Truth about Russia


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Russia in the Shadows


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My Disillusionment in Russia


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In 1919, at the height of the anti-leftist Palmer Raids conducted by the Wilson administration, the anarchist activist and writer Emma Goldman was deported to the nascent Soviet Union. Despite initial plans to fight the deportation order in court, Goldman eventually acquiesced in order to take part in the new revolutionary Russia herself. While initially supportive of the Bolsheviks, with some reservations, Goldman’s firsthand experiences with Bolshevik oppression and corruption prompted her titular disillusionment and eventual emigration to Germany. In My Disillusionment in Russia, Goldman records her travels throughout Russia as part of a revolutionary museum commission, and her interactions with a variety of political and literary figures like Vladimir Lenin, Maxim Gorky, John Reed, and Peter Kropotkin. Goldman concludes her account with a critique of the Bolshevik ideology in which she asserts that revolutionary change in institutions cannot take place without corresponding changes in values. My Disillusionment in Russia had a troubled publication history, since the first American printing in 1923 omitted the last twelve chapters of what was supposed to be a thirty-three chapter book. (Somehow, the last chapters failed to reach the publisher, who did not suspect the book to be incomplete.) The situation was remedied with the publication of the remaining chapters in 1924 as part of a volume titled My Further Disillusionment in Russia. This Standard Ebooks edition compiles both volumes into a single volume, following the intent of the original manuscript. This book is part of the Standard Ebooks project, which produces free public domain ebooks.




Underground Russia


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Home Life in Russia


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Conquered City


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1919–1920: St. Petersburg, city of the czars, has fallen to the Revolution. Camped out in the splendid palaces of the former regime, the city’s new masters seek to cement their control, even as the counterrevolutionary White Army regroups. Conquered City, Victor Serge’s most unrelenting narrative, is structured like a detective story, one in which the new political regime tracks down and eliminates its enemies—the spies, speculators, and traitors hidden among the mass of common people. Conquered City is about terror: the Red Terror and the White Terror. But mainly about the Red, the Communists who have dared to pick up the weapons of power—police, guns, jails, spies, treachery—in the doomed gamble that by wielding them righteously, they can put an end to the need for terror, perhaps forever. Conquered City is their tragedy and testament.




How St. Petersburg Learned to Study Itself


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In the bookshops of present-day St. Petersburg, guidebooks abound. Both modern descriptions of Russia’s old imperial capital and lavish new editions of pre-Revolutionary texts sell well, primarily attracting an audience of local residents. Why do Russians read one- and two-hundred-year-old guidebooks to a city they already know well? In How St. Petersburg Learned to Study Itself, Emily Johnson traces the Russian fascination with local guides to the idea of kraevedenie. Kraevedenie (local studies) is a disciplinary tradition that in Russia dates back to the early twentieth century. Practitioners of kraevedenie investigate local areas, study the ways human society and the environment affect each other, and decipher the semiotics of space. They deconstruct urban myths, analyze the conventions governing the depiction of specific regions and towns in works of art and literature, and dissect both outsider and insider perceptions of local population groups. Practitioners of kraevedenie helped develop and popularize the Russian guidebook as a literary form. Johnson traces the history of kraevedenie, showing how St. Petersburg–based scholars and institutions have played a central role in the evolution of the discipline. Distinguished from obvious Western equivalents such as cultural geography and the German Heimatkunde by both its dramatic history and unique social significance, kraevedenie has, for close to a hundred years, served as a key forum for expressing concepts of regional and national identity within Russian culture. How St. Petersburg Learned to Study Itself is published in collaboration with the Harriman Institute at Columbia University as part of its Studies of the Harriman Institute series.




War and peace


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