Sand Theory


Book Description

The poems in Sand Theory, William Olsen’s fifth collection to date, bristle with intellect, sensitivity, and ambition. Engaging poets from William Blake to Theodore Roethke, Olsen takes aim at grand questions of spirituality, the instability of meaning, and the individual’s relationship with the natural world. Yet Olsen’s lithe and sinuous poems wear their metaphysical concerns lightly, shifting easily between the immediate perceptions of a passing moment and observations offered as if from a great distance, outside of time and space. The energy of Olsen’s poems is generated by his ability to meld the intellectual and the emotional, the abstract and the concrete, into a seamless whole while maintaining a sense of wit and playfulness. Sand Theory cements Olsen’s standing as one of the most vital poets writing today, an audacious chronicler of “the supremely open moment.”




Paradigms and Sand Castles


Book Description

Paradigms and Sand Castles demonstrates the relationship between thoughtful research design and the collection of persuasive evidence in support of theory. It teaches the craft of research through interesting and carefully selected examples from the field of comparative development studies. Barbara Geddes is Professor of Political Science at the University of California, Los Angeles.




Built on Sand


Book Description

Explaining the science contained in a simple assembly of grains—the most abundant form of matter present on Earth. Granular media—composed of vast amounts of grains, consolidated or not—constitute the most abundant form of solid matter on Earth. Granular materials assemble in disordered configurations scientists often liken to a bag of marbles. Made of macroscopic particles rather than molecules, they defy the standard scheme of classification in terms of solid, liquid, and gas. Granular materials provide a model relevant to various domains of research, including engineering, physics, and biology. William Blake famously wished “To See a World in a Grain of Sand”; in this book, pioneering researchers in granular matter explain the science hidden behind simple grains, shedding light on collective behavior in disordered settings in general. The authors begin by describing the single grain with its different origins, shapes, and sizes, then examine grains in piled or stacked form. They explain the packing fraction of granular media, a crucial issue that bears on the properties displayed in practical applications; explore small-scale deformations in piles of disordered grains, with particular attention to friction; and present theories of various modes of disorder. Along the way, they discuss such concepts as force chains, arching effects, wet grains, sticky contacts, and inertial effects. Drawing on recent numerical simulations as well as classical concepts developed in physics and mechanics, the book offers an accessible introduction to a rapidly developing field.




The Theory of the Grain of Sand


Book Description

Gholam Mortiza Khan comes to Brüsel to sell some jewelry, but before the sale can be closed, Khan dies in an accident. Thus begins events sparking an investigation by Mary von Rathen: accumulation of sand in the apartment of Kristin Antipova; accumulation of stones in the house of Constant Abeels and Maurice who is loosing weight by the day. The events have a catastrophic effect on Brüsel and time is of the essence. Newly translated into English by Ivanka Hahnenberger and Steve Smith, and edited by Steve Smith (translator of The Leaning Girl and The Beauty) and Karen Copeland at Alaxis Press for publication by IDW.




Sand, Water, Silence - The Embodiment of Spirit


Book Description

Therapists often encounter people who have suffered severe emotional damage resulting in feelings of psychological fragmentation. Sandplay therapy, which combines the physical actions of play with observation and understanding through the use of symbolism, can be a useful method of treating this kind of damage. This book focuses on the theoretical aspects of sandplay therapy, presenting Dora M. Kalff's ideas and drawing out the significance of Kalffian sandplay for therapists. Building on Kalffian ideas of the integration of Eastern and Western thought in relation to healing through sandplay, the author explores theories in quantum physics and Eastern philosophies. Her theoretical insights are illustrated with clinical examples, and her book will be of great interest to arts therapists and to students of related disciplines.




Disguise in George Sand's Novels


Book Description

Sandian heroines swirl around men in their sororal and sartorial disguises like moths around candle flames. However, as Disguise in George Sand's Novels illustrates, the disguise is not an instrument to seduce men but rather to assert the heroines' true selves. The portrayal of female and androgynous protagonists in Rose et Blanche (1831), Indiana (1832), Lélia (1833/39), Gabriel (1839), Consuelo (1842), and La Comtesse de Rudolstadt (1844) is a metaphor to demonstrate the continuity of identities before and after the disguise as George Sand stipulates in her theory of the ménechme. Disguise in George Sand's Novels explores the maturation process of Romantic and artistically inclined heroines and highlights the spiritual meaning of the disguise as a rite of passage for the birth of a new type of protagonist: spiritual, self-assertive, and dedicated to erasing gender inequality and helping the poor.




Sandplay


Book Description

Sandplay is one of the fastest growing therapies. What are its origins, who were it pioneers, and how have they influenced the current practice of sandplay? What does the future hold? Rie Rogers Mitchell and Harriet S. Friedman have written a unique book that answers all these questions and many more. They give an overview of the historical origins of sandplay, including biographical profiles of the innovators together with discussions of their seminal writings. The five main therapeutic trends are explored, and in a final chapter the future of sandplay is discussed through addressing emerging issues and concerns. A special feature is a comprehensive international bibliography as well as a listing of sandtray videotapes and audiotapes.




Sand Therapy for Out of Control Sexual Behavior, Shame, and Trauma


Book Description

This book is designed to educate sex therapists and mental health professionals on the power of using sand when treating sexual issues, providing guidance in accessing their clients’ unconscious to seek new ways of healing. Uniquely integrating sex therapy with sand therapy, Dawson describes how understanding and applying non-pathological theories and neuroscience to different modalities, such as Internal Family Systems and Polyvagal Theory, can help clients move forward from shame, sexual dysfunctions, and trauma. The book begins by introducing how therapists can use sand as a doorway into using metaphor and imagery in their practice, with information on how the nervous system keeps somatic experiences trapped in the body being explored. Written in an easy, accessible style, the book also includes handouts, belief cards, and case studies throughout to help therapists see the benefits of using sand with clients in practice. Including forewords by Dr. Lorraine Freedle and Doug Braun-Harvey, this book is geared toward mental health professionals, such as sex therapists and marriage and family therapists, who are working with individuals and couples seeking treatment from complex trauma and mental and sexual health issues. It will appeal to students as well as advanced mental health clinicians looking to expand their therapeutic tool kit.







Vision in the Novels of George Sand


Book Description

The nineteenth-century novelist, George Sand, is most famous today for her tumultuous love life and trouser-wearing days in Paris, but she achieved major commercial and critical success in her day and has gradually made her way back into the literary canon. Mainly known for her pastoral tales and allegedly simplistic idealism, Sand in fact produced around ninety novels which experiment with a wide range of themes, forms and aesthetic models. This book offers thefirst study of vision in Sand's works. It argues that, rather than rejecting reality in favour of the ideal, Sand integrates physical observation with internal forms of seeing such as the imaginationand visionary insights. The study maintains that Sand's understanding of vision provides the basis for her distinctive style and challenges conventional categorisations of the novel in this period.