Author : Jay Asher
Publisher : Course Technology
Page : 0 pages
File Size : 19,81 MB
Release : 2013
Category : Computers
ISBN : 9781133693345
Annotation This title offers concise and easy-to-follow tutorials to guide the reader in inputting, formatting, and printing music notation using Logic Pro's score editor.
Author : David Nahmani
Publisher : Peachpit Press
Page : 718 pages
File Size : 36,68 MB
Release : 2013-12-13
Category : Computers
ISBN : 0133756807
Completely revised and updated for Logic Pro X, this Apple-certified guide shows you how to record, produce, and polish music files with Apple’s professional audio software. Veteran music producer David Nahmani’s step-by-step, instructions teach you everything from basic music creation to advanced production techniques using Logic’s software synthesizers, samplers, and digital signal processors. Learn about all of the key features in Logic Pro X including Flex Pitch, Drummer, Drum Kit Designer, Track Stacks, MIDI Effects, and more. Using the book’s online files and Logic Pro X, you’ll begin making music in the first lesson. Whether you’re looking to use your computer as a digital recording studio, create musical compositions, or transfer that song in your head into music you can share, this comprehensive book will show you how. Lesson and media files available online Focused lessons take you step-by-step through professional, real-world projects Accessible writing style puts an expert instructor at your side Ample illustrations and keyboard shortcuts help you master techniques fast Lesson goals and time estimates help you plan your time Chapter review questions summarize what you’ve learned and prepare you for the Apple Certifi ed Pro Exam
Author : Lalo Schifrin
Publisher : Hal Leonard Corporation
Page : 292 pages
File Size : 30,43 MB
Release : 2011-12-01
Category : Music
ISBN : 1476899487
(Berklee Guide). Learn film-scoring techniques from one of the great film/television composers of our time. Lalo Schifrin shares his insights into the intimate relationship between music and drama. The book is illustrated with extended excerpts from his most iconic scores such as Mission: Impossible , Cool Hand Luke , Bullitt and many others and peppered with anecdotes from inside the Hollywood studios. Schifrin reveals the technical details of his own working approach, which has earned him six Oscar nominations, 21 Grammy nominations (with four awards), and credits on hundreds of major productions. Includes the full score of Schifrin's Fanfare for Screenplay and Orchestra , a treasure-trove of unfettered dramatic sound painting, commissioned by the Chicago Symphony Orchestra, and a great thesis on the emblematic language of film music.
Author : Prof. Chris Piorkowski
Publisher : Packt Publishing Ltd
Page : 412 pages
File Size : 25,49 MB
Release : 2023-09-29
Category : Music
ISBN : 183763842X
Learn from a seasoned Hollywood film composer the intricacies of synchronizing music to picture in Logic Pro 10.6 and later versions, and apply these lessons to elevate your own projects in this part-color guide Key Features Learn essential film music terminologies and practices used in Hollywood with this illustrated guide Explore crucial synchronization techniques using a hands-on example of writing music to picture Prepare yourself for a real gig as a film, TV, and multimedia composer Purchase of the print or Kindle book includes a free PDF eBook Book DescriptionThis book will help you leverage the Logic Pro digital audio workstation (DAW) for scoring to picture. With the help of expert insights from a Hollywood film composer, you'll understand how the film music industry works and be ready to meet the demands of film directors or producers, exploring common scenarios and the process of post-production and final film score delivery. Packed with all the technical and practical skills needed when scoring to picture in Logic Pro, along with insights into real film scoring tasks, this book will prepare you for success in the industry. You’ll start by getting acquainted with film scoring terminology and then advance to working with QuickTime video and its components, getting an overview of how to set up and sync a movie file in Logic Pro. You’ll see the different methods of creating tempo maps, find a suitable tempo for a film scene using hit points and scene markers, and work with time signature and beat mapping functions. You’ll also work with a pre-composed score of a Mercedes commercial that you can analyze and emulate in your own Logic Pro session. By the end of this book, you’ll have gained new skills and the knowledge of commonly used industry scenarios to help you enter the professional market of scoring to picture.What you will learn Master film and multimedia tasks as a film composer Use QuickTime video in Logic Pro Create tempo maps and calculate the best tempos for film cues Understand advanced concepts to deal with timing in film music Acquire essential skills to thrive in the competitive film music industry Gain the knowledge necessary to communicate confidently with film industry professionals Develop the technical skills of scoring to picture Who this book is for This book is for aspiring multimedia composers and musicians as well as advanced film, TV, and game music composers. Music supervisors, editors, and orchestrators will also find this book useful. Basic knowledge of Logic Pro, music theory, composition, and film scoring is expected.
