Pamphlets and Reprints


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Scandal on the South Side


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The Black Sox Scandal is a cold case, not a closed case. When Eliot Asinof wrote his classic history about the fixing of the 1919 World Series, Eight Men Out, he told a dramatic story of undereducated and underpaid Chicago White Sox ballplayers, disgruntled by their low pay and poor treatment by team management, who fell prey to the wiles of double-crossing big-city gamblers offering them bribes to lose the World Series to the Cincinnati Reds. Shoeless Joe Jackson, Buck Weaver, Eddie Cicotte, and the other Black Sox players were all banned from organized baseball for life. But the real story is a lot more complex. We now have access to crucial information that changes what we thought we knew about “baseball’s darkest hour” — including rare film footage from that fateful fall classic, legal documents from the criminal and civil court proceedings, and accurate salary information for major-league players and teams. All of these new pieces to the Black Sox puzzle provide definitive answers to some old mysteries and raise other questions in their place. However, the Black Sox Scandal isn’t the only story worth telling about the 1919 Chicago White Sox. The team roster included three future Hall of Famers, a 20-year-old spitballer who would go on to win 300 games in the minor leagues, and even a batboy who later became a celebrity with the “Murderers’ Row” New York Yankees in the 1920s. All of their stories are included in Scandal on the South Side, which has full-life biographies on each of the 31 players who made an appearance for the White Sox in 1919, plus a comprehensive recap of Chicago’s pennant-winning season, the tainted World Series, and the sordid aftermath. This book isn’t a rewriting of Eight Men Out, but it is the complete story of everyone associated with the 1919 Chicago White Sox. The Society for American Baseball Research invites you to learn more about the Black Sox Scandal and the infamous team at the center of it all. With contributions from Adrian Marcewicz, Andy Sturgill, Brian Cooper, Brian McKenna, Brian Stevens, Bruce Allardice, Dan Lindner, Daniel Ginsburg, David Fleitz, David Fletcher, Gregory H. Wolf, Irv Goldfarb, Jack Morris, Jacob Pomrenke, James E. Elfers, James R. Nitz, Jim Sandoval, John Heeg, Kelly Boyer Sagert and Rod Nelson, Lyle Spatz, Paul Mittermeyer, Peter Morris, Richard Smiley, Rick Huhn, Russell Arent, Steve Cardullo, Steve Steinberg, Steven G. McPherson, and William F. Lamb. Table of Contents: 1. Introduction, by Jacob Pomrenke 2. Prologue: Offseason 1918-19, by Jacob Pomrenke 3. Joe Benz, by William F. Lamb 4. Eddie Cicotte, by Jim Sandoval 5. Eddie Collins, by Paul Mittermeyer 6. Shano Collins, by Andy Sturgill 7. Dave Danforth, by Steve Steinberg 8. Red Faber, by Brian Cooper 9. Season Timeline: April 1919 10. Happy Felsch, by James R. Nitz 11. Chick Gandil, by Daniel Ginsburg 12. Joe Jackson, by David Fleitz 13. Bill James, by Steven G. McPherson 14. Joe Jenkins, by Jacob Pomrenke 15. Dickey Kerr, by Adrian Marcewicz 16. Season Timeline: May 1919 17. Nemo Leibold, by Gregory H. Wolf 18. Grover Lowdermilk, by James E. Elfers 19. Byrd Lynn, by Russell Arent 20. Erskine Mayer, by Lyle Spatz 21. Hervey McClellan, by Jack Morris 22. Tom McGuire, by Jack Morris 23. Season Timeline: June 1919 24. Fred McMullin, by Jacob Pomrenke 25. Eddie Murphy, by John Heeg 26. Win Noyes, by Bruce Allardice 27. Pat Ragan, by Andy Sturgill 28. Swede Risberg, by Kelly Boyer Sagert and Rod Nelson 29. Charlie Robertson, by Jacob Pomrenke 30. Season Timeline: July 1919 31. Reb Russell, by Richard Smiley 32. Ray Schalk, by Brian Stevens 33. Frank Shellenback, by Brian McKenna 34. John Sullivan, by Jacob Pomrenke 35. Buck Weaver, by David Fletcher 36. Roy Wilkinson, by William F. Lamb 37. Season Timeline: August 1919 38. Lefty Williams, by Jacob Pomrenke 39. Owner: Charles Comiskey, by Irv Goldfarb 40. Manager: Kid Gleason, by Dan Lindner 41. General Manager: Harry Grabiner, by Steve Cardullo 42. Executive: Tip O’Neill, by Brian McKenna 43. Batboy: Eddie Bennett, by Peter Morris 44. Season Timeline: September 1919 45. Walking Off to the World Series, by Jacob Pomrenke 46. The 1919 World Series: A Recap, by Rick Huhn 47. The Pitching Depth Dilemma, by Jacob Pomrenke 48. 1919 American League Salaries, by Jacob Pomrenke 49. The Black Sox Scandal, by William F. Lamb 50. Epilogue: Offseason 1919-20, by Jacob Pomrenke







Classical Hollywood Comedy


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Applies the recent `return to history' in film studies to the genre of classical Hollywood comedy as well as broadening the definition of those works considered central in this field.




