Selected Letters of Margaret Laurence and Adele Wiseman


Book Description

The correspondence between Margaret Laurence and Adele Wiseman covers a period of 40 years, from 1947-1986, and encompasses the professional and personal developments, accomplishments, disappointments, and satisfactions of that period.




The Sacrifice


Book Description

The Sacrifice is a haunting depiction of one family and its often tragic attempts to come to terms with a new life in a new country. It is a moving, almost biblical story of a father possessed by his hope for his only son; of a son who rebels against his father’s ideals, yet sacrifices himself to preserve what his father most prizes; and of a grandson who must reconcile the flaws in his inheritance.




Margaret Laurence


Book Description

Margaret Laurence: The Making of a Writer is an engaging narrative that contains new and important findings about Laurence’s life and career. This biography reveals the challenges, successes, and failures of the long apprenticeship that preceded the publication of the The Stone Angel, Laurence’s first commercially successful novel. Donez Xiques demonstrates the importance of Margaret Laurence’s early work as a journalist in her development as a writer and covers her return to Canada from Africa in the late 1950s. She details the significance of Laurence’s "Vancouver years" as well as the challenges of her year in London prior to settling at Elm Cottage in Buckinghamshire, when Laurence stood on the verge of success. The Margaret Laurence known to most people is a public figure of the 1960s and 1970s; matriarchal, matronly, and accomplished. The story of her early years in the harsh setting of the Canadian Prairies during the 1930s - years of drought and the Great Depression - and of her African years has never before been chronicled with the thoroughness and vividness that Xiques provides for the reader. Appended to this powerful new biography is a short story by Margaret Laurence that has never before been published and two other stories that have not been widely available. They indicate the range of her concerns and show a marked departure from her fiction in The Tomorrow-Tamer and Other Stories and A Bird in the House. Readers will benefit from the extensive research in this full and vibrant portrait of one of the most revered writers of twentieth-century Canadian literature.




Margaret Laurence


Book Description

This book highlights the accomplishments of one of Canada's most acclaimed and beloved fiction writers, Margaret Laurence. The essays in this collection explore her body of work as well as her influence on young Canadian writers today.




Margaret Laurence and Jack McClelland, Letters


Book Description

Margaret Laurence and Jack McClelland—one of Canada’s most beloved writers and one of Canada’s most significant publishers—enjoyed an unusual rapport. In this collection of annotated letters, readers gain rare insight into the private side of these literary icons. Their correspondence reveals a professional relationship that evolved into deep friendship over a period of enormous cultural change. Both were committed to the idea of Canadian writing; in a very real sense, their mutual and separate work helped bring “Canadian Literature” into being. With its insider’s view of the book business from the late 1950s to the mid-1980s, Margaret Laurence and Jack McClelland, Letters presents a valuable piece of Canadian literary history curated and annotated by Davis and Morra. This is essential reading for all those interested in Canada’s literary culture.




The Stone Angel


Book Description

The Stone Angel, The Diviners, and A Bird in the House are three of the five books in Margaret Laurence's renowned "Manawaka series," named for the small Canadian prairie town in which they take place. Each of these books is narrated by a strong woman growing up in the town and struggling with physical and emotional isolation. In The Stone Angel, Hagar Shipley, age ninety, tells the story of her life, and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintains pride in the face of senility, while recalling the life she led as a rebellious young bride, and later as a grieving mother. Laurence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant. "This is a revelation, not impersonation. The effect of such skilled use of language is to lead the reader towards the self-recognition that Hagar misses."—Robertson Davies, New York Times "It is [Laurence's] admirable achievement to strike, with an equally sure touch, the peculiar note and the universal; she gives us a portrait of a remarkable character and at the same time the picture of old age itself, with the pain, the weariness, the terror, the impotent angers and physical mishaps, the realization that others are waiting and wishing for an end."—Honor Tracy, The New Republic "Miss Laurence is the best fiction writer in the Dominion and one of the best in the hemisphere."—Atlantic "[Laurence] demonstrates in The Stone Angel that she has a true novelist's gift for catching a character in mid-passion and life at full flood. . . . As [Hagar Shipley] daydreams and chatters and lurches through the novel, she traces one of the most convincing—and the most touching—portraits of an unregenerate sinner declining into senility since Sara Monday went to her reward in Joyce Cary's The Horse's Mouth."—Time "Laurence's triumph is in her evocation of Hagar at ninety. . . . We sympathize with her in her resistance to being moved to a nursing home, in her preposterous flight, in her impatience in the hospital. Battered, depleted, suffering, she rages with her last breath against the dying of the light. The Stone Angel is a fine novel, admirably written and sustained by unfailing insight."—Granville Hicks, Saturday Review "The Stone Angel is a good book because Mrs. Laurence avoids sentimentality and condescension; Hagar Shipley is still passionately involved in the puzzle of her own nature. . . . Laurence's imaginative tact is strikingly at work, for surely this is what it feels like to be old."—Paul Pickrel, Harper's




