Seen from Behind


Book Description

This original book examines the range of meaning that has been attached to the male backside in Renaissance art and culture, the transformation of the base connotation of the image to high art, and the question of homoerotic impulses or implications of admiring male figures from behind.




Behind the Seen


Book Description

The first volume to reveal the post production process of a major motion picture edited entirely in Final Cut Pro! This book offers a rare glimps at the creative process of one of cinema's giants. It includes anecdotes from the director, edit staff and producers and behind the scenes insight.




Seen and Not Heard


Book Description

Edward Gorey meets Downton Abbey in a deliciously ghostly caper about mischievous children who won t stay inside their gilded portrait frames. Welcome to Shiverhawk Hall It s a big old house full of treasure, mystery, and stories. Here, just look up on the wall. See these beautiful paintings? These are children who used to live here long ago: the DeVillechild twins, the Pinksweet tots . . . my, they look like such "good "children. So very well behaved. But wait a minute, did you "see "that? One of their eyes seemed to blink Did you "hear" that? A rustle A whisper The tiniest scratch Can it be that when darkness falls, the children on the walls at Shiverhawk Hall climb out of their paintings and run amok?"




Behind the Seen


Book Description

Does the fact that she successfully hid her Jewish identity--diet, dress, and worship--suggest that, like many modern teenagers, she temporarily abandoned the faith? Why did Mordecai refuse to extend to Haman even a legitimate gesture of respect? Did it have anything to do with a blood feud between them that spanned many generations? How do extrabiblical sources portray King Artaxerxes? Why is God never mentioned in the book of Esther? Does this have any significance to us who live today in a seductive and lavish society that celebrates His silence? And what does this story tell us about the last days?




The Power Broker


Book Description

PULITZER PRIZE WINNER • A modern American classic, this huge and galvanizing biography of Robert Moses reveals not only the saga of one man’s incredible accumulation of power but the story of his shaping (and mis-shaping) of twentieth-century New York. One of the Modern Library’s hundred greatest books of the twentieth century, Robert Caro's monumental book makes public what few outsiders knew: that Robert Moses was the single most powerful man of his time in the City and in the State of New York. And in telling the Moses story, Caro both opens up to an unprecedented degree the way in which politics really happens—the way things really get done in America's City Halls and Statehouses—and brings to light a bonanza of vital information about such national figures as Alfred E. Smith and Franklin D. Roosevelt (and the genesis of their blood feud), about Fiorello La Guardia, John V. Lindsay and Nelson Rockefeller. But The Power Broker is first and foremost a brilliant multidimensional portrait of a man—an extraordinary man who, denied power within the normal framework of the democratic process, stepped outside that framework to grasp power sufficient to shape a great city and to hold sway over the very texture of millions of lives. We see how Moses began: the handsome, intellectual young heir to the world of Our Crowd, an idealist. How, rebuffed by the entrenched political establishment, he fought for the power to accomplish his ideals. How he first created a miraculous flowering of parks and parkways, playlands and beaches—and then ultimately brought down on the city the smog-choked aridity of our urban landscape, the endless miles of (never sufficient) highway, the hopeless sprawl of Long Island, the massive failures of public housing, and countless other barriers to humane living. How, inevitably, the accumulation of power became an end in itself. Moses built an empire and lived like an emperor. He was held in fear—his dossiers could disgorge the dark secret of anyone who opposed him. He was, he claimed, above politics, above deals; and through decade after decade, the newspapers and the public believed. Meanwhile, he was developing his public authorities into a fourth branch of government known as "Triborough"—a government whose records were closed to the public, whose policies and plans were decided not by voters or elected officials but solely by Moses—an immense economic force directing pressure on labor unions, on banks, on all the city's political and economic institutions, and on the press, and on the Church. He doled out millions of dollars' worth of legal fees, insurance commissions, lucrative contracts on the basis of who could best pay him back in the only coin he coveted: power. He dominated the politics and politicians of his time—without ever having been elected to any office. He was, in essence, above our democratic system. Robert Moses held power in the state for 44 years, through the governorships of Smith, Roosevelt, Lehman, Dewey, Harriman and Rockefeller, and in the city for 34 years, through the mayoralties of La Guardia, O'Dwyer, Impellitteri, Wagner and Lindsay, He personally conceived and carried through public works costing 27 billion dollars—he was undoubtedly America's greatest builder. This is how he built and dominated New York—before, finally, he was stripped of his reputation (by the press) and his power (by Nelson Rockefeller). But his work, and his will, had been done.




Wyeth


Book Description

In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.




