Canadian Reference Sources


Book Description

In parallel columns of French and English, lists over 4,000 reference works and books on history and the humanities, breaking down the large divisions by subject, genre, type of document, and province or territory. Includes titles of national, provincial, territorial, or regional interest in every subject area when available. The entries describe the core focus of the book, its range of interest, scholarly paraphernalia, and any editions in the other Canadian language. The humanities headings are arts, language and linguistics, literature, performing arts, philosophy, and religion. Indexed by name, title, and French and English subject. Annotation copyrighted by Book News, Inc., Portland, OR




A Bibliography of Canadian Folklore in English


Book Description

This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.







An Annotated Bibliography of Inuit Art


Book Description

Archaeological digs have turned up sculptures in Inuit lands that are thousands of years old, but "Inuit art" as it is known today only dates back to the beginning of the 1900s. Early art was traditionally produced from soft materials such as whalebone, and tools and objects were also fashioned out of stone, bone, and ivory because these materials were readily available. The Inuit people are known not just for their sculpture but for their graphic art as well, the most prominent forms being lithographs and stonecuts. This work affords easy access to information to those interested in any type of Inuit art. There are annotated entries on over 3,761 articles, books, catalogues, government documents, and other publications.




Art Market Research


Book Description

This book is for art market researchers at all levels. A brief overview of the global art market and its major stakeholders precedes an analysis of the various sales venues (auction, commercial gallery, etc.). Library research skills are reviewed, and advanced methods are explored in a chapter devoted to basic market research. Because the monetary value of artwork cannot be established without reference to the aesthetic qualities and art historical significance of our subject works, two substantial chapters detail the processes involved in researching and documenting the fine and decorative arts, respectively, and provide annotated bibliographies. Methods for assigning values for art objects are explored, and sources of price data, both in print and online, are identified and described in detail. In recent years, art historical scholarship increasingly has addressed issues related to the history of art and its markets: a chapter on resources for the historian of the art market offers a wide range of sources. Finally, provenance and art law are discussed, with particular reference to their relevance to dealers, collectors, artists and other art market stakeholders.




North American Burl Treen: Colonial & Native American


Book Description

NORTH AMERICAN BURL TREEN:COLONIAL & NATIVE AMERICANThe practice of utilizing wood for domestic purposes is as old as civilization itself; however, for Europeans the use of burl was not common practice until they became colonists of North America in the 17th century. They learned from the Native Americans, for whom it was a centuries old tradition that treen made from burl (a knotty outgrowth on a tree), with its interlocking grain and strong matter was more durable than plain treen. Unlike in Europe, burls in North America were abundant, cheap, and a practical resource for everyday wares.Today, early burl treen is part of nearly every major Americana and Native Americana collection, yet the subject has largely been neglected in print, leaving most collectors and dealers with only a general understanding of the material. NORTH AMERICAN BURL TREEN: Colonial & Native American is the first comprehensive survey and study of this important historical craft. Culled from museum and private collections, the book includes nearly 200 objects and over 250 full-color images, most never before published.Chapters include:American Colonial Burl Bowls and Service WearThe Patten Family Maple Burl Sugar BowlThe Covered Burl BowlThe Burl MortarAssorted Burl TreenBurl Effigy Bowls of The Woodlands IndiansNative American Burl BowlsNative American Burl Effigy Ladles, Burl Paddles and ScoopsAtlantic White Cedar Burl of The Abenaki







Folklife Center News


Book Description