Sacred Rhetoric


Book Description

Modern approaches to preaching today are largely fixated on "how-to's"--how to make preaching more relevant, more interesting, more entertaining. Michael Pasquarello suggests that this fixation may stem from a preaching imagination more beholden to technical, scientific reason than theological wisdom. Rather than devising new techniques or strategies for effective speaking, Pasquarello offers something more salutary--portraits of ten exemplary preachers from the Christian tradition.Included in Pasquarello's gallery are Augustine of Hippo, Gregory the Great, Benedict, Bernard of Clairvaux, Bonaventure, Thomas Aquinas, Erasmus, Hugh Latimer, Martin Luther, and John Calvin. These excellent preachers conceived of Christian speech as a unique theological practice learned through prayerful attention to the Bible and aimed at communion with God.Sacred Rhetoric invites readers to join an extended conversation with the past in order to become faithful preachers of the gospel in a post-Christian society. Preachers, seminarians, and students of Christian history will find much to learn from Pasquarello's fresh perspective and passion for the past.




Sacred Rhetoric


Book Description




Sacred Rhetoric


Book Description

"There are no studies of a sacred grand style in the English Renaissance," writes Debora Shuger, "because even according to its practitioners it was not supposed to exist." Yet the grand style forms the unacknowledged center of traditional rhetorical theory. In this first history of the grand style, Professor Shuger explores the growth of a Christian aesthetic out of the Classical grand style, showing its development from Isocrates to the sacred rhetorics of the Renaissance. These rhetorics advocate a Christian grand style neither pedantically mimetic nor playfully sophistic, whose models include Tacitus and the Bible, as well as Cicero, and whose theoretical sources embrace not only Cicero and Quintilian, but Hermogenes and Longinus. This style dominates the best and most scholarly rhetorics of the period--texts written in Latin and, while ignored by most recent scholars, extensively used in England throughout the sixteenth and seventeenth centuries. These works are the first attempts since Augustine's pioneering revision of Ciceronian rhetoric to reground ancient rhetorical theory on Christian epistemology and theology. According to Professor Shuger, the Christian grand style is passionate, vivid, dramatic, metaphoric--yet this emotional energy and sensuousness is shaped and legitimated by Renaissance religious culture. Thus sacred rhetoric cannot be considered apart from contemporary theories of cognition, emotion, selfhood, and signification. It mediates between word and world. Moreover, these texts suggest the almost forgotten centrality of neo-Latin scholarship during these years and provide a crucial theoretical context for England's great flowering of devotional prose and poetry. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Evangelical Eloquence


Book Description

This classic contains the following chapters: I. Introductory II. The Preacher’s Commission III. Distribution of Subjects IV. The Same Topics – Continued V. The Text VI. The Text VII. Cardinal Requisites of the Sermon VIII. Cardinal Requisites of the Sermon IX. Constituent Members of the Sermon X. Constituent Members of the Sermon Continued: Explication and Proposition XI. Constituent Members of Discourse: Argument and Conclusion XII. Sources of Argument XIII. Rules of Argument XIV. Rules of Argument – Continued XV. Division of the Argument XVI. Persuasion XVII. Persuasion XVIII. Preacher’s Character With Hearers XIX. Style XX. Style – Continued XXI. Action XXII. Action – Continued XXIII. Modes of Preparation XXIV. Public Prayer




Teaching Preaching


Book Description

"If you ain't got no proposition, you ain't got no sermon neither." This was the battle cry of Isaac Rufus Clark, one of the most influential and colorful professors of homiletics in the black church in the twentieth century. Clark taught at the Interdenominational Theological Center in Atlanta for twenty-seven years (1962-1989). In Teaching Preaching, Katie Cannon, one of Clark's myriad preaching protégés, conceives her role as purely "presentational": "to bring Clark face to face with a reading audience, allow him to explain the formal elements of preaching from the inside out." Teaching Preaching is an invaluable resource for ministers who struggle from Sunday to Sunday to find their ethical voice in the preparation of each and every sermon.




