Ruskin: Modern painters. Of general principles and of truth. 5 v
Author : John Ruskin
Publisher :
Page : 688 pages
File Size : 49,7 MB
Release : 1856
Category :
ISBN :
Author : John Ruskin
Publisher :
Page : 688 pages
File Size : 49,7 MB
Release : 1856
Category :
ISBN :
Author : John Ruskin
Publisher :
Page : 828 pages
File Size : 41,7 MB
Release : 1903
Category : Art critics
ISBN :
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author : John Ruskin
Publisher :
Page : 500 pages
File Size : 21,10 MB
Release : 1851
Category : Aesthetics
ISBN :
Author : John Ruskin
Publisher :
Page : 798 pages
File Size : 28,47 MB
Release : 1903
Category : Aesthetics
ISBN :
Author : John Ruskin
Publisher :
Page : 508 pages
File Size : 45,30 MB
Release : 1862
Category : Aesthetics
ISBN :
Author : John Ruskin
Publisher :
Page : 500 pages
File Size : 25,60 MB
Release : 1873
Category : Aesthetics
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Author :
Publisher :
Page : 712 pages
File Size : 43,34 MB
Release : 1968
Category : Catalogs, Union
ISBN :
Author : John Ruskin
Publisher :
Page : 510 pages
File Size : 41,45 MB
Release : 1886
Category :
ISBN :
Author : John Ruskin
Publisher :
Page : 502 pages
File Size : 46,53 MB
Release : 1858
Category : Aesthetics
ISBN :
Author : John Ruskin
Publisher : e-artnow
Page : 1262 pages
File Size : 12,58 MB
Release : 2021-04-06
Category : Art
ISBN :
Modern Painters is a five-volume work by the eminent Victorian art critic, John Ruskin. The work placed emphasis on symbolism in art, expressed through nature and it was influential on the early development of the Pre-Raphaelite Brotherhood. Ruskin wrote Modern Paintings for 17 years updating it and adding later volumes in subsequent years. The book was primarily written as a defense of the later work of J. M. W. Turner. Ruskin argues that recent painters emerging from the tradition of the picturesque are superior in the art of landscape to the old masters. He used the book to argue that art should devote itself to the accurate documentation of nature. In Ruskin's view, Turner had developed from early detailed documentation of nature to a later more profound insight into natural forces and atmospheric effects.