Sanskrit Drama in Performance


Book Description

FOR SALE IN SOUTH ASIA ONLY




Theatre and Its Other


Book Description

What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.




Sanskrit Play Production in Ancient India


Book Description

Sanskrit Play Production in Ancient India moves through three levels of understanding: (1) What the components of the traditional Natya Production are as described in Natyasastra and other ancient Indian dramaturgical works; how they are interrelated and how they are employed in the staging of Rasa-oriented sanskrit plays?Probing deep into the immense reaches of time to India`s archaic past the author pieces together a fascinatingly intricate design of play production down to the units and subunits of expression and executive.




Krīḍanīyakam


Book Description







Theatric Aspects of Sanskrit Drama


Book Description

On Sanskrit dramaturgy and histrionics, with special reference to Bharata Muni's Nāṭyaśastra.




Gulab Bai


Book Description

For Nearly A Century, Nautanki Reigned As North India'S Most Popular Form Of Entertainment, And Gulab Bai Shone As Its Brightest Star. Fusing Dance And Dialogue, Music And Romance, Humour And Melodrama, This Travelling Folk Theatre Was A Precursor To Bollywood. In Cities And Villages, People Watched All Night, Drawn Into A World Of Fantasy And Make-Believe. Gulab, A 12-Year-Old Girl From The Bedia Caste, Joined Nautanki In 1931. Reputed To Be The First Female Actor In Nautanki, She Rose To Dizzy Heights As The Heroine Of Countless Dramas And Later Started The Great Gulab Theatre Company. Gulab Bai Was Awarded The Padmashree, A Mark Of National Honour&Mdash;Yet She Died Sad And Bewildered, For The Form To Which She Had Devoted Her Life Was Languishing. To Tell Gulab Bai'S Story&Mdash;And Reconstruct The Social History Of A Genre&Mdash;The Author Travelled To Gulab'S Village And Kanpur'S Rail Bazaar, Met Family Members And Co-Artistes, Gathered Oral Narratives, Traced Drama Scripts And Song Recordings. The Tale That Emerges Is A Wonderfully Intimate Portrayal Of A Dying Art And Its Uncrowned Queen.




A Rasa Reader


Book Description

From the early years of the Common Era to 1700, Indian intellectuals explored with unparalleled subtlety the place of emotion in art. Their investigations led to the deconstruction of art's formal structures and broader inquiries into the pleasure of tragic tales. Rasa, or taste, was the word they chose to describe art's aesthetics, and their passionate effort to pin down these phenomena became its own remarkable act of creation. This book is the first in any language to follow the evolution of rasa from its origins in dramaturgical thought—a concept for the stage—to its flourishing in literary thought—a concept for the page. A Rasa Reader incorporates primary texts by every significant thinker on classical Indian aesthetics, many never translated before. The arrangement of the selections captures the intellectual dynamism that has powered this debate for centuries. Headnotes explain the meaning and significance of each text, a comprehensive introduction summarizes major threads in intellectual-historical terms, and critical endnotes and an extensive bibliography add further depth to the selections. The Sanskrit theory of emotion in art is one of the most sophisticated in the ancient world, a precursor of the work being done today by critics and philosophers of aesthetics. A Rasa Reader's conceptual detail, historical precision, and clarity will appeal to any scholar interested in a full portrait of global intellectual development. A Rasa Reader is the inaugural book in the Historical Sourcebooks in Classical Indian Thought series, edited by Sheldon Pollock. These text-based books guide readers through the most important forms of classical Indian thought, from epistemology, rhetoric, and hermeneutics to astral science, yoga, and medicine. Each volume provides fresh translations of key works, headnotes to contextualize selections, a comprehensive analysis of major lines of development within the discipline, and exegetical and text-critical endnotes, as well as a bibliography. Designed for comparativists and interested general readers, Historical Sourcebooks is also a great resource for advanced scholars seeking authoritative commentary on challenging works.