Seneca's Characters


Book Description

Seneca's Characters addresses one of the most enduring and least theorised elements of literature: fictional character and its relationship to actual, human selfhood. Where does the boundary between character and person lie? While the characters we encounter in texts are obviously not 'real' people, they still possess person-like qualities that stimulate our attention and engagement. How is this relationship formulated in contexts of theatrical performance, where characters are set in motion by actual people, actual bodies and voices? This book addresses such questions by focusing on issues of coherence, imitation, appearance and autonomous action. It argues for the plays' sophisticated treatment of character, their acknowledgement of its purely fictional ontology alongside deep – and often dark – appreciation of its quasi-human qualities. Seneca's Characters offers a fresh perspective on the playwright's powerful tragic aesthetics that will stimulate scholars and students alike.




Seneca's Characters


Book Description

The first full-length study of fictional character in Senecan tragedy, focusing on issues of coherence, imitation, appearance and autonomy.




Seneca's Drama


Book Description

With insight and clarity, Norman Pratt makes available to the general reader an understanding of the major elements that shaped Seneca's plays. These he defines as Neo-Stoicism, declamatory rhetoric, and the chaotic, violent conditions of Senecan society. Seneca's drama shows the nature of this society and uses freely the declamatory rhetorical techniques familiar to any well-educated Roman. But the most important element, Pratt argues, is Neo-Stoicism, including technical aspects of this philosophy that previously have escaped notice. With these ingredients Seneca transformed the themes and characters inherited from Greek drama, casting them in a form that so radically departs from the earlier drama that Seneca's plays require a different mode of criticism. "The greatest need in the criticism of this drama is to understand its legitimacy as drama of a new kind in the anicent tradition," Pratt writes. "It cannot be explained as an inferior imitation of Greek tragedy because, though inferior, it is not imitative in the strict sense of the word and has its own nature and motivation." Pratt shows the functional interrelationship among philosophy, rhetoric, and "society" in Seneca's nine plays and assesses the plays' dramatic qualities. He finds that however melodramatic the plays may seem to the modern reader, Seneca's own career as Nero's mentor, statesman, and spokesman was scarcely less tumultuous than the lives of his characters. When the Neo-Stoicism and rhetoric of the plays are charged with Seneca's own tortured, passionate life, Pratt concludes, "The result is inevitably melodrama, melodrama of such energy and force that it changed the course of Western drama." Originally published in 1983. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.




The Amateurs


Book Description

Five years ago, high school senior Helena Kelly disappeared from her backyard in Dexby, Connecticut, never to be heard from again. Her family was left without any answers -- without any idea who killed Helena, or why. So when eighteen-year-old Seneca Frazier sees a desperate post on the Case Not Closed message board, she knows it's time to change that. Helena's high-profile disappearance is the one that originally got Seneca addicted to true crime. It's the reason she's a member of the site in the first place. Determined to get to the bottom of the mystery, she agrees to spend spring break in Connecticut working on the case with Maddy Wright, her friend from Case Not Closed. However, the moment she steps off the train, things start to go wrong. Maddy's nothing like she expected, and Helena's sister, Aerin, doesn't seem to want any help after all. Plus, Seneca has a secret of her own, one that could derail the investigation if she's not careful. Alongside Brett, another super-user from the site, they slowly begin to unravel the secrets Helena kept in the weeks before her disappearance. But the killer is watching . . . and determined to make sure the case stays cold. #1 New York Times best-selling author Sara Shepard is back with The Amateurs, first in a gripping new series packed with scandalous twists, shocking betrayals, and sizzling romance. "Shepard . . . unravels the truth, the author lulls readers into a false sense of security before expertly pulling the rug out from underneath them. This is a delicious start to the Amateurs series." -Publishers Weekly, starred review "A twisty and ultimately satisfying romantic whodunit." -Kirkus Reviews "[L]ikely to reach best-seller status." -Booklist "A delicious and suspenseful page-turner. I want more!" -I. Marlene King, Executive Producer, Pretty Little Liars "Chilling and romantic and full of surprises." -Cecily von Ziegesar, New York Times best-selling author of the Gossip Girl series "Long live the queen of secrets! The Amateurs is a dark and twisty thriller which might just fill the Pretty Little Liars shaped hole in my heart!" -Danielle Paige, New York Times best-selling author of Dorothy Must Die "Deceitful and delicious!" -- Kami Garcia, #1 New York Times best-selling coauthor of Beautiful Creatures and author of The Lovely Reckless "It's clear that Sara Shepard is no amateur; her devious and thrilling twists will leave you frantically turning pages until the very last moment." -- Kass Morgan, New York Times best-selling author of The 100 series







