Sacred Britannia


Book Description

A compelling new account of religion in Roman Britain, weaving together the latest archaeological research and a new analysis of ancient literature to illuminate parallels between past and present Two thousand years ago, the Romans sought to absorb into their empire what they regarded as a remote, almost mythical island on the very edge of the known world—Britain. The expeditions of Julius Caesar and the Claudian invasion of 43 CE, up to the traditional end of Roman Britain in the fifth century CE, brought fundamental and lasting changes to the island. Not least among these was a pantheon of new classical deities and religious systems, along with a clutch of exotic eastern cults, including Christianity. But what homegrown deities, cults, and cosmologies did the Romans encounter in Britain, and how did the British react to the changes? Under Roman rule, the old gods and their adherents were challenged, adopted, adapted, absorbed, and reconfigured. Miranda Aldhouse- Green balances literary, archaeological, and iconographic evidence (and scrutinizes the shortcomings of each) to illuminate the complexity of religion and belief in Roman Britain. She examines the two-way traffic of cultural exchange and the interplay between imported and indigenous factions to reveal how this period on the cusp between prehistory and history knew many of the same tensions, ideologies, and issues of identity still relevant today.




Censorship and the Representation of the Sacred in Nineteenth-century England


Book Description

Throughout the nineteenth century, the performance of sacred drama on the English public stage was prohibited by law and custom left over from the Reformation: successive Examiners of Plays, under the control of the Lord Chamberlain's Office, censored and suppressed both devotional and blasphemous plays alike. Whilst the Biblical sublime found expression in the visual arts, the epic, and the oratorio, nineteenth-century spoken drama remained secular by force of precedent and law. The maintenance of this ban was underpinned by Protestant anxieties about bodily performance, impersonation, and the power of the image that persisted long after the Reformation, and that were in fact bolstered by the return of Catholicism to public prominence after the passage of the Catholic Relief Act in 1829 and the restoration of the Catholic Archbishoprics in 1850. But even as anti-Catholic prejudice at mid-century reached new heights, the turn towards medievalism in the visual arts, antiquarianism in literary history, and the 'popular' in constitutional reform placed England's pre- Reformation past at the centre of debates about the uses of the public stage and the functions of a truly national drama. This book explores the recovery of the texts of the extant mystery-play cycles undertaken by antiquarians in the early nineteenth century and the eventual return of sacred drama to English public theatres at the start of the twentieth century. Consequently, law, literature, politics, and theatre history are brought into conversation with one another in order to illuminate the history of sacred drama and Protestant ant-theatricalism in England in the long nineteenth-century.










Literature and Religious Culture in Seventeenth-Century England


Book Description

Reid Barbour's 2002 study takes a fresh look at English Protestant culture in the reign of Charles I (1625–1649). In the decades leading into the civil war and the execution of their monarch, English writers explored the experience of a Protestant life of holiness, looking at it in terms of heroic endeavours, worship, the social order, and the cosmos. Barbour examines sermons and theological treatises to argue that Caroline religious culture comprises a rich and extensive stocktaking of the conditions in which Protestantism was celebrated, undercut, and experienced. Barbour argues that this stocktaking was also carried out in unusual and sometimes quite secular contexts; in the masques, plays and poetry of the era as well as in scientific works and diaries. This broad-ranging study offers an extensive appraisal of crucial seventeenth-century themes, and will be of interest to historians as well as literary scholars of the period.













Twilight of the Godlings


Book Description

Throughout the recorded history of Britain, belief in earthbound spirits presiding over nature, the home and human destiny has been a feature of successive cultures. From the localised deities of Britannia to the Anglo-Saxons' elves and the fairies of late medieval England, Britain's godlings have populated a shadowy, secretive realm of ritual and belief running parallel to authorised religion. Twilight of the Godlings delves deep into the elusive history of these supernatural beings, tracing their evolution from the pre-Roman Iron Age to the end of the Middle Ages. Arguing that accreted cultural assumptions must be cast aside in order to understand the godlings – including the cherished idea that these folkloric creatures are the decayed remnants of pagan gods and goddesses – this bold, revisionist book traces Britain's 'small gods' to a popular religiosity influenced by classical learning. It offers an exciting new way of grasping the island's most mysterious mythical inhabitants.




Rethinking the Ancient Druids


Book Description

Relevance of the religious beliefs and practices of past European societies can enhance understanding of our own. The popular notion of Druids is unpacked and debunked using archaeological evidence. New research findings are shared with readers in accessible and engaging ways, enhanced by copious illustrations that weave into the text. The book is thoroughly readable and tells stories of the past in a deeply compelling manner.