The Roman Elegiac Poets


Book Description




The Cambridge Companion to Latin Love Elegy


Book Description

Latin love elegy is one of the most important poetic genres in the Augustan era, also known as the golden age of Roman literature. This volume brings together leading scholars from Australia, Europe and North America to present and explore the Greek and Roman backdrop for Latin love elegy, the individual Latin love elegists (both the canonical and the non-canonical), their poems and influence on writers in later times. The book is designed as an accessible introduction for the general reader interested in Latin love elegy and the history of love and lament in Western literature, as well as a collection of critically stimulating essays for students and scholars of Latin poetry and of the classical tradition.




The Elegiac Cityscape


Book Description

The Roman elegiac poet Propertius was one such author. This final published collection, issued in 16 BCE, has been traditionally read as an abandonment by Propertius of his earlier flippant love poems for a more mature engagement with Roman public life or else a comical send-up of imperial policies as embodied in Rome's public buildings. The Elegiac Cityscape explores Propertius' Rome and the various ways his poetry about the city illuminates the dynamic relationship between one individual and his environment. The relationship between poet and city is complicated at every turn by the presence in the background of the emperor Augustus, whose sustained artistic patronage of Roman monuments brought about the most pervasive transformation that the city had yet seen. Combining the approaches of archaeology and literary criticism, Tara S. Welch examines how Propertius' poems on Roman places scrutinize the monumentalization of various ideological positions in Rome, as they poke and prod Rome's monuments to see what further meanings they might admit. The result is a poetic book rife with different perspectives on the eternal city, perspectives that often call into question any sleepy or complacent adherence to Rome's traditional values. Book jacket.




In the Flesh


Book Description

In the Flesh deeply engages postmodern and new materialist feminist thought in close readings of three significant poets—Propertius, Tibullus, and Ovid—writing in the early years of Rome's Augustan Principate. In their poems, they represent the flesh-and-blood body in both its integrity and vulnerability, as an index of social position along intersecting axes of sex, gender, status, and class. Erika Zimmermann Damer underscores the fluid, dynamic, and contingent nature of identities in Roman elegy, in response to a period of rapid legal, political, and social change. Recognizing this power of material flesh to shape elegiac poetry, she asserts, grants figures at the margins of this poetic discourse—mistresses, rivals, enslaved characters, overlooked members of households—their own identities, even when they do not speak. She demonstrates how the three poets create a prominent aesthetic of corporeal abjection and imperfection, associating the body as much with blood, wounds, and corporeal disintegration as with elegance, refinement, and sensuality.




The Arts of Love


Book Description

The five chapters that make up this short book examine the love elegies of the Roman poets Tibullus, Propertius and Ovid from the point of view of the way the meanings attributed to the poems arise out of the interests and preoccupations of the cultural situation in which they are read. Each study is centred around a reading of a poem or poems together with a discussion of a variety of sophisticated theoretical approaches drawn from modern scholars and theorists such as Paul Veyne, Roland Barthes an Michel Foucault. In each case, the modes of analysis involved are pressed hard to see where they may lead, and, equally, where they may show signs of strain. All Latin texts and terms are translated or closely paraphrased.




Power Play in Latin Love Elegy and its Multiple Forms of Continuity in Ovid’s >Metamorphoses


Book Description

Conceived as a necessary reconsideration of the pristine "elegiac question" in Ovid’s Metamorphoses, this book intends to offer an analysis of the function of elegiac discourse within Ovid’s magnum opus from the perspective of metapoetics. To that end, the author undertakes, in the first section, a close re-reading of some relevant passages of Latin love elegy. From a prism that takes into account the characteristically elegiac multivocality, the genre reveals itself as an agonistic discourse in which the poet dramatises his metaliterary power-relation with the puella, who is unveiled as the synthesis of the distinct sub-products of his poetic activity. Thereupon, the author proceeds to scrutinise how elegiac elements are assimilated and transformed as they become integrated within the framework of Ovid’s poem of changing forms. Far from being a mere stylistic ornament, the presence of an elegiac register in many erotic passages tells us about Ovid’s stance towards love as a metapoetic trope. By reworking elegiac tradition to the point of transforming it into a novum corpus, the poet ultimately substantiates the mutability of generic categories.







Textual Permanence


Book Description

Textual Permanence is the first book to examine the influence of the Roman epigraphic tradition on Latin elegiac poetry. The frequent use of invented inscriptions within the works of Rome's elegiac poets suggests a desire to monumentalise elements of the poems and the authors themselves. This book explores inscriptional writing in the elegies of Catullus, Propertius, Tibullus and Ovid, showing that whenever an author includes an inscription within a poem, he draws the reader's attention beyond the text of the poem to include the cultural contexts in which such inscriptions were daily read and produced. The emphases that these inscriptions grant to persons, sentiments and actions within the poems are reflections of the permanence that real-life inscriptions grant to a variety of human efforts. These poetic inscriptions provide unique windows of interpretation to some of Rome's most significant and influential poems. Teresa Ramsby traces an important relationship between the Roman tradition that honoured individual participation in Roman politics, and the way that elegiac poetry was early applied in Rome to the same activity. In the course of the book she offers fresh interpretations of poems that have been analysed by a host of scholars.




Catalog


Book Description