The Daily Stoic


Book Description

From the team that brought you The Obstacle Is the Way and Ego Is the Enemy, a daily devotional of Stoic meditations—an instant Wall Street Journal and USA Today Bestseller. Why have history's greatest minds—from George Washington to Frederick the Great to Ralph Waldo Emerson, along with today's top performers from Super Bowl-winning football coaches to CEOs and celebrities—embraced the wisdom of the ancient Stoics? Because they realize that the most valuable wisdom is timeless and that philosophy is for living a better life, not a classroom exercise. The Daily Stoic offers 366 days of Stoic insights and exercises, featuring all-new translations from the Emperor Marcus Aurelius, the playwright Seneca, or slave-turned-philosopher Epictetus, as well as lesser-known luminaries like Zeno, Cleanthes, and Musonius Rufus. Every day of the year you'll find one of their pithy, powerful quotations, as well as historical anecdotes, provocative commentary, and a helpful glossary of Greek terms. By following these teachings over the course of a year (and, indeed, for years to come) you'll find the serenity, self-knowledge, and resilience you need to live well.




The Deaths of Seneca


Book Description

The forced suicide of Seneca, former adviser to Nero, is one of the most tortured death scenes from classical antiquity. Here, James Ker offers a comprehensive cultural history of Seneca's death scene, situating it in the Roman imagination and tracing its many subsequent interpretations.




Seneca's Tragedies and the Aesthetics of Pantomime


Book Description

Pantomime was arguably the most popular dramatic genre during the Roman Empire, but has been relatively neglected by literary critics. Seneca's Tragedies and the Aesthetics of Pantomime adds to our understanding of Seneca's tragic art by demonstrating that elements which have long puzzled scholars can be attributed to the influence of pantomime. The work argues that certain formal features which depart from the conventions of fifth-century Attic drama can be explained by the influence of, and interaction with, this more popular genre. The work includes a detailed and systematic analysis of the specific pantomime-inspired features of Seneca's tragedies: the loose dramatic structure, the presence of “running commentaries” (minute descriptions of characters undergoing emotional strains or performing specific actions), of monologues of self-analysis, and of narrative set-pieces. Relevant to the culture of Roman imperial culture more generally, Seneca's Tragedies and the Aesthetics of Pantomime includes an outline of the general features of pantomime as a genre. The work shows that the influence of sub-literary-genres such as pantomime and mime, the sister art of pantomime, can be traced in several Roman writers whose literary production was antecedent or contemporary with Seneca's. Furthermore, the work sheds light on the interaction between sub-literary genres of a performative nature such as mime and pantomime and more literary ones, an aspect of Latin culture which previous scholarship has tended to overlook. Seneca's Tragedies and the Aesthetics of Pantomime provides an original contribution to the understanding of the impact of pantomime on Roman literary culture and of controversial and little-understood features of Senecan tragedies.




California Studies in Classical Antiquity, Volume 8


Book Description

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.




Seneca


Book Description

After centuries of neglect there is renewed interest in the life and works of Lucius Annaeus Seneca (or Seneca the Younger, c 4 BCE-65 CE). At one time an advisor at court to Nero, Seneca and his political career came to ruin when he was implicated in a later plot to kill the capricious and matricidal emperor, and compelled to commit suicide. Discredited through collusion, or at least association, with a notorious and tyrannical regime, Seneca's ideas were for a time also considered derivative of Greek stoicism and thus inferior to the real thing. In this first in-depth introduction to be published for many years, Christopher Star shows what a remarkable statesman, dramatist and philosopher his subject actually was. Seneca's original contributions to political philosophy and the philosophy of the emotions were considerable. He was a favourite authority of Tertullian, who saw Seneca as proto-believer and early humanist. And he is a key figure in the history of ideas and the Renaissance, as well as in literature and drama. This new survey does full justice to his significance.