Russian Writings on Hollywood
Author : Ayn Rand
Publisher : Ayn Rand Institute
Page : 0 pages
File Size : 36,5 MB
Release : 1999
Category : Motion pictures
ISBN : 9780962533631
Author : Ayn Rand
Publisher : Ayn Rand Institute
Page : 0 pages
File Size : 36,5 MB
Release : 1999
Category : Motion pictures
ISBN : 9780962533631
Author : Harlow Robinson
Publisher : UPNE
Page : 340 pages
File Size : 14,89 MB
Release : 2007
Category : Biography & Autobiography
ISBN : 9781555536862
The story of Russian emigres in Hollywood and the depiction of Russians in Hollywood films
Author : Tatiana Prorokova-Konrad
Publisher : Univ. Press of Mississippi
Page : 264 pages
File Size : 22,83 MB
Release : 2020-12-15
Category : Performing Arts
ISBN : 1496831136
Contributions by Thomas J. Cobb, Donna A. Gessell, Helena Goscilo, Cyndy Hendershot, Christian Jimenez, David LaRocca, Lori Maguire, Tatiana Prorokova-Konrad, Ian Scott, Vesta Silva, Lucian Tion, Dan Ward, and Jon Wiebel In recent years, Hollywood cinema has forwarded a growing number of images of the Cold War and entertained a return to memories of conflicts between the USSR and the US, Russians and Americans, and communism and capitalism. Cold War II: Hollywood’s Renewed Obsession with Russia explores the reasons for this sudden reestablished interest in the Cold War. Essayists examine such films as Guy Ritchie’s The Man from U.N.C.L.E., Steven Spielberg’s Bridge of Spies, Ethan Coen and Joel Coen’s Hail, Caesar!, David Leitch’s Atomic Blonde, Guillermo del Toro’s The Shape of Water, Ryan Coogler’s Black Panther, and Francis Lawrence’s Red Sparrow, among others, as well as such television shows as Comrade Detective and The Americans. Contributors to this collection interrogate the revival of the Cold War movie genre from multiple angles and examine the issues of patriotism, national identity, otherness, gender, and corruption. They consider cinematic aesthetics and the ethics of these representations. They reveal how Cold War imagery shapes audiences’ understanding of the period in general and of the relationship between the US and Russia in particular. The authors complicate traditional definitions of the Cold War film and invite readers to discover a new phase in the Cold War movie genre: Cold War II.
Author : Robert Mayhew
Publisher : Scarecrow Press
Page : 234 pages
File Size : 45,73 MB
Release : 2005
Category : Biography & Autobiography
ISBN : 9780810852761
In October 1947, more than twenty years after leaving Russia, Ayn Rand testified before the House Un-American Activities Committee (HUAC), which was investigating communist infiltration of the motion picture industry. The focus of that testimony was Song of Russia, a 1944 pro-Soviet film that Rand decried for its unrealistic, absurdly flattering portrait of life in the communist country. Ayn Rand scholar Robert Mayhew focuses on this controversial period of American and Hollywood history by examining both the film and the furor surrounding Rand's HUAC testimony. His analysis provides the first detailed history of any of the pro-Soviet films to come out of 1940s Hollywood. Mayhew begins by offering a brief synopsis of the MGM film, followed by an account of its production, as well as its reception. Most significantly, Mayhew analyzes Rand's appearance before HUAC and discusses the response to her much-maligned testimony. By carefully scrutinizing this one episode in the history of communism and anti-communism in 1940s Hollywood, Mayhew presents a more accurate picture of those times and the issues surrounding them. His study allows for a re-evaluation of the role of communism in Hollywood, the nature of the HUAC, and even the Hollywood Ten. This book should be of interest to anyone interested in the life and thought of Ayn Rand, as well as to anyone interested in the history of Hollywood communism and of American film.
