Sargent Whistler and Mary Cassatt /cby Frederick A. Sweet
Author : Sweet Frederick A.
Publisher :
Page : pages
File Size : 25,41 MB
Release : 1954
Category : Painters
ISBN :
Author : Sweet Frederick A.
Publisher :
Page : pages
File Size : 25,41 MB
Release : 1954
Category : Painters
ISBN :
Author : Art Institute of Chicago
Publisher :
Page : 101 pages
File Size : 41,11 MB
Release : 1954
Category :
ISBN :
Author : Art Institute of Chicago
Publisher :
Page : 101 pages
File Size : 17,2 MB
Release : 1954
Category :
ISBN :
Author : Art Institute of Chicago
Publisher :
Page : 112 pages
File Size : 45,41 MB
Release : 1954
Category : Painting, American
ISBN :
Author : Nathalie Spassky
Publisher : Metropolitan Museum of Art
Page : 18 pages
File Size : 32,75 MB
Release : 1972
Category :
ISBN :
Author : Frederick Arnold Sweet
Publisher :
Page : 320 pages
File Size : 18,1 MB
Release : 1966
Category : Art
ISBN :
Comprehensive biography of the American born painter.
Author : Frederick A. Sweet
Publisher :
Page : 101 pages
File Size : 31,80 MB
Release : 1954
Category : Painting, American
ISBN :
Author : Metropolitan Museum of Art (New York, N.Y.)
Publisher : Metropolitan Museum of Art
Page : 206 pages
File Size : 48,38 MB
Release : 1970
Category : Art, American
ISBN : 0870990063
Chiefly illustrated catalog of an exhibition held in celebration of the hundredth anniversary of the Metropolitan Museum of Art, held at the Metropolitan Museum of Art from April 16 through September 7, 1970.
Author : Addison Gallery of American Art
Publisher :
Page : 10 pages
File Size : 17,40 MB
Release : 1981
Category : Art
ISBN :
Author : Russell T. Clement
Publisher : Bloomsbury Publishing USA
Page : 212 pages
File Size : 24,58 MB
Release : 2000-02-28
Category : Art
ISBN : 0313032467
This reference organizes and describes the primary and secondary literature surrounding Mary Stevenson Cassatt, Berthe Morisot, Eva Gonzalès, and Marie Bracquemond, four major women Impressionist artists. The Impressionist group included several women artists of considerable ability whose works and lives were largely ignored until the advent of feminist art criticism in the early 1970s. They studied, worked, and exhibited with their male counterparts including Degas, Manet, Monet, and Pissarro. The entries provide extensive coverage of the careers, critical reception, exhibition history, and growing reputations of these four female artists and discuss women Impressionists in general as they shared the challenges of becoming accepted as professional artists in late 19th-century society. Containing nearly 900 citations of manuscripts, books, articles, reproductions, films, exhibitions, and reviews, this unique sourcebook will appeal to both art and women's studies scholars. Each artist receives a biographical sketch, chronology, information about individual and group exhibitions and reviews, and a primary and secondary bibliography, which captures details about the artist's life, career, and relationship with other artists. An art works index and names index complete the volume.