Author : Graham English
Publisher : John Wiley & Sons
Page : 537 pages
File Size : 21,78 MB
Release : 2018-08-02
Category : Music
ISBN : 1119506190
Spend less time learning and more time recording Logic Pro X offers Mac users the tools and power they need to create recordings ready to share with the world. This book provides the know-how for navigating the interface, tweaking the settings, picking the sounds, and all the other tech tasks that get in the way of capturing the perfect take. Written by a Logic Pro X trainer who’s used the software to further his own music career, Logic Pro X For Dummies cuts back on the time needed to learn the software and allows for more time making amazing recordings. Record live sound sources or built-in virtual instruments Arrange your tracks to edit, mix, and master Discover tips to speed the process and record on an iPad Make sense of the latest software updates A favorite among Logic Pro X beginners, this book is updated to reflect the ongoing changes added to enhance Logic Pro X’s recording power.
Author : Jay Asher
Publisher : Muska/Lipman
Page : 0 pages
File Size : 36,9 MB
Release : 2010
Category : Composition
ISBN : 9781435455634
Logic Pro is arguably the number-one digital audio workstation among professional musicians and composers, at home in both professional and project studios worldwide. Going Pro with Logic Pro 9 is an expert levelbook that addresses the needs of the professional Logic user. This book picks up where the manual leaves off, guiding you from customizing setups of Logic Pro 9 for workflow enhancement, through the recording and editing processes, to preparing final delivery media, dropping power-user tips and tricks throughout the process. Topics covered include building custom mixers; designing templates; organizing your sound palette; dealing with third-party software, applications, and hardware, such as UAD cards and the Akai MPC3000; mixing tips; mastering tips; and much more.
Author : Andy Hill
Publisher : Hal Leonard Corporation
Page : 425 pages
File Size : 10,55 MB
Release : 2017-07-01
Category : Music
ISBN : 1540004813
(Music Pro Guides). Today, musical composition for films is more popular than ever. In professional and academic spheres, media music study and practice are growing; undergraduate and postgraduate programs in media scoring are offered by dozens of major colleges and universities. And increasingly, pop and contemporary classical composers are expanding their reach into cinema and other forms of screen entertainment. Yet a search on Amazon reveals at least 50 titles under the category of film music, and, remarkably, only a meager few actually allow readers to see the music itself, while none of them examine landmark scores like Vertigo , To Kill a Mockingbird , Patton , The Untouchables , or The Matrix in the detail provided by Scoring the Screen: The Secret Language of Film Music . This is the first book since Roy M. Prendergast's 1977 benchmark, Film Music: A Neglected Art , to treat music for motion pictures as a compositional style worthy of serious study. Through extensive and unprecedented analyses of the original concert scores, it is the first to offer both aspiring composers and music educators with a view from the inside of the actual process of scoring-to-picture. The core thesis of Scoring the Screen is that music for motion pictures is indeed a language , developed by the masters of the craft out of a dramatic and commercial necessity to communicate ideas and emotions instantaneously to an audience. Like all languages, it exists primarily to convey meaning . To quote renowned orchestrator Conrad Pope (who has worked with John Williams, Howard Shore, and Alexandre Desplat, among others): "If you have any interest in what music 'means' in film, get this book. Andy Hill is among the handful of penetrating minds and ears engaged in film music today."
Author : David Nahmani
Publisher : Peachpit Press
Page : 504 pages
File Size : 49,90 MB
Release : 2010
Category : Computers
ISBN : 0321636805
Uses real-world music and hands-on exercises to teach you how to record, arrange, mix, produce, and polish audio and MIDI files in a professional workflow.
Author : Ennio Morricone
Publisher : Scarecrow Press
Page : 311 pages
File Size : 47,91 MB
Release : 2013-10-10
Category : Performing Arts
ISBN : 0810892421
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.
Author : Virginia Anderson (Musicologist)
Publisher : Leuven University Press
Page : 232 pages
File Size : 16,20 MB
Release : 2013
Category : Education
ISBN : 9058679764
Sound and Score brings together music expertise from prominent international researchers and performers to explore the intimate relations between sound and score and the artistic possibilities that this relationship yields for performers, composers and listeners. Considering "notation" as the totality of words, signs, and symbols encountered on the road to an accurate and effective performance of music, this book embraces different styles and periods in a comprehensive understanding of the complex relations between invisible sound and mute notation, between aural perception and visual representation, and between the concreteness of sound and the iconic essence of notation. Three main perspectives structure the analysis: a conceptual approach that offers contributions from different fields of enquiry (history, musicology, semiotics), a practical one that takes the skilled body as its point of departure (written by performers), and finally an experimental perspective that challenges state-of-the-art practices, including transdisciplinary approaches in the crossroads to visual arts and dance.
