Interpretations of Poetry and Religion


Book Description

Interpretations of Poetry and Religion is the third volume in a new critical edition of the complete works of George Santayana that restores Santayana's original text and provides important new scholarly information. Published in the spring of 1900, Interpretations of Poetry and Religion was George Santayana's first book of critical prose. It developed his view that "poetry is called religion when it intervenes in life, and religion, when it merely supervenes upon life, is seen to be nothing but poetry." This statement and the point of view it espoused contributed significantly to the debate between science and religion at the turn of the century, and its eloquence and clearsightedness continue to have an impact on current discussions about the nature of religion. Interpretations of Poetry and Religion affronted Santayana's peers with its assault on literary and religious pieties of the cultivated classes. William James called its philosophy of harmonious and integral ideal systems nothing less than "a perfection of rottenness." In his insightful introductory essay, Joel Porte observes that while Santayana's theory of correlative objects, his espousal of the "ideal" - the normal human affinity for abstraction - and exaltation of the imagination may have offended some at Harvard, these ideas had a significant influence on other Harvard scholars T.S. Eliot and Santayana's "truest disciple," Wallace Stevens. Herman J. Saatkamp, Jr., heads the Department of Philosophy and Humanities at Texas A & M University. William G. Holzberger is a Professor of English at Bucknell University. Joel Porte is Whiton Professor of American Literature at Cornell University




Three Philosophical Poets


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Interpretations of Poetry and Religion


Book Description

The following volume is composed of a number of papers written at various times and already partially printed; they are now revised and gathered together in the hope that they may lead the reader, from somewhat different points of approach, to a single idea. This idea is that religion and poetry are identical in essence, and differ merely in the way in which they are attached to practical affairs. Poetry is called religion when it intervenes in life, and religion, when it merely supervenes upon life, is seen to be nothing but poetry. It would naturally follow from this conception that religious doctrines would do well to withdraw their pretension to be dealing with matters of fact. That pretension is not only the source of the conflicts of religion with science and of the vain and bitter controversies of sects; it is also the cause of the impurity and incoherence of religion in the soul, when it seeks its sanctions in the sphere of reality, and forgets that its proper concern is to express the ideal. For the dignity of religion, like that of poetry and of every moral ideal, lies precisely in its ideal adequacy, in its fit rendering of the meanings and values of life, in its anticipation of perfection; so that the excellence of religion is due to an idealization of experience which, while making religion noble if treated as poetry, makes it necessarily false if treated as science. Its function is rather to draw from reality materials for an image of that ideal to which reality ought to conform, and to make us citizens, by anticipation, in the world we crave.







George Santayana's Philosophy of Religion


Book Description

George Santayana (1862-1952) of Spanish descent, and generally claimed to be in the canon of American philosophers, was substantially influenced by his Roman Catholic origins in his philosophical disposition toward the value of tradition, religious symbols and dogma. His philosophical project sustained a respectful attitude toward the spiritual value of orthodox religion while the thrust of his philosophy was naturalistic and materialistic throughout. There is a perception by some scholars that Santayana's philosophy evolved from a humanistic perspective to a more spiritual one in his later years. It is the position of this thesis that his philosophy, at the "core" depicting a harmonious striving toward individual happiness, remained essentially consistent from his earliest publication of Interpretations of Poetry and Religion and The Life of Reason through his later works of Scepticism and Animal Faith, Realms of Being, Dominations and Powers and The Idea of Christ in the Gospels. Santayana's philosophical approach is both phenomenological and social constructionist in its methodology, significantly preempting the methodology of social constructionist theology and a post-modern interpretation of religion. His idiosyncratic phenomenological approach is compared with a "benchmark" methodology of Edmund Husserl, the generally accepted founder of the phenomenological method. There are also important similarities between Santayana's phenomenological approach and those of Charles Sanders Peirce and Alfred North Whitehead. The basis for the comparison of the phenomenological methodology of Santayana and Husserl is their mutually similar fundamental theory of intuited essence. Santayana's contribution to religious studies is not only philosophical but also theological where he has utilized Christian theological language in transposing and interpolating his philosophy of religion to the Christian drama of the salvational Christ. Santayana's essay "Ultimate Religion" reflects his perspective of a disillusioned but still spiritual vision incorporating the piety, discipline, and spirituality; of a life of reason. Within the framework of this "model" Santayana's philosophy of religion is developed and explored. Finally, the relevance of Santayana's philosophy of religion to contemporary religious studies and selected religious issues is addressed with a delineation and discussion of some important aspects of his philosophical vision.




The Life of Reason; Or, The Phases of Human Progress


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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




The Sense of Beauty


Book Description

The author of the introduction to this new edition, John McCormick, reminds us that The Sense of Beauty is the first work in aesthetics written in the United States. Santayana was versed in the history of his subject, from Plato and Aristotle to Schopenhauer and Taine in the nineteenth century. Santayana took as his task a complete rethinking of the idea that beauty is embedded in objects. Rather, beauty is an emotion, a value, and a sense of the good. In this aesthetics was unlike ethics: not a correction of evil or pursuit of the virtuous. Rather it is a pleasure that residues in the sense of self. The work is divided into chapters on the materials of beauty, form, and expression. A good many of Santayana's later works are presaged by this early effort. And this volume also anticipates the development of art as a movement as well as a value apart from other aspects of life.




The Essential Santayana


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Although he was born in Spain, George Santayana (1863-1952) became a uniquely American philosopher, critic, poet, and best-selling novelist. Along with his Harvard colleagues William James and Josiah Royce, he is best known as one of the founders of American pragmatism and recognized for his insights into the theory of knowledge, metaphysics, and moral philosophy. The Essential Santayana presents a selection of Santayana's most important and influential literary and philosophical work. Martin A. Coleman's critical introduction sets Santayana into the American philosophical tradition and provides context for contemporary readers, many of whom may be approaching Santayana's writings for the first time. This landmark collection reveals the intellectual and literary diversity of one of American philosophy's most lively minds.




The Letters of George Santayana


Book Description

The second of eight books of the correspondence of George Santayana.