Shakespeare's Symmetries


Book Description

The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind." These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern, which can be visualized as an arch with a focal keystone, is the foundation of all of Shakespeare's mature work, as shown through an analysis of the 26 plays in this book. This arch illuminates the structure of plays that have long been puzzling, demonstrating that they are thematically organized and rigorously crafted. It also reveals subtleties otherwise invisible.




Shakespeare's Symmetries


Book Description

The organization of Shakespeare's plays has challenged, even baffled audiences and critics since the 17th century. Cymbeline has been dismissed as "incoherent." Hamlet "is of no clear shape." And Antony and Cleopatra "bewilders the mind." These judgments result from an incomplete understanding of Shakespeare's constructive practice. It is not the narrative arc alone that organizes the plays but a complex structure of interwoven narrative and thematic actions. While the narrative varies from play to play, thematic actions are invariably created in mirroring pairs around the central scene: A-B-C-B-A. This symmetrical pattern, which can be visualized as an arch with a focal keystone, is the foundation of all of Shakespeare's mature work, as shown through an analysis of the 26 plays in this book. This arch illuminates the structure of plays that have long been puzzling, demonstrating that they are thematically organized and rigorously crafted. It also reveals subtleties otherwise invisible.




Symplectic Geometry and Mirror Symmetry


Book Description

In 1993, M. Kontsevich proposed a conceptual framework for explaining the phenomenon of mirror symmetry. Mirror symmetry had been discovered by physicists in string theory as a duality between families of three-dimensional Calabi–Yau manifolds. Kontsevich's proposal uses Fukaya's construction of the A∞-category of Lagrangian submanifolds on the symplectic side and the derived category of coherent sheaves on the complex side. The theory of mirror symmetry was further enhanced by physicists in the language of D-branes and also by Strominger–Yau–Zaslow in the geometric set-up of (special) Lagrangian torus fibrations. It rapidly expanded its scope across from geometry, topology, algebra to physics. In this volume, leading experts in the field explore recent developments in relation to homological mirror symmetry, Floer theory, D-branes and Gromov–Witten invariants. Kontsevich-Soibelman describe their solution to the mirror conjecture on the abelian variety based on the deformation theory of A∞-categories, and Ohta describes recent work on the Lagrangian intersection Floer theory by Fukaya–Oh–Ohta–Ono which takes an important step towards a rigorous construction of the A∞-category. There follow a number of contributions on the homological mirror symmetry, D-branes and the Gromov–Witten invariants, e.g. Getzler shows how the Toda conjecture follows from recent work of Givental, Okounkov and Pandharipande. This volume provides a timely presentation of the important developments of recent years in this rapidly growing field.




The Great Globe and All Who It Inherit


Book Description

Every storyteller soon discovers the difference between putting a story inside children and trying to extract it with comprehension questions and putting children inside a story and having them act it out. Teachers may experience this as a difference in “difficulty”, or in the level of motivation and enthusiasm, or even in the engagement of creativity and imagination, and leave it at that. This book explores the divide more critically and analytically, finding symmetrical and even complementary problems and affordances with both approaches. First, we examine what teachers actually say and do in each approach, using the systemic-functional grammar of M.A.K. Halliday. Secondly, we explore the differences developmentally, using the cultural-historical psychology of L.S. Vygotsky. Thirdly, we explain the differences we find in texts by considering the history of genres from the fable through the plays of Shakespeare. “Inside” and “Outside” the story turn outto be two very different modes of experiencing—the one reflective and narrativizing and the other participatory and dialogic. These two modes of experience prove to be equally valuable, and even mutually necessary, but only in the long run—different approaches are necessary at different moments in the lesson, different points in development, and even different times in human history. In the final analysis, though, this distinction is meaningless to children and to their teachers unless it is of practical use. Each chapter employs only the most advanced technology ever developed for making sense of human experience, namely thinking and talking--though not necessarily in that order. So every story has a specific narrative to tell, a concrete set of dialogues to try, and above all a practicable time and a practical space for children, their teachers, and even their teachers’ teachers, to talk and to think.




Fearful Symmetry


Book Description

This brilliant outline of Blake's thought and commentary on his poetry comes on the crest of the current interest in Blake, and carries us further towards an understanding of his work than any previous study. Here is a dear and complete solution to the riddles of the longer poems, the so-called "Prophecies," and a demonstration of Blake's insight that will amaze the modern reader. The first section of the book shows how Blake arrived at a theory of knowledge that was also, for him, a theory of religion, of human life and of art, and how this rigorously defined system of ideas found expression in the complicated but consistent symbolism of his poetry. The second and third parts, after indicating the relation of Blake to English literature and the intellectual atmosphere of his own time, explain the meaning of Blake's poems and the significance of their characters.