Industrial Colonies and Village Settlements for the Consumptive (Classic Reprint)


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Excerpt from Industrial Colonies and Village Settlements for the Consumptive Symonds, and we together examined the patients, sampled the climate and other conditions, and argued with Unger and Ruedi. Then for the second time came Hope; more solid Hope. Given a fairly early case, and three years, and recovery was in the offing. And so we went on cheerfully with Davos. But Davos was not for every one; nor was every case an early 'one. Then came the discovery that lower altitudes would do if certain conditions were obtained; and so arose the great sanatorium movement. But slowly we found that patients could not spend their lives in sanatoriums; and one day on making my way up to one of them in England, I met on the way patient after patient, slouching along, bored to death with themselves and with each other; and even worse in morale than in body. Better discipline and better notions of thera peutics mended some of that; still I could not forget those listless saunterers, and it became evident to some of us, however unwillingly, that Hope was drooping again. The sanatorium was doing a great educative work no doubt; but at the end of its four or six months - what then? To send the patient away with recommendations about light jobs, and a regime, was almost a mockery or quite. What about the wage, and the family to be supported? The next lesson was brought home to me by a visit with other commissioners to certain cities, concerning some such problems. Before me now I see a gaunt hollow-eyed man, coughing, and leaning against the wall as he tried to talk to us, saying that his mates when he came out of the sanatorium - good fellows as they were - had bought him a milk that he might creep round, and earn a bit. The brave wife, shawl on head and mill apron on, had just come from the factory, and apologised for the dirty house - as well she might. The poor thing was working all day at the factory to keep the wolf from the door. All being dragged down together into the pit! What is the value of a good house, or a clean house, if no wages! What is there for the children? And what is to stop the infection! Who then would have the imagination, the initiative, the business capacity, to lift this burden, like lifting a world? About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Dangerous Melodies: Classical Music in America from the Great War through the Cold War


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A Juilliard-trained musician and professor of history explores the fascinating entanglement of classical music with American foreign relations. Dangerous Melodies vividly evokes a time when classical music stood at the center of twentieth-century American life, occupying a prominent place in the nation’s culture and politics. The work of renowned conductors, instrumentalists, and singers—and the activities of orchestras and opera companies—were intertwined with momentous international events, especially the two world wars and the long Cold War. Jonathan Rosenberg exposes the politics behind classical music, showing how German musicians were dismissed or imprisoned during World War I, while numerous German compositions were swept from American auditoriums. He writes of the accompanying impassioned protests, some of which verged on riots, by soldiers and ordinary citizens. Yet, during World War II, those same compositions were no longer part of the political discussion, while Russian music, especially Shostakovich’s, was used as a tool to strengthen the US-Soviet alliance. During the Cold War, accusations of communism were leveled against members of the American music community, while the State Department sent symphony orchestras to play around the world, even performing behind the Iron Curtain. Rich with a stunning array of composers and musicians, including Karl Muck, Arturo Toscanini, Wilhelm Furtwängler, Kirsten Flagstad, Aaron Copland, Van Cliburn, and Leonard Bernstein, Dangerous Melodies delves into the volatile intersection of classical music and world politics to reveal a tumultuous history of twentieth-century America.




The Classical Weekly


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The Nature and Function of Water, Baths, Bathing and Hygiene from Antiquity through the Renaissance


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These essays offer scholars, teachers, and students a new basis for discussing attitudes toward, and technological expertise concerning, water in antiquity through the early Modern period, and they examine historical water use and ideology both diachronically and cross regionally. Topics include gender roles and water usage; attitudes, practices, and innovations in baths and bathing; water and the formation of identity and policy; ancient and medieval water sources and resources; and religious and literary water imagery. The authors describe how ideas about the nature and function of water created and shaped social relationships, and how religion, politics, and science transformed, and were themselves transformed by, the manipulation of, uses of, and disputes over water in daily life, ceremonies, and literature. Contributors are Rabun Taylor, Sandra Lucore, Robert F. Sutton, Jr., Cynthia K Kosso, Kevin Lawton, Evy Johanne Håland, Hélène Cazes, Alexandra Cuffel, Mark Munn, Brenda Longfellow, Gretchen Meyers, Sara Saba, Scott John McDonough, Etienne Dunant, E. J. Owens , Mehmet Taşlıalan, Deborah Chatr Aryamontri, John Stephenson, Lin A. Ferrand, Paul Trio, Anne Scott, Misty Rae Urban, Ruth Stevenson, Charles Connell, Alyce Jordan, Ronald Cooley, and Irene Matthews.