Popular Experience and Cultural Representation of the Great War, 1914-1918


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This book considers the diversity of the experiences and legacies of the First World War, looking at the actions of those who fought, those who remained at home and those who returned from the arena of war. It examines Edwardian ideals of gender and how these shaped social expectations of the roles to be played by men and women with regards to the national cause. It looks at men’s experiences of combat and killing on the Western Front, exploring the ways in which masculine gender ideals and male social relationships moulded their experience of battle. It shows how the women of the controversial White Feather campaign exploited traditional ideas of heroism and male duty in war to embarrass men into volunteering for military service. The book also examines children’s toys and recreation, underlining how play helped to promote patriotic values in children and thus prepared boys and girls for the respective roles they might be called upon to make in war. A strong sense of British identity and a faith in the superiority of British values, customs and institutions underpinned the collective war effort. The book looks at how, even in captivity at the Ruhleben internment camp, the British gave expression to this identity. The book emphasises the extent to which this was a conflict in which Britain sought to defend and even extend its imperial dominion. It also discusses how different political and cultural agendas have shaped the way in which Britain has remembered the War. As such, the book reflects the diversity of popular experience in the War, both at home and in the empire. Britain’s entry into the War in 1914 helped to ensure that it became a truly global conflict. The contributors here draw attention to the significant social, cultural and political legacies for Britain and her empire of a conflict which, one hundred years later, continues to be the subject of considerable controversy.




The Century


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The Sketch


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'Boredom is the Enemy'


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War is often characterised as one percent terror, 99 per cent boredom. Whilst much ink has been spilt on the one per cent, relatively little work has been directed toward the other 99 per cent of a soldier's time. As such, this book will be welcomed by those seeking a fuller understanding of what makes soldiers endure war, and how they cope with prolonged periods of inaction. It explores the issue of military boredom and investigates how soldiers spent their time when not engaged in battle, work or training through a study of their creative, imaginative and intellectual lives. It examines the efforts of military authorities to provide solutions to military boredom (and the problem of discipline and morale) through the provisioning of entertainment and education, but more importantly explores the ways in which soldiers responded to such efforts, arguing that soldiers used entertainment and education in ways that suited them. The focus in the book is on Australians and their experiences, primarily during the First World War, but with subsequent chapters taking the story through the Second World War to the Vietnam War. This focus on a single national group allows questions to be raised about what might (or might not) be exceptional about the experiences of a particular national group, and the ways national identity can shape an individual's relationship and engagement with education and entertainment. It can also suggest the continuities and changes in these experiences through the course of three wars. The story of Australians at war illuminates a much broader story of the experience of war and people's responses to war in the twentieth century.




Smyllie's Ireland


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“A thoughtful, superbly researched and elegantly written study of one the most important pioneering Irish newspaper editors of the past 150 years.” —Journal of British Studies As Irish republicans sought to rid the country of British rule and influence in the early twentieth century, a clear delineation was made between what was “authentically” Irish and what was considered to be English influence. As a member of the Anglo-Irish elite who inhabited a precarious identity somewhere in between, Irish Times editor R. M. Smyllie found himself having to navigate the painful experience of being made to feel an outsider in his own homeland. In this engaging consideration of a bombastic, outspoken, and conflicted man, Caleb Wood Richardson offers a way of seeing Smyllie as representative of the larger Anglo-Irish experience. Richardson explores Smyllie’s experience in a German internment camp in World War I, his foreign correspondence work for the Irish Times at the Paris Peace Conference, and his guiding hand as an advocate for culture and intellectualism. Smyllie had a direct influence on the careers of writers such as Patrick Kavanagh and Louis MacNeice, and his surprising decision to include an Irish-language column in the paper had an enormous impact on the career of novelist Flann O’Brien. Smyllie, like many of his class, felt a strong political connection to England at the same time as he had enduring cultural dedications to Ireland. How Smyllie and his generation navigated the collision of identities and allegiances helped to define what Ireland is today. “Describes the rich history of Irish Protestants who found themselves aliens in their own land.” —Communication Booknotes Quarterly




The Bystander


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Tracing Your Prisoner of War Ancestors


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The experience of civilian internees and British prisoners of war in German and Turkish hands during the First World War is one of the least well-known and least researched aspects of the history of the conflict. The same applies to prisoners of war and internees held in the UK. Yet, as Sarah Paterson shows in this authoritative handbook, a wide-range of detailed and revealing information is available if you know where to look for it.Briefly she outlines the course of the campaigns in which British servicemen were captured, and she describes how they were treated and the conditions they endured. She locates the camps they were taken to and explains how they were run. She also shows how this emotive and neglected subject can be researched - how archives and records can be used to track down individual prisoners and uncover something of the lives they led in captivity.Her work will be an essential introduction for readers who are keen to get an insight into the experience of a POW or an internee during the First World War, and it will be an invaluable guide for anyone who is trying to trace an ancestor who was captured.




Current History


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The European War


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Oct.-Dec., 1916


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