Sacrifice and Modern War Literature


Book Description

Sacrifice and Modern War Literature is the first book to explore how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. It has been common for critics to argue that after the First World War many of the cultural and religious values associated with sacrifice have been increasingly rejected by writers and others. However, this volume shows that literature has continued to address how different conceptions of sacrifice have been invoked in times of war to convert losses into gains or ideals. While those conceptions have sometimes been rooted in a secular rationalism that values lost lives in terms of political or national victories, spiritual and religious conceptions of sacrifice are also still in evidence, as with the 'martyrdom operations' of jihadis fighting against the 'war on terror'. Each chapter presents fresh insights into the literature of a particular conflict and the contributions explore major war writers including Wordsworth, Kipling, Ford Madox Ford, and Elizabeth Bowen, as well as lesser known authors such as Dora Sigerson, Richard Aldington, Thomas Kinsella, and Nadeem Aslam. The volume covers multiple genres including novels, poetry (particularly elegy and lyric), memoirs, and some films. The contributions address a rich array of topics related to wartime sacrifice including scapegoating, martyrdom, religious faith, tragedy, heroism, altruism, 'bare life', atonement, and redemption.




Sacrifice and Modern War Writing


Book Description

Sacrifice and Modern War Writing presents the most extensive study to date of twentieth- and twenty-first-century war writing. Examining works by over 110 authors, Alex Houen surveys how war writing explores sacrifice in relation to major modern and contemporary conflicts, from the First World War to the War on Terror. Various conceptions of sacrifice are examined, including Christian, Jewish, Islamic, and secular. The discussion ranges across literary portrayals of multiple sacrificial practices, including ancient rituals of child sacrifice, martyrdom, scapegoating, and suicide bombing. Houen builds an innovative interdisciplinary approach to how war, sacrifice, and their representations interrelate, and a wide range of Anglophone literature is discussed, including novels, memoirs, short stories, essays, manifestoes, elegies, ballads, and lyric poetry. Whereas critics and theorists have tended to emphasize that war's reality exceeds any attempt to represent it, Houen contends that political, religious, and cultural frames of sacrifice have continued to play a significant part in shaping how war's reality is shaped and experienced. Those frames are inextricably tied to modes of representation, which include symbolism and mimesis. Sacrifice and Modern War Writing explores how sacrificial killing in war is itself riddled with symbolic transfigurations and mimetic exchanges, and it builds a fresh approach by arguing that the figurative and imaginative aspects of literary writing ironically become its very means of engaging closely with the reality of war's sacrifices. That approach also develops by using the literary analyses to critique and revise various prominent theories of sacrifice and war.




Bloody Good


Book Description

In the popular imagination, World War I stands for the horror of all wars. The unprecedented scale of the war and the mechanized weaponry it introduced to battle brought an abrupt end to the romantic idea that soldiers were somehow knights in shining armor who always vanquished their foes and saved the day. Yet the concept of chivalry still played a crucial role in how soldiers saw themselves in the conflict. Here for the first time, Allen J. Frantzen traces these chivalric ideals from the Great War back to their origins in the Middle Ages and shows how they resulted in highly influential models of behavior for men in combat. Drawing on a wide selection of literature and images from the medieval period, along with photographs, memorials, postcards, war posters, and film from both sides of the front, Frantzen shows how such media shaped a chivalric ideal of male sacrifice based on the Passion of Jesus Christ. He demonstrates, for instance, how the wounded body of Christ became the inspiration for heroic male suffering in battle. For some men, the Crucifixion inspired a culture of revenge, one in which Christ's bleeding wounds were venerated as badges of valor and honor. For others, Christ's sacrifice inspired action more in line with his teachings—a daring stay of hands or reason not to visit death upon one's enemies. Lavishly illustrated and eloquently written, Bloody Good will be must reading for anyone interested in World War I and the influence of Christian ideas on modern life.




Sacrifice and Modern War Literature


Book Description

Sacrifice and Modern War Literature is the first book to explore how writers from the early nineteenth century to the present have addressed the intimacy of sacrifice and war. It has been common for critics to argue that after the First World War many of the cultural and religious values associated with sacrifice have been increasingly rejected by writers and others. However, this volume shows that literature has continued to address how different conceptions of sacrifice have been invoked in times of war to convert losses into gains or ideals. While those conceptions have sometimes been rooted in a secular rationalism that values lost lives in terms of political or national victories, spiritual and religious conceptions of sacrifice are also still in evidence, as with the 'martyrdom operations' of jihadis fighting against the 'war on terror'. Each chapter presents fresh insights into the literature of a particular conflict and the contributions explore major war writers including Wordsworth, Kipling, Ford Madox Ford, and Elizabeth Bowen, as well as lesser known authors such as Dora Sigerson, Richard Aldington, Thomas Kinsella, and Nadeem Aslam. The volume covers multiple genres including novels, poetry (particularly elegy and lyric), memoirs, and some films. The contributions address a rich array of topics related to wartime sacrifice including scapegoating, martyrdom, religious faith, tragedy, heroism, altruism, 'bare life', atonement, and redemption.




