results. At a time when public education is in a state of crisis, this book describes how children around the world are being guided into adulthood with a fuller sense of themselves and with a creative approach to life and the world around them. German source: Erziehungskunst. Methodisch-Didaktisches (GA 294).




Art History


Book Description

Rudolf Steiner understood that the history of art is a field in which the evolution of consciousness is symptomatically and transparently revealed. This informal sequence of thirteen lectures was given during the darkest hours of World War I. It was a moment when the negative consequences of what he called the age of the consciousness soul, which began around 1417, were made most terribly apparent. In these lectures he sought to provide an antidote to pessimism. After describing the movement of consciousness from Greece into Rome, coupled with influences from the Orthodox East, he showed how these influences transformed as the Middle Ages became the Renaissance. The process that begins with Cimabue and Giotto develops, deepens, and becomes more conscious in the great Renaissance masters Leonardo, Michelangelo, and Raphael. Then this movement continues with the Northern masters, D rer and Holbein, as well as the German tradition. One entire lecture is devoted to Rembrandt, followed by one on Dutch and Flemish paintings. Themes are woven together to show how past epochs of consciousness and art live again in our consciousness-soul period. Replete with interesting information and more than 600 color and black-and-white images, these lectures are rich and dense with ideas, enabling us to understand both the art of the Renaissance and the transformation of consciousness it announced. These lectures demonstrate (to paraphrase Shelley) that artists truly are the unacknowledged legislators of the age.




The Figure of Christ


Book Description

'Yes, that is the Christ. This i.s how my .spirituaL eye perceived him in Pal.e.stine.' -Rudolf Steiner, speaking of his sculpted figure of Christ Rudolf Steiner referred to the wooden 'group' sculpture of the figure of Christ surrounded by adversary spiritual beings as the centre of the first Goetheanum. Steiner even told the architect of the second Goetheanum that the sculpture he made with Edith Maryon should occupy the same central position 'as in the first building'. What was Rudolf Steiner's essential aim for the sculptural group within the Mystery building he conceived, and why did he regard it as the crown of the building? What were Steiner's intentions -and, specifically, what were the spiritual aims behind this remarkable depiction of Christ? Rudolf Steiner described the core task of anthroposophical spiritLlal science as preparing for Christ's reappearance in the etheric realm. The Christ he sculpted was not the possession of a specific community with a religious world view, but rather a being




Mani & Rudolf Steiner


Book Description

For many centuries, the teaching of Mani was hidden behind the distorted picture that had been created by the adversaries of Manichaeism in East and West. In the course of the twentieth century, new light was shed on Manichaeism by the discovery of several Manichaean scriptures. These have shown that Manichaeism was a true, distinct world religion that, in the question of good and evil, for instance, offers insights that complement and deepen Christianity. Also in the twentieth century, Rudolf Steiner brought Anthro­posophy, Spiritual Science, which is a continuation of a stream of esoteric Christianity that has run through human history ever since the resurrection of Christ. Anthroposophy is centered on a new, deepened idea of Christianity that, as indicated by Rudolf Steiner, is so great and all-encompassing that it can be understood in its full depth only gradually. In this book, Christine Gruwez explores the essence of Mani’s revelation and then shows what Rudolf Steiner has communicated regarding Mani and his teaching. This generates an image of two spiritual streams that, each from its own beginning, are moving toward a future when a Christianity of the deed shall become reality.




Architecture, Sculpture, and Painting of the First Goetheanum


Book Description

The planning, construction, and execution of the functional work of art that was the First Goetheanum was an endeavor that occupied Rudolf Steiner for the better part of seven years. Every detail, from the seemingly small-such as the shape and feel of the door handles-to the grand motifs of the paintings on the ceilings of the cupolas and the building's intended sculptural centerpiece, was lovingly designed to meet and inspire the individual human beings who would some day encounter it, not with didactic symbolism, but with the transparent reality of the spiritual foundation of humanity and the world, and the open possibility to both know this spiritual foundation and to work with it practically and artistically for the good of all. The lectures contained in this volume, which Steiner accompanied with just over 100 slides (here reproduced) were given to various audiences when the building was very near to completion, before it was destroyed by fire. Complemented by a Foreword by the esteemed architect Douglas Cardinal, as well as an important and revelatory Introductory essay by David Adams ("The Form-Function Relationship in Architecture and Nature: Organic and Inorganic Functionalism"), this volume of The Collected Works of Rudolf Steiner is essential reading for anyone who wants to gain a deeper understanding of the artistic motivation of Rudolf Steiner as an artist and architect, while also clearing up many of the misunderstandings that the building and its sculptural and painted components have inevitably given rise to, both then and now. Book jacket.







Rudolf Steiner


Book Description

Steiner is regarded as one of the most influential reformers of the twentieth century. He created extraordinary furniture designs and initiated a building style that seems to prefigure contemporary architecture. At the same time, he advocated a holistic view of humanity which shows its influence in many areas of our lives today, and he inspired artists such as Piet Mondrian, Wassily Kandinsky and Joseph Beuys. This book is the first presentation of Steiner's work in its full breadth. Numerous scholarly essays discuss the origins, context and influence of Steiner's work, complemented by over 500 illustrations, inlcuding both new and historical photographs, architectural plans, notebook sketches and artworks. This material is supplemented by comparisons with current design trends, from works by Olafur Eliasson and design objects by Konstantin Grcic to the architecture of Herzog & de Meuron. With texts by Philip Ursprung, Paul Virilio, Mateo Kries, Walter Kugler, Markus Bruderlin, Wolfgang Pehnt, Julia Althaus, Wolfgang Zumdick and others.




Verses and Meditations


Book Description

Featuring over 90 of Rudolf Steiner's best-loved verses and meditations, this volume collects a range of material on various themes, such as working with spiritual beings, connecting with loved ones who have passed over, developing selfhood, and celebrating festivals and seasons. Countless people have worked with these meditations over the decades and can testify to their power, as well as the strength and comfort they offer the meditant. Although various translations from the German exist for many of the verses, George and Mary Adams's renderings can truly be said to be 'classic', and are the most widely used within the English-speaking anthroposophical movement that has grown up around Steiner's work. George Adams acted as Rudolf Steiner's personal interpreter when he lectured in Britain, and thus developed an intuitive understanding of Steiner's deepest impulses connected to esoteric work. Those who know these verses will be delighted that they are available again, while those who approach them for the first time will discover a treasure of wisdom as well as abundant tools for personal transformation. This edition also features the original German texts where applicable.




What is Art?


Book Description

Joseph Beuys’s work continues to influence and inspire practitioners and thinkers all over the world, in areas from organizational learning, direct democracy and new money forms to new art pedagogies and ecological art practices. Here, in dialogue with Volker Harlan - a close colleague, whose own work also revolves around understandings of substance and sacrament that are central to Beuys - the deeper motivations and insights underlying ‘social sculpture’, Beuys’s expanded conception of art, are illuminated. His profound reflections, complemented with insightful essays by Volker Harlan, give a sense of the interconnectedness between all life forms, and the foundations of a path towards an ecologically sustainable future. This volume features over 40 b/w illustrations.




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