Author : Boris Dralyuk
Publisher : Paul Dry Books
Page : 63 pages
File Size : 24,65 MB
Release : 2022-12-14
Category : Poetry
ISBN : 1589881672
"The wit and daring of his rhymes and phrasing remind me of that old master, Donald Justice, who dazzled us with the elegance of his forms. Dralyuk carries this high style into the 21st century, and I, for one, am thrilled to be in the presence of his marvelous verbal art. Pay attention, readers: a new maestro is in our midst."—Ilya Kaminsky, author of Deaf Republic and Dancing in Odessa "These [poems] are the souvenirs of an almost-vanished glamour, an ethnic, gritty, free-wheeling city, little fantasias encased in rhyme and meter."—Jesse Nathan, McSweeney's My Hollywood and Other Poems is a collection of lyric meditations on the experience of émigrés in Los Angeles. In forms ranging from ballades to villanelles to Onegin sonnets, the poems pursue the sublime in a tarnished landscape, seek continuity and mourn its loss in a town where change is the only constant. My Hollywood draws on the poet’s own life as a Jewish immigrant from the Soviet Union, honors the vanishing traces of the city’s past, and, in crisp and poignant translations, summons the voices of five Russian poets who spent their final years in LA, including the composer Vernon Duke. “Dralyuk embraces rhyme with a rare and admirable enthusiasm for sound and syllable, for musical variety and plays on words . . . [An] air of upbeat sorrow permeates My Hollywood. It’s an émigré mood, defined by the conviction that things could always be worse.”—New York Review of Books "Sophisticated, musical, and often humorous."—Booklist "Byronic rhymes are poetry’s answer to special effects, and Dralyuk’s skill at slipping them in—so that the art seems artless—is worthy of Industrial Light & Magic . . . What’s true of my favorite films is true of this book: the lines are first-rate, but it’s the images that linger.”— Austin Allen, The Hopkins Review "My Hollywood is a first-rate collection of precise, delightfully graceful poems, the poet as Fred Astaire tap-dancing up and down the lines."—Russian Life
Author : Franz, Norbert P.
Publisher : Universitätsverlag Potsdam
Page : 208 pages
File Size : 42,17 MB
Release : 2020
Category : Language Arts & Disciplines
ISBN : 3869564903
This book features four essays that illuminate the relationship between American and Soviet film cultures in the 20th century. The first essay emphasizes the structural similarities and dissimilarities of the two cultures. Both wanted to reach the masses. However, the goal in Hollywood was to entertain (and educate a little) and in Moscow to educate (and entertain a little). Some films in the Soviet Union as well as in the United States were conceived as clear competition to one another – as the second essay demonstrates – and the ideological opponent was not shown from its most advantageous side. The third essay shows how, in the 1980s, the different film cultures made it difficult for the Soviet director Andrei Konchalovsky to establish himself in the US, but nevertheless allowed him to succeed. In the 1960s, a genre became popular that tells the story of the Russian Civil War using stylistic features of the Western: The Eastern. Its rise and decline are analyzed in the fourth essay.
Author : Stephen M. Norris
Publisher : Indiana University Press
Page : 406 pages
File Size : 11,56 MB
Release : 2012-10-19
Category : History
ISBN : 0253007089
Seeking to rebuild the Russian film industry after its post-Soviet collapse, directors and producers sparked a revival of nationalist and patriotic sentiment by applying Hollywood techniques to themes drawn from Russian history. Unsettled by the government's move toward market capitalism, Russians embraced these historical blockbusters, packing the American-style multiplexes that sprouted across the country. Stephen M. Norris examines the connections among cinema, politics, economics, history, and patriotism in the creation of "blockbuster history"—the adaptation of an American cinematic style to Russian historical epics.
