Shakespeare and the Modern Stage; with Other Essays


Book Description

As this book was first published in the early twentieth century, it should be remembered that 'modern' can refer only to nineteenth-century theater. Sir Sydney Lee writes very much from the point of view that Shakespeare must be performed to be fully appreciated.




Shakespeare's Patron: William Herbert, Third Earl of Pembroke, 1580 - 1630


Book Description

William Herbert, Third Earl of Pembroke, 1580-1630, was the 'uomo universale' of the Early Stuart Age. A prominent courtier in the reigns of Elizabeth I, James I and Charles I, he was the most important patron of the arts of the early seventeenth century, and almost certainly the person to whom Shakespeare dedicated his Sonnets. He was, in fact, the patron of almost every great literary and artistic figure of the period; Ben Jonson, Inigo Jones, John Donne, and George Herbert. Pembroke was an astute and powerful politician, the greatest electoral manager of the time, the wealthiest nobleman in the country, a powerful industrial entrepreneur, Chancellor of Oxford University and an indefatigable promoter of colonial enterprises. This major new work, the product of many years of research, is the first full length study of Pembroke. It has been exhaustively researched with all the extant manuscript and printed materials studied. Pembroke's poetry and patronage are fully discussed, his political life analysed, and his business activities both at home and abroad fully investigated.







The Assassination of Shakespeare's Patron


Book Description

Lord Ferdinando Stanley was the fifth earl of Derby, a leading claimant to the throne. Considered a man who had everything, he was also the patron of the company of players which was fortunate enough to include William Shakespeare. One April Fool's Day, 1594, he was reportedly approached by a witch (one of the famous legion of "Lancashire witches") and they engaged in brief conversation while strolling outside his largest palace, Lathom Hall. Four days later, he fell violently ill. For twelve days he lingered, while four of the best doctors in the country, including the famous Dr. John Case of Oxford, labored in vain to save him.Who killed Lord Stanley and why? Historians started debating that question almost as soon as he died, and outraged gossip was to be heard everywhere in England. This second edition studies the death of Lord Derby within the immediate contexts of Elizabethan power politics, succession mania, passionate religious controversy, the records of prominent families in the North, and the cult of personality just then beginning to become a major factor in the nation's social history. The book's scope also includes subcultural contexts such as Elizabethan poetry (Lord Derby was a pastoral love poet, some of whose work survives), witchcraft, medicine, spy networks, and both approved and disapproved methods of political assassination (with poison being the most frowned upon because of its disreputable "Italianate" connotations).




Textual Patronage in English Drama, 1570-1640


Book Description

Through an investigation of the dedications and addresses from various printed plays of the English Renaissance, the author recuperates the richness of these prefaces and connects them to the practice of patronage. The prefatory matter discussed ranges from the printer John Day's address to readers (the first of its kind) in the 1570 edition of Gorboduc to Richard Brome's dedication to William Seymour and address to readers in his 1640 play, Antipodes. The study includes discussion of prefaces in plays by Shakespeare's contemporaries as well as Shakespeare himself, among them Marston, Jonson, and Heywood. The author uses these prefaces to show that English playwrights, printers and publishers looked in two directions, toward aristocrats and toward a reading public, in order to secure status for and dissemination of dramatic texts. The author points out that dedications and addresses to readers constitute obvious signs that printers, publishers and playwrights in the period increasingly saw these dramatic texts as occupying a rightful place in the humanistic and commercial endeavor of book production.




Bulletin (1901-195 )


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The Dramatic Index


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Bulletin


Book Description