Satire, Veneration, and St. Joseph in Art, c. 1300-1550


Book Description

Satire, Veneration, and St. Joseph in Art, c. 1300-1550 is the first to reclaim satire as a central component of Catholic altarpieces, devotional art, and veneration, moving beyond humor's relegation to the medieval margins or to the profane arts alone. The book challenges humor's perception as a mere teaching tool for the laity and the antithesis of 'high' veneration and theology, a divide perpetuated by Counter-Reformation thought and the inheritance of Mikhail Bakhtin (Rabelais and His World, 1965). It reveals how humor, laughter, and material culture played a critical role in establishing St. Joseph as an exemplar in western Europe as early as the thirteenth century. Its goal is to open a new line of interpretation in medieval and early modern cultural studies, by revealing the functions of humor in sacred scenes, the role of laughter as veneration, and the importance of play for pre-Reformation religious experiences.




Blurred Boundaries and Deceptive Dichotomies in Pre-Modern Texts and Images


Book Description

This collection of essays focuses on the way blurred boundaries are represented in pre-modern texts and visual art and how they were received and perceived by their audiences: readers, listeners, and viewers. According to the current understanding that opposing cognitive categories that are so common in modern thinking do not apply to pre-modern mentalities, we argue that individuals in medieval and pre-modern societies did not necessarily consider sacred and secular, male and female, real and fictional, and opposing emotions as absolute dichotomies. The contributors to the present collection examine a wide range of cultural artifacts – literary texts, wall paintings, sculptures, jewelry, manuscript illustrations, and various objects as to what they reflect regarding the dominant perceptual system – the network of beliefs, worldviews, presumptions, values, and norms of viewing/reading/hearing different from modern epistemology strongly predicated on the binary nature of things and people. The essays suggest that analyzing pre-modern cultural works of art or literature in light of reception theory can lead to a better understanding of how those cultural products influenced individuals and impacted their thoughts and actions.




Household Servants and Slaves


Book Description

The first book-length study of household servants and slaves, exploring a visual history over 400 years and four continents The first book-length study of both images of ordinary household workers and their material culture, Household Servants and Slaves: A Visual History, 1300-1700 covers four hundred years and four continents, facilitating a better understanding of the changes in service that occurred as Europe developed a monetary economy, global trade, and colonialism. Diane Wolfthal presents new interpretations of artists including the Limbourg brothers, Albrecht Dürer, Paolo Veronese, and Diego Velázquez, but also explores numerous long-neglected objects, including independent portraits of ordinary servants, servant dolls and their miniature cleaning utensils, and dummy boards, candlesticks, and tablestands in the form of servants and slaves. Wolfthal analyzes the intersection of class, race, and gender while also interrogating the ideology of service, investigating both the material conditions of household workers' lives and the immaterial qualities with which they were associated. If images repeatedly relegated servants to the background, then this book does the reverse: it foregrounds these figures in order to better understand the ideological and aesthetic functions that they served.




Religion and the Medieval and Early Modern Global Marketplace


Book Description

Religion and the Medieval and Early Modern Global Marketplace brings together scholars from a variety of disciplines to examine the intersection, conflict, and confluence of religion and the market before 1700. Each chapter analyzes the unique interplay of faith and economy in a different locale: Syria, Ethiopia, France, Iceland, India, Peru, and beyond. In ten case studies, specialists of archaeology, art history, social and economic history, religious studies, and critical theory address issues of secularization, tolerance, colonialism, and race with a fresh focus. They chart the tensions between religious and economic thought in specific locales or texts, the complex ways that religion and economy interacted with one another, and the way in which matters of faith, economy, and race converge in religious images of the pre- and early modern periods. Considering the intersection of faith and economy, the volume questions the legacy of early modern economic and spiritual exceptionalism, and the ways in which prosperity still entangles itself with righteousness. The interdisciplinary nature means that this volume is the perfect resource for advanced undergraduates, postgraduates, and scholars working across multiple areas including history, literature, politics, art history, global studies, philosophy, and gender studies in the medieval and early modern periods.




St. Joseph in Italian Renaissance Society and Art


Book Description

"Detecting numerous occasions when Joseph is invoked for protection from plague, foreign invasion, and threat to the Church, the author emphasizes the contemporary currency - in both theology and art - of the Maria-Ecclesia typology and concomitant conceptualization of St. Joseph as heroic protector of Mary and the Church. Here challenged are the long-held view of the saint's unimportance prior to the Counter Reformation and old assumption that pre-Tridentine images were often intended to demean him."--BOOK JACKET.




Renaissance Figures of Speech


Book Description

A collection of essays, each tackling a Renaissance figure of speech in literature.







The Grotesque in Church Art


Book Description




Peasant Fires


Book Description

One night in 1476 in the small southern German town of Niklashausen, an illiterate shepherd and street musician by the name of Hans Behem had a vision of the Virgin Mary. This work sets the pieces of the story into their cultural, religious, and political context. It explores important questions about the period and about historical memory.




A History of Greek Art


Book Description

Offering a unique blend of thematic and chronological investigation, this highly illustrated, engaging text explores the rich historical, cultural, and social contexts of 3,000 years of Greek art, from the Bronze Age through the Hellenistic period. Uniquely intersperses chapters devoted to major periods of Greek art from the Bronze Age through the Hellenistic period, with chapters containing discussions of important contextual themes across all of the periods Contextual chapters illustrate how a range of factors, such as the urban environment, gender, markets, and cross-cultural contact, influenced the development of art Chronological chapters survey the appearance and development of key artistic genres and explore how artifacts and architecture of the time reflect these styles Offers a variety of engaging and informative pedagogical features to help students navigate the subject, such as timelines, theme-based textboxes, key terms defined in margins, and further readings. Information is presented clearly and contextualized so that it is accessible to students regardless of their prior level of knowledge A book companion website is available at www.wiley.gom/go/greekart with the following resources: PowerPoint slides, glossary, and timeline