Masterminds of Terror


Book Description

A One-of-a-Kind Expose of the September 11 Terrorist Plot That Changed Our Lives and Our World Irrevocably. When star Al-Jazeera TV reporter Yosri Fouda received an anonymous call summoning him to a secret interview in Pakistan with al-Qaeda, he knew he could be walking into a deadly trap, as Wall Street Journal reporter Daniel Pearl had done only months before. But he took the risk, and hit pay dirt. For 48 hours, Fouda listened as two of the world's most wanted men, Khalid Shaikh Mohammed, head of al-Qaeda's military committee, and Ramzi Binalshibh, the link between Mohammed Atta and the senior al-Qaeda leadership, proudly claimed responsibility for the 9/11 attacks on New York and the Pentagon -- the first time al-Qaeda took direct responsibility. During the course of the in-depth interview, they detailed exactly how, over a two-year period, the plot was conceived, planned, and executed. Among their many revelations: The intended target of United Airlines Flight 93. The code names used by the hijackers. Documents and souvenirs from Atta's Hamburg apartment. Actual e-mail communications between Atta and Binalshibh. The role both chief conspirators played in the slaying of Daniel Pearl. Mohammed's connections to the first World Trade Center attack. How Mohammed and Binalshibh built al-Qaeda's Far East network. Based on that interview and hours of follow-up investigation, Masterminds of Terror also contains dramatic accounts of the seizure of both Binalshibh and Mohammed and analyzes al-Qaeda's attempts to justify its actions on what it calls "Holy Tuesday." With the recent headline-grabbing capture of Khalid Shaikh Mohammed, both masterminds are now being held by the U.S. government in secret locations. Here is the closest we may get to the full inside story of the plot, together with the most up-to-date and comprehensive account yet of the philosophy and actions of al-Qaeda Book jacket.




Crime Seen


Book Description

A criminal profiler, trained at Quantico, former Chief Superintendent of the Ontario Provincial Police (OPP) Kate Lines recounts her remarkable story using pivotal cases she worked on in the course of her career. How does a farm girl from Ennismore enter a male-dominated field and become a top criminal profiler and groundbreaking leader? For Kate Lines, it started humbly, patrolling highways. She learned quickly that the best way to thrive was to keep calm, carry on and never lose her sense of humour. In what would be the first of many dramatic turns in her career, Kate traded in her uniform for a tight miniskirt and a leather jacket, becoming one of the OPP's first female undercover officers. In 1990 came the opportunity of a lifetime: to be chosen as the 2nd-ever Canadian in an elite program at Quantico, Virginia in what was then the emerging field of criminal profiling. After 10 months of an intensive education in the intricacies of violent crime, Kate's new skills made her much in demand back home. Over the years she was involved in a number of high-profile cases, such as the abduction and murder of Kristen French and of Tori Stafford and the disappearance of Michael Dunahee. Kate was an early proponent of ViCLAS--the Violent Crime Linkage Analysis System, and when she took charge of the new and massive Behavioural Sciences division in Orillia, she took over ViCLAS and turned the department into a hub of innovation. Kate was awarded a Governor General's medal for being in the top 1/10th of 1% of the members of police forces that year. The following year the Canadian Police Leadership Foundation named her Police Leader of the Year. Always taking care not to aggrandize in any way the criminals whose names we may know all too well, Kate feels it's much more important to focus on the courage of victims and their families. Kate is an unsung, groundbreaking Canadian woman, one of a kind in this country, with a unique, inspiring and fascinating story to share.




Sargent's Women: Four Lives Behind the Canvas


Book Description

A New York Times Book Review Editors’ Choice Selection “[Lucey] delivers the goods, disclosing the unhappy or colorful lives that Sargent sometimes hinted at but didn’t spell out.”—Boston Globe In this seductive, multilayered biography, based on original letters and diaries, Donna M. Lucey illuminates four extraordinary women painted by the iconic high-society portraitist John Singer Sargent. With uncanny intuition, Sargent hinted at the mysteries and passions that unfolded in his subjects’ lives. These women inhabited a rarefied world of wealth and strict conventions—yet all of them did something unexpected, something shocking, to upend society’s rules.




Creativity, Inc. (The Expanded Edition)


Book Description

The co-founder and longtime president of Pixar updates and expands his 2014 New York Times bestseller on creative leadership, reflecting on the management principles that built Pixar’s singularly successful culture, and on all he learned during the past nine years that allowed Pixar to retain its creative culture while continuing to evolve. “Might be the most thoughtful management book ever.”—Fast Company For nearly thirty years, Pixar has dominated the world of animation, producing such beloved films as the Toy Story trilogy, Finding Nemo, The Incredibles, Up, and WALL-E, which have gone on to set box-office records and garner eighteen Academy Awards. The joyous storytelling, the inventive plots, the emotional authenticity: In some ways, Pixar movies are an object lesson in what creativity really is. Here, Catmull reveals the ideals and techniques that have made Pixar so widely admired—and so profitable. As a young man, Ed Catmull had a dream: to make the first computer-animated movie. He nurtured that dream as a Ph.D. student, and then forged a partnership with George Lucas that led, indirectly, to his founding Pixar with Steve Jobs and John Lasseter in 1986. Nine years later, Toy Story was released, changing animation forever. The essential ingredient in that movie’s success—and in the twenty-five movies that followed—was the unique environment that Catmull and his colleagues built at Pixar, based on philosophies that protect the creative process and defy convention, such as: • Give a good idea to a mediocre team and they will screw it up. But give a mediocre idea to a great team and they will either fix it or come up with something better. • It’s not the manager’s job to prevent risks. It’s the manager’s job to make it safe for others to take them. • The cost of preventing errors is often far greater than the cost of fixing them. • A company’s communication structure should not mirror its organizational structure. Everybody should be able to talk to anybody. Creativity, Inc. has been significantly expanded to illuminate the continuing development of the unique culture at Pixar. It features a new introduction, two entirely new chapters, four new chapter postscripts, and changes and updates throughout. Pursuing excellence isn’t a one-off assignment but an ongoing, day-in, day-out, full-time job. And Creativity, Inc. explores how it is done.