War Stories


Book Description

This “layered, nuanced, and focused study” of Civil War era writings reveals a popular sense of patriotism and hope in the midst of loss (Journal of American History). The American Civil War is often seen as the first modern war, not least because of the immense suffering it inflicted. Yet unlike later conflicts, it did not produce an outpouring of disillusionment or cynicism in public or private discourse. In fact, most people portrayed the war in highly sentimental and patriotic terms. While scholars typically dismiss this everyday writing as simplistic or naïve, Frances M. Clarke argues that we need to reconsider the letters, diaries, songs, and journalism penned by Union soldiers and their caregivers to fully understand the war’s impact and meaning. In War Stories, Clarke revisits the most common stories that average Northerners told in hopes of redeeming their suffering and hardship—stories that enabled people to express their beliefs about religion, community, and personal character. From tales of Union soldiers who died heroically to stories of tireless volunteers who exemplified the Republic’s virtues, War Stories sheds new light on this transitional moment in the history of war, emotional culture, and American civic life.




War and American Literature


Book Description

This book examines representations of war throughout American literary history, providing a firm grounding in established criticism and opening up new lines of inquiry. Readers will find accessible yet sophisticated essays that lay out key questions and scholarship in the field. War and American Literature provides a comprehensive synthesis of the literature and scholarship of US war writing, illuminates how themes, texts, and authors resonate across time and wars, and provides multiple contexts in which texts and a war's literature can be framed. By focusing on American war writing, from the wars with the Native Americans and the Revolutionary War to the recent wars in Iraq and Afghanistan, this volume illuminates the unique role representations of war have in the US imagination.




The Soldier


Book Description

Told through the stories of the combatants themselves, this unique history of the soldier provides a penetrating insight into the politics, emotions and psychology of war and its aftermath. Focusing primarily on the period from the Napoleonic Wars to the Global War on Terror, Darren Moore draws upon hundreds of narrative accounts of warfare written by soldiers from the UK, France, the USA, Canada, Japan, Italy, New Zealand, Russia, Australia, Israel and Germany, to tell their story from basic training to discharge or death. Darren Moore lets the soldiers' own words reveal how they confront the possibility of being mutilated or killed; the mental and social conditioning that enables them to kill in battle; and the anguish of killing their comrades, whether through the death penalty or as a result of 'friendly fire'. The book also examines the relationship between love, sex and war and reveals the 'trial by media' faced by modern soldiers. "The Soldier" is a compelling tribute to our servicemen and women that is both topical and timeless.




Wordsworth After War


Book Description

William Wordsworth's later poetry complicates possibilities of life and art in war's aftermath. This illuminating study provides new perspectives and reveals how his work following the end of the revolutionary and Napoleonic wars reflects a passionate, lifelong engagement with the poetics and politics of peace. Focusing on works from between 1814 and 1822, Philip Shaw constructs a unique and compelling account of how Wordsworth, in both his ongoing poetic output and in his revisions to earlier works, sought to modify, refute, and sometimes sustain his early engagement with these issues as both an artist and a political thinker. In an engaging style, Shaw reorients our understanding of the later writings of a major British poet and the post-war literary culture in which his reputation was forged. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.




Life, Death, and the Western Way of War


Book Description

Life, Death, and the Western Way of War traces when and how western soldiers--once regarded as simple fighting tools--became the far less expendable beings that we know today. In Kant's terms, the study traces the process through which soldiers have been turned from mere military means into ends in themselves. The book argues that such a major transformation is largely the result of a shift in the social meaning ascribed to soldiers' death. It suggests that looking at death can somehow provide a privileged angle to understanding the value that societies attach to life. The narrative emerging from the empirical evidence will show that the story of attitudes towards soldiers' death is the story of a gradual, increasing process of individualization in the social meaning attached to human loss in war. Such a development, which took centuries to emerge in full, was neither simple nor linear. It was a process that the state was temporarily able to frame in the collective narrative of the nation, but which ultimately has seen the increasing importance of the life of the individual soldier. In tracing the process through which soldiers have been turned from an amorphous collective into distinct individuals, this book shows how the emphasis on the primacy of the individual has further eroded the effectiveness of western warfare as an instrument of foreign policy. In particular, the modern, liberal conception of the soldier has had the unintended consequence of jeopardizing the Clausewitzian relationship between military means and political ends.




The American Novel of War


Book Description

In song, verse, narrative, and dramatic form, war literature has existed for nearly all of recorded history. Accounts of war continue to occupy American bestseller lists and the stacks of American libraries. This innovative work establishes the American novel of war as its own sub-genre within American war literature, creating standards by which such works can be classified and critically and popularly analyzed. Each chapter identifies a defining characteristic, analyzes existing criticism, and explores the characteristic in American war novels of record. Topics include violence, war rhetoric, the death of noncombatants, and terrain as an enemy.