Shakespeare's Princes of Wales


Book Description

Shakespeare's Princes of Wales spotlights the surprising abundance of princes of Wales—English and Welsh alike—appearing onstage in the late Tudor and early Stuart period. In drawing our attention to the oft-overlooked and frequently misunderstood Welsh inheritance, and in investigating its staged and shadowed heirs in plays and court performances by Shakespeare, Peele, Fletcher, Jonson, and more, Marisa R. Cull suggests that the growing scholarly interest in Wales's influence on English national identity must be conditioned by the political and theatrical specificity of the princedom. Illuminating the princedom's unique role as an extension of the Welsh past in contemporary England, Shakespeare's Princes of Wales reveals early modern English culture's understanding of the princedom as linked to England's most pressing national crises: the tenuous connection between bloodline and succession, the anxiety over England's native strength, and the fraught process of fashioning a British state. In the pages of this book, we meet familiar characters—Hal, Glendower, Fluellen, and more—wholly transformed through the added insights about the princedom, and encounter long-ignored or forgotten heirs, meaningfully resurrected for the insights they provide on the Anglo-Welsh past. In telling the story of the early modern princedom, Shakespeare's Princes of Wales offers new insights not only into that period's politics and theater, but also into a title that survives, in continued complexity, to this day.




Shakespeare and the Royal Actor


Book Description

Shakespeare and the Royal Actor argues that members of the royal family have identified with Shakespearean figures at various times in modern history to assert the continuity, legitimacy, and national identity of the royal line. It provides an account of the relationship between the Shakespearean afterlife and the royal family through the lens of a broadly conceived theatre history suggesting that these two hegemonic institutions had a mutually sustaining relationship from the accession of George III in 1760 to that of Elizabeth II in 1952. Identifications with Shakespearean figures have been deployed to assert the Englishness of a dynasty with strong familial links to Germany and to cultivate a sense of continuity from the more autocratic Plantagenet, Tudor, and Stuart monarchs informing Shakespeare's drama to the increasingly ceremonial monarchs of the modern period. The book is driven by new archival research in the Royal Collection and Royal Archives. It reads these archives critically, asking how different forms of royal and Shakespearean performance are remembered in the material holdings of royal institutions.




Shakespeare and Wales


Book Description

Shakespeare and Wales offers a 'Welsh correction' to a long-standing deficiency. It explores the place of Wales in Shakespeare's drama and in Shakespeare criticism, covering ground from the absorption of Wales into the Tudor state in 1536 to Shakespeare on the Welsh stage in the twenty-first century. Shakespeare's major Welsh characters, Fluellen and Glendower, feature prominently, but the Welsh dimension of the histories as a whole, The Merry Wives of Windsor, and Cymbeline also come in for examination. The volume also explores the place of Welsh-identified contemporaries of Shakespeare such as Thomas Churchyard and John Dee, and English writers with pronounced Welsh interests such as Spenser, Drayton and Dekker. This volume brings together experts in the field from both sides of the Atlantic, including leading practitioners of British Studies, in order to establish a detailed historical context that illustrates the range and richness of Shakespeare's Welsh sources and resources, and confirms the degree to which Shakespeare continues to impact upon Welsh culture and identity even as the process of devolution in Wales serves to shake the foundations of Shakespeare's status as an unproblematic English or British dramatist.




Ruin and Reformation in Spenser, Shakespeare, and Marvell


Book Description

Ruin and Reformation in Spenser, Shakespeare, and Marvell explores writerly responses to the religious violence of the long reformation in England and Wales, spanning over a century of literature and history, from the establishment of the national church under Henry VIII (1534), to its disestablishment under Oliver Cromwell (1653). It focuses on representations of ruined churches, monasteries, and cathedrals in the works of a range of English Protestant writers, including Spenser, Shakespeare, Jonson, Herbert, Denham, and Marvell, reading literature alongside episodes in English reformation history: from the dissolution of the monasteries and the destruction of church icons and images, to the puritan reforms of the 1640s. The study departs from previous responses to literature's 'bare ruined choirs', which tend to read writerly ambivalence towards the dissolution of the monasteries as evidence of traditionalist, catholic, or Laudian nostalgia for the pre-reformation church. Instead, Ruin and Reformation shows how English protestants of all varieties—from Laudians to Presbyterians—could, and did, feel ambivalence towards, and anxiety about, the violence that accompanied the dissolution of the monasteries and other acts of protestant reform. The study therefore demonstrates that writerly misgivings about ruin and reformation need not necessarily signal an author's opposition to England's reformation project. In so doing, Ruin and Reformation makes an important contribution to cross-disciplinary debates about the character of English Protestantism in its formative century, revealing that doubts about religious destruction were as much a part of the experience of English protestantism as expressions of popular support for iconoclasm in the sixteenth and seventeenth centuries.




The Valiant Welshman, the Scottish James, and the Formation of Great Britain


Book Description

When James VI of Scotland and I of England proclaimed himself King of Great Britain he proposed a merger of parliaments as he had joined two crowns in his own person ascending the throne of England in 1603. For James, the Cambro-Celtic past led to an Anglo-Scottish present, and Wales stood as the ideal. Although the parliamentary union of Great Britain was not initiated for another 100 years, Parliament’s denial failed to deter James from wanting a Great Britain, and R. A.’s play The Valiant Welshman became part of the public spectacle of unity required to nurture James’s dream. The Valiant Welshman, the Scottish James, and the Formation of Great Britain considers national, regional and linguistic identity and explores how R.A.’s play promotes Wales, serves King James and reveals what it means to be Welsh and Scots in a newly forming "Great Britain."




King Charles III


Book Description

THE STORY: The Queen is dead: After a lifetime of waiting, the prince ascends the throne. A future of power. But how to rule? Mike Bartlett’s controversial play explores the people beneath the crowns, the unwritten rules of our democracy, and the conscience of Britain’s most famous family.




Shakespeare Survey: Volume 56, Shakespeare and Comedy


Book Description

Published with academic researchers and graduate students in mind, this volume of the 'Shakespeare Survey' presents a number of contributions on the theme of Shakespeare's comedies, as well as the comedy in Shakespeare's other works.




Mr. William Shakespeares Histories


Book Description

Histories from the First Folio of Mr. William Shakespeare's Comedies, Histories and Tragedies. The first published collection of William Shakespeare's plays. Published in 1623. Histories include: King John -- Richard II -- Henry IV, Part 1 -- Henry IV, Part 2 -- Henry V -- Henry VI, Part 1 -- Henry VI, Part 2 -- Henry VI, Part 3 -- Richard III -- Henry VIII.




Richard III


Book Description




Shakespeare and the Welsh


Book Description