Scottish Art (Second) (World of Art)


Book Description

Accessible, extensively researched, and beautifully illustrated, this updated volume by renowned scholar and author Murdo Macdonald sheds light on the history and cultural significance of Scottish art. At a time when issues of Scottish identity are the subject of fierce debate, Murdo Macdonald illuminates Scotland’s artistic past and present in this classic text in the World of Art series. Ranging from Neolithic standing stones and the art of the Picts and Gaels to Reformation and Enlightenment art and major figures in the contemporary art scene, Scottish Art explores the distinctive characteristics of Scottish art through the centuries. It examines the cultural heritage and intricate patterns of Celtic design, the importance of Highland and coastal landscapes, long-standing connections between French and Scottish artists, and how each of these factors influenced the development of art in Scotland. This new edition includes more than 200 full-color images of Scottish art from prehistoric times to the present. With masterpieces from artists such as Charles Rennie Mackintosh and Joan Eardley, this book is a thorough, authoritative, and accessible introduction to Scottish art.










Photography of Victorian Scotland


Book Description

This is the first book to provide a full and coherent introduction to the photography of Victorian Scotland. There are many books which deal with particular elements and individual photographers, which show the interest in the subject, but no book draws everything together to provide an understanding of the multi-faceted nature of photography and the inter-relationship with other activities in the society of the time. This authoritative introduction, building upon these other publications, will provide a wide-ranging appreciation of early Scottish photography and in particular that Scottish photography was in the vanguard of many international trends. The material has been structured and the topics organised, with appropriate illustrations, as both a readable narrative and a foundation text for the subject.




Noble Society In Scotland


Book Description

Even in the sixteenth and seventeenth centuries it was conventional for humanist writers and their Enlightenment successors to regard the nobility which dominated early modern Scottish society and politics as violent, unlearned, and backward - at best conservatively bound to feudal codes of behaviour; at worst, brutal, corrupt and anarchic. It is a view that prevails still. Keith Brown takes issue with this.The author draws on extensive research in the rich archives of the Scottish noble houses to demonstrate that the conventional view of the Scottish nobility is wrong. He shows that the nobility were as steeped in contemporary European debates and movements as they were rooted in local society. Far from holding back Scotland's economic and cultural development, they embraced economic change, seized financial opportunities, led the way in the pursuit of Renaissance ideals through their own learning and in the education of their children, and were partners in religious reform. Professor Brown makes extensive comparisons with the noble societies elsewhere in Europe to reveal how the differences and above all the similarities between the lives of Scottish nobles and their peers abroad.Elegantly written and illustrated with a wealth of contemporary incident and anecdote, the book presents an intimate and vivid picture of noble life in Scotland. It challenges and will change perceptions of early modern Scotland. Noble Society in Scotland is the first of two related books on the subject. The second, on noble power and the relations between the nobility, state and monarchy, will be published by EUP in 2003.










Delicious Decadence ?The Rediscovery of French Eighteenth-Century Painting in the Nineteenth Century


Book Description

The history of collecting is a topic of central importance to many academic disciplines, and shows no sign of abating in popularity. As such, scholars will welcome this collection of essays by internationally recognised experts that gathers together for the first time varied and stimulating perspectives on the nineteenth-century collector and art market for French eighteenth-century art, and ultimately the formation of collections that form part of such august institutions as the Louvre and the National Gallery in London. The book is the culmination of a successful conference organised jointly between the Wallace Collection and the Louvre, on the occasion of the acclaimed exhibition Masterpieces from the Louvre: The Collection of Louis La Caze. Exploring themes relating to collectors, critics, markets and museums from France, England and Germany, the volume will appeal to academics and students alike, and become essential reading on any course that deals with the history of collecting, the history of taste and the nineteenth-century craze for the perceived douceur de vivre of eighteenth-century France. It also provides valuable insight into the history of the art markets and the formation of museums.