The Force of Vocation


Book Description

Adele Wiseman was a seminal figure in Canadian letters. Always independent and wilful, she charted her own literary career, based on her unfailing belief in her artistic vision. In The Force of Vocation, the first book on Wiseman's writing life, Ruth Panofsky presents Wiseman as a writer who doggedly and ambitiously perfected her craft, sought a wide audience for her work, and refused to compromise her work for marketability.Based on previously unpublished archival material and personal interviews with publishers, editors, and writers, The Force of Vocation charts Wiseman's career from her internationally acclaimed first novel, The Sacrifice, through her near career-ending decisions to move into drama and non-fiction, to her many years as a dedicated mentor to other writers. In the process, Panofsky presents a remarkable and compelling story of the intricate negotiations and complex relationships that exist among authors, editors, and publishers.




Adele Wiseman


Book Description

This collection of essays details the complexity and diversity of author Adele Wiseman. Writing in several different genres, from children's books to plays and essays, Wiseman became one of the most renowned Canadian authors and won Canada's Governor General's award for her first novel, 'The Sacrifice'. With the success of her first novel at the age of 28, Wiseman came to prominence in both the United States and Canada quite early. Her second novel, 'Crackpot', about prostitution, has been the subject of current critical debate.




Racial, Ethnic, Gender and Class Representations in Margaret Laurence’s Writings


Book Description

Racial, Ethnic, Gender and Class Representations in Margaret Laurence’s Writings is a study on Canada, Canadian literature and Margaret Laurence’s works in particular, thus addressing various kinds of readership. This book avoids the danger of limiting the approach to solely focusing attention on Canada by presenting a thorough analysis of various literary genres, allowing the book to be of interest to all literature lovers. Furthermore, the book explores the parallelism between life and fiction, emphasising Laurence’s biographic and realist elements and their influence on the writer’s fictional writing, revealing real and imaginary worlds which would appeal to anybody’s literary needs. This major contribution to the already existent criticism of Margaret Laurence’s works lies in the analysis of her work as an entity, balancing both terms of the common binary oppositions: fiction versus non-fiction, Africa versus Canada, white versus Black or Metis. In spite of critical comments which might be raised, Andreea Topor-Constantin comments on how the voice of the marginal makes itself heard throughout the author’s books, underlying Laurence’s emphasis on characterisation and her genuine concern for people. This book covers all aspects of Laurence’s life and fiction: from the African to the writer’s Canadian background, from adults’ to children’s literature, from novels to short stories, from essays to letters, in order to challenge readers’ perceptions of race, ethnicity, gender and class.




Dangerous Writing


Book Description

This book examines the literary construction of personal identity through autobiographical narratives by three significant writers analysed together for the first time: the Scottish Willa Muir (1890-1970), the Canadian Margaret Laurence (1926-1987), and the New Zealander Janet Frame (1924-2004). These apparently dissimilar authors suffered not only geographical, but also political marginality: they were women from the working-class or struggling middle-class, striving to be considered as professional writers, and emerging from countries that might be felt to be under the shadows of economic and political world powers such as England and the United States. During their lifetimes, they exerted themselves to overcome prejudices about class, gender and ethnicity. They experienced war and the post-war era, and lived through most of the twentieth century, being accurate witnesses and critics of their times. As it discusses major writers who are iconic for the development of the literatures of their respective countries, this book also attracts readers who are interested in learning more about the lives of these remarkable women, the way their socio-historical and geographical circumstances affected their writing and how they expressed such concerns in their autobiographies and other fictional and non-fictional works, besides considering them in relation to contemporary women writers —and autobiographers— who underwent similar experiences.