Author : Jonathan Gill
Publisher : Abrams
Page : 390 pages
File Size : 45,53 MB
Release : 2020-04-07
Category : Biography & Autobiography
ISBN : 1683358155
This true story of Golden Age Hollywood and Cold War espionage is a “captivating, fast-paced narrative [that] reads like a thriller” (Library Journal). Boris Morros was a major figure in the 1930s and ’40s. The head of music at Paramount, nominated for Academy Awards, he then went on to produce his own films with Laurel and Hardy, Fred Astaire, Henry Fonda, and others. But as J. Edgar Hoover would discover, these successes were a cover for one of the most incredible espionage tales in the history of the Cold War—Boris Morros also worked for Russian intelligence. Morros’s assignments took him to the White House, the Vatican, and deep behind the Iron Curtain. The high-level intel he provided the KGB included military secrets and compromising information on prominent Americans: his friends. But in 1947, Morros flipped. At the height of the McCarthy era, he played a leading role in a deadly tale. Jonathan Gill’s Hollywood Double Agent is an extraordinary story about Russian spies at the heart of American culture and politics, and one man caught in the middle of the Cold War. “Well-written and perceptive . . . Morros was an empty vessel who could be turned left or right depending on how it satisfied his personal interest.” —New York Journal of Books “Reads like an espionage thriller . . . with malevolent, powerful—and sometimes bumbling—characters.” —Kirkus Reviews “A fascinating and swift-reading biography.” —The Wall Street Journal
Author : Robert Mayhew
Publisher : Lexington Books
Page : 440 pages
File Size : 17,69 MB
Release : 2012-02-16
Category : Philosophy
ISBN : 0739149717
Ayn Rand remains a truly significant figure of modern philosophy. Her unique vision of a world in which man, relying on reason, acts wholly for his own good is skillfully developed and illustrated in her most famous novels, Atlas Shrugged and The Fountainhead. But Rand's first novel, We the Living, a lesser-known but no less important book, offers an early form of the author's nascent philosophy—the philosophy Rand later called Objectivism. In the second edition, Robert Mayhew once again brings together pre-eminent scholars of Rand's writing. The edition includes three new chapters, as well as an epilogue by renowned Rand-scholar Leonard Peikoff. In part a history of We the Living, from its earliest drafts to the Italian film later based upon it, Mayhew's collection goes on to explore the enduring significance of Rand's first novel as a work both of philosophy and of literature. For Ayn Rand scholars and fans alike, this enhanced second edition is a compelling examination of a novel that set the tone for some of the most influential philosophical literature to follow.
Author : Marina L. Levitina
Publisher : Bloomsbury Academic
Page : 0 pages
File Size : 10,35 MB
Release : 2020-09-17
Category : Art
ISBN : 9781350200050
Certain aspects of American popular culture had a formative influence on early Soviet identity and aspirations. Traditionally, Soviet Russia and the United States between the 1920s and the 1940s are regarded as polar opposites on nearly every front. Yet American films and translated adventure fiction were warmly received in 1920s Russia and partly shaped ideals of the New Soviet Person into the 1940s. Cinema was crucial in propagating this new social hero. While open admiration of American film stars and heroes of literary fiction in the Soviet press was restricted from the late 1920s onwards, many positive heroes of Soviet Socialist Realist films in the 1930s and 1940s were partially a product of Soviet Americanism of the previous decade. Some of the new Soviet heroes in films of the 1930s and 1940s possessed traits noticeably evocative of the previously popular American film stars such as Douglas Fairbanks, Pearl White and Mary Pickford. Others cinematically represented the contemporary trope of the 'Russian American,' an ideal worker exemplifying the Stalinist marriage of 'Russian revolutionary sweep' with 'American efficiency. 'Russian Americans' in Soviet Film analyses the content, reception and underlying influences of over 60 Soviet and American films, the book explores new territory in Soviet cinema and Soviet-American cultural relations. It presents groundbreaking archival research encompassing Soviet audience surveys, Soviet film journals and reviews, memoirs and articles by Soviet filmmakers, and scripts, among other sources. The book reveals that values of optimism, technological skill, efficiency and self-reliance - perceived as quintessentially American - were incorporated into new Soviet ideals through channels of cross-cultural dissemination, resulting in cultural synthesis.