Second World War British Military Camouflage


Book Description

Second World War British Military Camouflage offers an original approach to the cultures and geographies of military conflict, through a study of the history of camouflage. Isla Forsyth narrates the scientific biography of Dr Hugh Cott (1900-1987), eminent zoologist and artist turned camoufleur, and entwines this with the lives of other camouflage practitioners, to trace the sites of camouflage's developments. Moving through the scientists' fieldsite, the committee boardroom, the military training site and the soldiers' battlefield, this book uncovers the history of this ambiguous military invention, and subverts a long-dominant narrative of camouflage as solely a protective technology. This study demonstrates that, as camouflage transformed battlefields into unsettling theatres of war, there were lasting consequences not only for military technology and knowledge, but also for the ethics of battle and the individuals enrolled in this process.




Camouflage and Art


Book Description

Henrietta Goodden explores the development of the extraordinary ideas which were to play such an important part in defeating the enemy in the air, on land and at sea.




The Ghost Army of World War II


Book Description

“A riveting tale told through personal accounts and sketches along the way—ultimately, a story of success against great odds. I enjoyed it enormously.” —Tom Brokaw The first book to tell the full story of how a traveling road show of artists wielding imagination, paint, and bravado saved thousands of American lives—now updated with new material. In the summer of 1944, a handpicked group of young GIs—artists, designers, architects, and sound engineers, including such future luminaries as Bill Blass, Ellsworth Kelly, Arthur Singer, Victor Dowd, Art Kane, and Jack Masey—landed in France to conduct a secret mission. From Normandy to the Rhine, the 1,100 men of the 23rd Headquarters Special Troops, known as the Ghost Army, conjured up phony convoys, phantom divisions, and make-believe headquarters to fool the enemy about the strength and location of American units. Every move they made was top secret, and their story was hushed up for decades after the war's end. Hundreds of color and black-and-white photographs, along with maps, official memos, and letters, accompany Rick Beyer and Elizabeth Sayles’s meticulous research and interviews with many of the soldiers, weaving a compelling narrative of how an unlikely team carried out amazing battlefield deceptions that saved thousands of American lives and helped open the way for the final drive to Germany. The stunning art created between missions also offers a glimpse of life behind the lines during World War II. This updated edition includes: A new afterword by co-author Rick Beyer Never-before-seen additional images The successful campaign to have the unit awarded a Congressional Gold Medal History and WWII enthusiasts will find The Ghost Army of World War II an essential addition to their library.




World War II Tactical Camouflage Techniques


Book Description

This book explains and illustrates the actual materials and techniques adopted (both successfully and unsuccessfully) by tactical units – i.e. the concealment of personnel, weapons, equipment, field positions, and movement by infantry riflemen and weapons crews, artillerymen, and vehicle crews. It covers all areas and seasons in the European and Mediterranean theaters of operations, for the US, British, German, and Soviet armies. It includes camouflage of the person, personal equipment, and weapons; natural materials and “expedient” techniques; issued camouflage materials such as nets, ponchos, etc; the principles of camouflaging equipment and vehicles, of positioning and terrain integration, the effects of light and shadow, and the use of decoy and dummy positions. Featuring meticulous full-color artwork and specially selected period photographs, this absorbing study casts new light on the camouflaging techniques developed by the major armies of World War II on a host of European battlefields.




Borrowed Soldiers


Book Description

The combined British Expeditionary Force and American II Corps successfully pierced the Hindenburg Line during the Hundred Days Campaign of World War I, an offensive that hastened the war’s end. Yet despite the importance of this effort, the training and operation of II Corps has received scant attention from historians. Mitchell A. Yockelson delivers a comprehensive study of the first time American and British soldiers fought together as a coalition force—more than twenty years before D-Day. He follows the two divisions that constituted II Corps, the 27th and 30th, from the training camps of South Carolina to the bloody battlefields of Europe. Despite cultural differences, General Pershing’s misgivings, and the contrast between American eagerness and British exhaustion, the untested Yanks benefited from the experience of battle-toughened Tommies. Their combined forces contributed much to the Allied victory. Yockelson plumbs new archival sources, including letters and diaries of American, Australian, and British soldiers to examine how two forces of differing organization and attitude merged command relationships and operations. Emphasizing tactical cooperation and training, he details II Corps’ performance in Flanders during the Ypres-Lys offensive, the assault on the Hindenburg Line, and the decisive battle of the Selle. Featuring thirty-nine evocative photographs and nine maps, this account shows how the British and American military relationship evolved both strategically and politically. A case study of coalition warfare, Borrowed Soldiers adds significantly to our understanding of the Great War.




Camouflage at War


Book Description

An expert account of how different countries have sought to hide their forces in plain view for the past century packed with photographs and colour artworks, Camouflage at War is a fascinating exploration of how the nature of combat has changed over the last hundred years.




Culture in Camouflage


Book Description

Examines how literary writers including Ford Madox Ford, Siegfried Sassoon, Wilfred Owen, James Hanley, Evelyn Waugh, Graham Greene, and others countered the war culture promoted by mass media, war planners, and military historians.




British and Commonwealth Warship Camouflage of WW II


Book Description

During the Second World War navies developed low visibility camouflage for their ships, on both vertical and horizontal surfaces, in order reduce visibility by blending in with the sea, or confuse the identity of a ship by applying more obtrusive patters. In this the second volume by maritime artist Mal Wright, both the official and unofficial paint schemes that adorned the cruisers of the Royal Navy and Commonwealth are depicted in detail, along with discussions on changes of armament and electronics that effected the outward appearance of each ship. Beginning with the older cruisers, the book goes on to cover all the other cruiser classes, taking in heavy cruisers, prewar and wartime cruisers; the author then covers minelayers. Where possible both sides of the ship are depicted, and there are multiple images of the ships where armament or equipment changes had a fundamental impact on a ships appearance. Overhead views are also included. With 800 full color illustrations, arranged by ship type rather than camouflage scheme, this book concentrates the clearest possible information into a single volume to provide a one-stop reference source. Many schemes would be difficult for the reader to have found other than with the most intensive research so that historians, collectors, model makers and wargamers will find this unique reference source absolutely invaluable.




Italian Naval Camouflage of World War II


Book Description

This is a major new study of Italian naval camouflage schemes developed and used during World War II. When Italy entered the War in June 1940, the Regia Marina (Italian navy) was a force still under development and both Italian warships and merchant ships started the war in their peacetime colors, although prewar plans had been made for camouflaging ships. At that time, all the principal warships were painted in a light matte grey ("grigio cenerino chiaro"), that was adopted in the 1920s and early '30s. With the advent of war, and the start of convoy traffic to Libya, the need to camouflage ships for purposes of deception, rather than outright concealment, became apparent and the first initiatives were undertaken. Employing contemporary schematic drawings, photographs, and his own CAD profiles, Marco Ghiglino, describes the development of the varied schemes that were adopted for the capital ships, such as Caio Duilia and Littorio, cruisers, destroyers and torpedo boats, landing craft, and merchant ships; even the royal yacht and small tugs were given camouflage schemes. Ghiglino depicts all the ships and their schemes, at different dates, with both sides of the ship shown where possible, in his own beautifully rendered schematic profiles, all in full color. It is this section with more than 700 drawings that gives the reader a complete and detailed picture of the development of Italian naval camouflage. He also looks in detail at the Greek theater where there were many exceptions, influenced by the German presence and by the camouflage schemes of captured vessels. This major new reference book will prove invaluable to historians, collectors, model makers, and wargamers and follows in the wake of the hugely successful editions covering German and British camouflage schemes of World War II.




The Ardennes


Book Description