Venus and the Arts of Love in Renaissance Florence


Book Description

In this volume, Rebekah Compton offers the first survey of Venus in the art, culture, and governance of Florence from 1300 to 1600. Organized chronologically, each of the six chapters investigates one of the goddess's alluring attributes – her golden splendor, rosy-hued complexion, enchanting fashions, green gardens, erotic anatomy, and gifts from the sea. By examining these attributes in the context of the visual arts, Compton uncovers an array of materials and techniques employed by artists, patrons, rulers, and lovers to manifest Venusian virtues. Her book explores technical art history in the context of love's protean iconography, showing how different discourses and disciplines can interact in the creation and reception of art. Venus and the Arts of Love in Renaissance Florence offers new insights on sight, seduction, and desire, as well as concepts of gender, sexuality, and viewership from both male and female perspectives in the early modern era.




Botticelli and the Search for the Divine


Book Description

"Perhaps more than any other painter, Sandro Botticelli (about 1445-1510) exemplifies the artistic achievement of Renaissance Florence in the 15th century. "Botticelli and the Search for the Divine," organized by the Muscarelle Museum of Art at the College of William & Mary and Italy's Metamorfosi Associazione Culturale, explores the dramatic changes in the artist's style and subject matter--from poetic depictions of classical gods and goddesses to austere sacred themes--reflecting the shifting political and religious climate of Florence during his lifetime."--Exhibition website.







Changing Patrons: Social Identity and the Visual Arts in Renaissance Florence


Book Description

To whom should we ascribe the great flowering of the arts in Renaissance Italy? Artists like Botticelli and Michelangelo? Or wealthy, discerning patrons like Cosimo de' Medici? In recent years, scholars have attributed great importance to the role played by patrons, arguing that some should even be regarded as artists in their own right. This approach receives sharp challenge in Jill Burke's Changing Patrons, a book that draws heavily upon the author's discoveries in Florentine archives, tracing the many profound transformations in patrons' relations to the visual world of fifteenth-century Florence. Looking closely at two of the city's upwardly mobile families, Burke demonstrates that they approached the visual arts from within a grid of social, political, and religious concerns. Art for them often served as a mediator of social difference and a potent means of signifying status and identity. Changing Patrons combines visual analysis with history and anthropology to propose new interpretations of the art created by, among others, Botticelli, Filippino Lippi, and Raphael. Genuinely interdisciplinary, the book also casts light on broad issues of identity, power relations, and the visual arts in Florence, the cradle of the Renaissance.




Botticelli


Book Description

Florence's golden child: The Early Renaissance master During Sandro Botticelli's lifetime (1444/45-1510), the influence of his art scarcely reached beyond his native Florence, and following his death he was soon forgotten, to be rediscovered only in the 19th century by the Pre-Raphaelites. Since then, Botticelli has ranked among the greatest of the Renaissance artists. In the Uffizi Gallery in Florence, paintings such as"Primavera" and "The Birth of Venus" are among the foremost attractions for tourists and art lovers. Botticelli's captivating figures of women, his intimate portrayals of the Madonna and Child, and the angelic beauty of his adolescents are famous the world over today. The artist's life and work are explored in this thoughtful and beautifully illustrated study.About the Series: Each book in TASCHEN's Basic Art Series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 colour illustrations with explanatory captions




Botticelli’s Muse


Book Description

Botticelli’s Muse peels back layers of history to tell a fictionalized version of the life of Sandro Botticelli, his conflicts with the Medici family of Florence, and the woman at the heart of his paintings. In 1477, Botticelli is suddenly fired by his prestigious patron and friend Lorenzo de’ Medici. In the villa of his irritating new patron, the artist’s creative well runs dry—until the day he sees Floriana, a Jewish weaver imprisoned in his sister’s convent. But events threaten to keep his unlikely muse out of reach. So begins a tale of one of the art world’s most beloved paintings, La Primavera, as Sandro, a confirmed bachelor, and Floriana, a headstrong artist in her own right, enter into a turbulent relationship.




Botticelli Past and Present


Book Description

The recent exhibitions dedicated to Botticelli around the world show, more than ever, the significant and continued debate about the artist. Botticelli Past and Present engages with this debate. The book comprises four thematic parts, spanning four centuries of Botticelli’s artistic fame and reception from the fifteenth century. Each part comprises a number of essays and includes a short introduction which positions them within the wider scholarly literature on Botticelli. The parts are organised chronologically beginning with discussion of the artist and his working practice in his own time, moving onto the progressive rediscovery of his work from the late eighteenth to the turn of the twentieth century, through to his enduring impact on contemporary art and design. Expertly written by researchers and eminent art historians and richly illustrated throughout, the broad range of essays in this book make a valuable contribution to Botticelli studies.




Seen from Behind


Book Description

This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind.




Renaissance Florence


Book Description

This lovely book provides an introduction to the activities of the leading artists active in Florence during one decade of the quattrocento. It illustrates their special contributions and highlights their differences, common sources and ambitions, and responses to each other. It also explain how their art was made within the framework established by the religious, political, and social needs of powerful Florentine families. This was an era when Lorenzo de'Medici and his allies were working to consolidate their dominance in Florence, and cultivation of the visual arts were an essential part of the way in which they asserted their influence. Competition and collaboration was encouraged between artists, as was innovation in subject and technique. The book concentrates on the art of Andrea Verrocchio, Antonio and Piero Pollaiuolo, Sandro Botticelli and Filippino Lippi. Their paintings are presented within the context of the other arts practiced in the same or in neighboring workshops, and a number of works in other media are included: sculpture and objects in marble, bronze, and clay; manuscript illumination; medals; engravings and drawings. Among the drawings discussed are some by the young Leonardo, who worked with Verrocchio and was responsive to the art of the Pollaiuolo brothers during this period.




Art Patronage, Family, and Gender in Renaissance Florence


Book Description

This book examines a Renaissance Florentine family's art patronage, even for women, inspired by literature, music, love, loss, and religion.