Black Sacred Rhetoric


Book Description

Rev. Wyatt Tee Walker, Chief of Staff for Dr. Martin Luther King, Jr., states: "Black Sacred Rhetoric is an invaluable addition to the cultural history of African Americans. Gregory Howard has made an inestimable contribution to understanding the resilience of the Black faith community... As a cultural historian, I welcome this creative and seminal work..."Katie Geneva Cannon, Annie Scales Rogers Professor for Christian Ethics at Union Theological Seminary states: "This commentary is much-needed both in the church and in terms of the ongoing rhetorical conversations taking place in the theological academy. Howard is entirely at ease with the basic principles and assumptions that drive Black Preaching."Rev. Angelo V. Chatmon Director of Church Relations at Virginia Union University states: "Howard presents the linguistic expressions which have emerged out of "Black Preaching" as a theologically credible and contributing partner in the language of preaching."




Manual of Sacred Rhetoric


Book Description




The Art of Eloquence


Book Description

"During his lifetime, Rev. Dr. Gardner C. Taylor was hailed by TIME magazine as the dean of America's black preachers. Newsweek honored him as one of the 12 greatest preachers in the English-speaking world. A civil rights leader, a Presidential Medal of Honor recipient, and a longtime pastor, Taylor was called "the poet laureate of American Protestantism." In this critical volume, scholar and pastor Joseph Evans analyzes the art of Taylor's preaching according to the five classical canons of rhetoric, celebrating in particular his excellence in narrative eloquence, which was the heart of his persuasive proclamation. Through a close reading of Taylor's sermons and careful scholarship in the discipline of rhetoric, Evans provides homileticians and rhetoricians alike with an incisive and accessible understanding of the oratorical brilliance of the man whose eloquence transcended theological boundaries and sociopolitical and cultural constructs"--




Sacred Rhetoric


Book Description

Modern approaches to preaching today are largely fixated on "how-to's"--how to make preaching more relevant, more interesting, more entertaining. Michael Pasquarello suggests that this fixation may stem from a preaching imagination more beholden to technical, scientific reason than theological wisdom. Rather than devising new techniques or strategies for effective speaking, Pasquarello offers something more salutary--portraits of ten exemplary preachers from the Christian tradition. Included in Pasquarello's gallery are Augustine of Hippo, Gregory the Great, Benedict, Bernard of Clairvaux, Bonaventure, Thomas Aquinas, Erasmus, Hugh Latimer, Martin Luther, and John Calvin. These excellent preachers conceived of Christian speech as a unique theological practice learned through prayerful attention to the Bible and aimed at communion with God. Sacred Rhetoric invites readers to join an extended conversation with the past in order to become faithful preachers of the gospel in a post-Christian society. Preachers, seminarians, and students of Christian history will find much to learn from Pasquarello's fresh perspective and passion for the past.




Interpreting Sacred Ground


Book Description

Interpreting Sacred Ground is a rhetorical analysis of Civil War battlefields and parks, and the ways various commemorative traditions—and their ideologies of race, reconciliation, emancipation, and masculinity—compete for dominance. The National Park Service (NPS) is known for its role in the preservation of public sites deemed to have historic, cultural, and natural significance. In Interpreting Sacred Ground, J. Christian Spielvogel studies the NPS’s secondary role as an interpreter or creator of meaning at such sites, specifically Gettysburg National Military Park, Harpers Ferry National Historical Park, and Cold Harbor Visitor Center. Spielvogel studies in detail the museums, films, publications, tours, signage, and other media at these sites, and he studies and analyzes how they shape the meanings that visitors are invited to construct. Though the NPS began developing interpretive exhibits in the 1990s that highlighted slavery and emancipation as central facets to understanding the war, Spielvogel argues that the NPS in some instances preserves outmoded narratives of white reconciliation and heroic masculinity, obscuring the race-related causes and consequences of the war as well as the war’s savagery. The challenges the NPS faces in addressing these issues are many, from avoiding unbalanced criticism of either the Union or the Confederacy, to foregrounding race and violence as central issues, preserving clear and accurate renderingsof battlefield movements and strategies, and contending with the various public constituencies with their own interpretive stakes in the battle for public memory. Spielvogel concludes by arguing for the National Park Service’s crucial role as a critical voice in shaping twentieth-first-century Civil War public memory and highlights the issues the agency faces as it strives to maintain historical integrity while contending with antiquated renderings of the past.