Sandino's Daughters


Book Description

Sandino's Daughters, Margaret Randall's conversations with Nicaraguan women in their struggle against the dictator Somoza in 1979, brought the lives of a group of extraordinary female revolutionaries to the American and world public. The book remains a landmark. Now, a decade later, Randall returns to interview many of the same women and others. In Sandino's Daughters Revisited, they speak of their lives during and since the Sandinista administration, the ways in which the revolution made them strong--and also held them back. Ironically, the 1990 defeat of the Sandinistas at the ballot box has given Sandinista women greater freedom to express their feelings and ideas.




Sandinista


Book Description

“A must-read for anyone interested in Nicaragua—or in the overall issue of social change.”—Margaret Randall, author of SANDINO'S DAUGHTERS and SANDINO'S DAUGHTERS REVISITED Sandinista is the first English-language biography of Carlos Fonseca Amador, the legendary leader of the Sandinista National Liberation Front of Nicaragua (the FSLN) and the most important and influential figure of the post–1959 revolutionary generation in Latin America. Fonseca, killed in battle in 1976, was the undisputed intellectual and strategic leader of the FSLN. In a groundbreaking and fast-paced narrative that draws on a rich archive of previously unpublished Fonseca writings, Matilde Zimmermann sheds new light on central themes in his ideology as well as on internal disputes, ideological shifts, and personalities of the FSLN. The first researcher ever to be allowed access to Fonseca’s unpublished writings (collected by the Institute for the Study of Sandinism in the early 1980s and now in the hands of the Nicaraguan Army), Zimmermann also obtained personal interviews with Fonseca’s friends, family members, fellow combatants, and political enemies. Unlike previous scholars, Zimmermann sees the Cuban revolution as the crucial turning point in Fonseca’s political evolution. Furthermore, while others have argued that he rejected Marxism in favor of a more pragmatic nationalism, Zimmermann shows how Fonseca’s political writings remained committed to both socialist revolution and national liberation from U.S. imperialism and followed the ideas of both Che Guevara and the earlier Nicaraguan leader Augusto César Sandino. She further argues that his philosophy embracing the experiences of the nation’s workers and peasants was central to the FSLN’s initial platform and charismatic appeal.




Sandino's Daughters Revisited


Book Description

Randall interviewed these outspoken women from all walks of life: working-class Diana Espinoza, head bookkeeper of an employee-owned factory; Daisy Zamora, a vice minister of culture under the Sandinistas; and Vidaluz Meneses, daughter of a Somozan official, who ties her revolutionary ideals to her Catholicism. The voices of these women, along with nine others, lead us to recognize both the failed promises and continuing attraction of the Sandinista movement for women.




Women & Guerrilla Movements


Book Description

The revolutionary movements that emerged frequently in Latin America over the past century promoted goals that included overturning dictatorships, confronting economic inequalities, and creating what Cuban revolutionary hero Che Guevara called the &"new man.&" But, in fact, many of the &"new men&" who participated in these movements were not men. Thousands of them were women. This book aims to show why a full understanding of revolutions needs to take account of gender. Karen Kampwirth writes here about the women who joined the revolutionary movements in Nicaragua, El Salvador, and the Mexican state of Chiapas, about how they became guerrillas, and how that experience changed their lives. In the last chapter she compares what happened in these countries with Cuba in the 1950s, where few women participated in the guerrilla struggle. Drawing on more than two hundred interviews, Kampwirth examines the political, structural, ideological, and personal factors that allowed many women to escape from the constraints of their traditional roles and led some to participate in guerrilla activities. Her emphasis on the experiences of revolutionaries adds a new dimension to the study of revolution, which has focused mainly on explaining how states are overthrown.




To Change the World


Book Description

In To Change the World, the legendary writer and poet Margaret Randall chronicles her decade in Cuba from 1969 to 1980. Both a highly personal memoir and an examination of the revolution's great achievements and painful mistakes, the book paints a portrait of the island during a difficult, dramatic, and exciting time. Randall gives readers an inside look at her children's education, the process through which new law was enacted, the ins and outs of healthcare, employment, internationalism, culture, and ordinary people's lives. She explores issues of censorship and repression, describing how Cuban writers and artists faced them. She recounts one of the country's last beauty pageants, shows us a night of People's Court, and takes us with her when she shops for her family's food rations. Key figures of the revolution appear throughout, and Randall reveals aspects of their lives never before seen. More than fifty black and white photographs, most by the author, add depth and richness to this astute and illuminating memoir. Written with a poet's ear, depicted with a photographer's eye, and filled with a feminist vision, To Change the Worldùneither an apology nor gratuitous attackùadds immensely to the existing literature on revolutionary Cuba.




When I Look Into the Mirror and See You


Book Description

Through direct testimony, historical narrative, and photographs, relates the 1980's kidnap, imprisonment, and torture of social activists Nora Miselem of Hondurus and Maria Suarez Toro of Costa Rica. Details the support they gave each other during incarceration, what they did to achieve release, and their attempts to reconstruct their lives afterwards. [back cover].




Blood on the Border


Book Description

Human rights activist and historian Roxanne Dunbar-Ortiz has been described as “a force of nature on the page and off.” That force is fully present in Blood on the Border, the third in her acclaimed series of memoirs. Seamlessly blending the personal and the political, Blood on the Border is Dunbar-Ortiz’s firsthand account of the decade-long dirty war pursued by the Contras and the United States against the people of Nicaragua. With the 1981 bombing of a Nicaraguan plane in Mexico City—a plane Dunbar-Ortiz herself would have been on if not for a delay—the US-backed Contras (short for los contrarrevolucionarios) launched a major offensive against Nicaragua’s Sandinista regime, which the Reagan administration labeled as communist. While her rich political analysis of the US-Nicaraguan relationship bears the mark of a trained historian, Dunbar-Ortiz also writes from her perspective as an intrepid activist who spent months at a time throughout the 1980s in the war-torn country, especially in the remote northeastern region, where the Indigenous Miskitu people were relentlessly assailed and nearly wiped out by CIA-trained Contra mercenaries. She makes painfully clear the connections between what many US Americans today remember only vaguely as the Iran-Contra “affair” and ongoing US aggression in the Americas, the Middle East, and around the world—connections made even more explicit in a new afterword written for this edition. A compelling, important, and sobering story on its own, Blood on the Border offers a deeply informed, closely observed, and heartfelt view of history in the making.




Children and War


Book Description

Children have always been involved in warfare. This text shows that they have contributed to home front war efforts and that war-time experiences have always affected the ways children of war perceive themselves and their societies.




Before the Revolution


Book Description

Those who survived the brutal dictatorship of the Somoza family have tended to portray the rise of the women’s movement and feminist activism as part of the overall story of the anti-Somoza resistance. But this depiction of heroic struggle obscures a much more complicated history. As Victoria González-Rivera reveals in this book, some Nicaraguan women expressed early interest in eliminating the tyranny of male domination, and this interest grew into full-fledged campaigns for female suffrage and access to education by the 1880s. By the 1920s a feminist movement had emerged among urban, middle-class women, and it lasted for two more decades until it was eclipsed in the 1950s by a nonfeminist movement of mainly Catholic, urban, middle-class and working-class women who supported the liberal, populist, patron-clientelistic regime of the Somozas in return for the right to vote and various economic, educational, and political opportunities. Counterintuitively, it was actually the Somozas who encouraged women's participation in the public sphere (as long as they remained loyal Somocistas). Their opponents, the Sandinistas and Conservatives, often appealed to women through their maternal identity. What emerges from this fine-grained analysis is a picture of a much more complex political landscape than that portrayed by the simplifying myths of current Nicaraguan historiography, and we can now see why and how the Somoza dictatorship did not endure by dint of fear and compulsion alone.




Walking on Fire


Book Description

Haiti, long noted for poverty and repression, has a powerful and too-often-overlooked history of resistance. Women in Haiti have played a large role in changing the balance of political and social power, even as they have endured rampant and devastating state-sponsored violence, including torture, rape, abuse, illegal arrest, disappearance, and assassination. Beverly Bell, an activist and an expert on Haitian social movements, brings together thirty-eight oral histories from a diverse group of Haitian women. The interviewees include, for example, a former prime minister, an illiterate poet, a leading feminist theologian, and a vodou dancer. Defying victim status despite gender- and state-based repression, they tell how Haiti's poor and dispossessed women have fought for their personal and collective survival. The women's powerfully moving accounts of horror and heroism can best be characterized by the Creole word istwa, which means both "story" and "history." They combine theory with case studies concerning resistance, gender, and alternative models of power. Photographs of the women who have lived through Haiti's recent past accompany their words to further personalize the interviews in Walking on Fire.