Symmetry


Book Description

International Series in Modern Applied Mathematics and Computer Science, Volume 10: Symmetry: Unifying Human Understanding provides a tremendous scope of "symmetry, covering subjects from fractals through court dances to crystallography and literature. This book discusses the limits of perfection, symmetry as an aesthetic factor, extension of the Neumann-Minnigerode-Curie principle, and symmetry of point imperfections in solids. The symmetry rules for chemical reactions, matching and symmetry of graphs, mosaic patterns of H. J. Woods, and bilateral symmetry in insects are also elaborated. This text likewise covers the crystallographic patterns, Milton's mathematical symbol of theodicy, symmetries of soap films, and gapon formalism. This volume is a good source for researchers and specialists concerned with symmetry.




Northrop Frye's Fearful Symmetry


Book Description

Distinguished by its range of reference, elegance of expression, comprehensiveness of coverage, coherence of argument, and sympathy to its subject, Fearful Symmetry is recognized as a landmark of Blake criticism.




Shakespeare in Hollywood, Asia, and Cyberspace


Book Description

Shakespeare in Hollywood, Asia, and Cyberspace shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. The result is a new creativity that finds expression in different cultural and virtual locations, including recent films and massively multiplayer online games such as Arden: The World of Shakespeare. The papers in this volume provide a background for these modern developments showing the history of how Shakespeare became a signifier against which Asian and Western cultures definedand continue to definethemselves. Hollywood films, and a century of Asian readings of plays such as Hamlet and Macbeth, are now conjoining in cyberspace making a world of difference in how we experience Shakespeare. The papers, written by experts in the field, provide an introduction to the diverse incarnations and bold sequences of screen and stage that in recent decades have produced new versions of Shakespeare's great comedies and tragedies and new ways of experiencing them. Authors, in the first part of the collection, examine body politics and race in Hollywood Shakespearean films andfilm techniques. It complements the second part of the book, in which the history of Shakespearean readings and stagings in China, Indonesia, Cambodia, Japan, Okinawa, Taiwan, Malaya, Korea, and Hong Kong are discussed. Papers in the third part of the volume contain analyses of the transformation of the idea of Shakespeare in cyberspace, a rapidly expanding world of new rewritings of both Shakespeare and Asia. Together, the three sections of this comparative study show how Asian cultures and Shakespeare affect each other, how one culture is translated to anoth




Shakespeare and Visual Culture


Book Description

Statues coming to life and lively portraits ready to breathe in Shakespeare? This new volume re-assesses the key role played by visual culture in his drama and poetry by providing readers with an up-to-date guide to the main publications on the subject as well as offering a synthesis on the main literary and historical sources for inspiration. While scrutinising the complex issue of image on an Elizabethan stage and exploring the codification of colours in Shakespeare's poetry, this dictionary highlights the fierce rivalry between the poet, the dramatist and the visual artist. This volume will be of great interest and value to students of Shakespeare, students of art history or anyone working on the interdisciplinary subject of literature and art.




Symmetry


Book Description

We have been herded like cattle into stockades and await transport west. I say transport what I mean is, I fear, forced march. A young lieutenant seems destined to cross my path. Twice now we have startled each other while bathing. I should describe him for you but I can hear you now complaining of my lack of taste and discretion, Rifle McCormack writes to his beloved friend John Francis. In Woodward's historical fiction, Symmetry, the story of Rifle McCormack, a half Cherokee, half Irish man whose family is being moved west to the new Indian Territory, brings tenderness, romance and love to a tumultuous time. Rifle's community is torn apart in the Trail of Tears, the Cherokee Nation relocation in the early 1800s. The journey was full of strife, loss, bloodshed and hardship. Families were destroyed spiritually and physically from the changes in climate, lack of food, dangerous terrain and new illnesses. In this book, Rifle lives in two worlds. In one he is Cherokee, sharing the heritage, traditions and ways of his people. In another he is white, or yoneg as the Cherokee say, where he reads Shakespeare and poetry, serves as a diplomat to all and falls in love with another white man. During the relocation of Rifle's group, he finds solace and friendship with Lieutenant Edward Hatcher. Hatcher is intrigued by the Cherokee and unlike most other soldiers, he fights to move his group quickly to the new territory, with as few deaths as possible. He also finds himself falling in love with Rifle. He sat for a long time before turning to look directly into Rifle's face. Edward Hatcher knew then that he was in love. He admired Rifle's chiseled features, the smooth, gentle grace of the dark eyes and classic bones. He burned to touch the lips again. Although Woodward's book is fictional, his ability to bring in a historical era makes this story moving and intriguing. Instead of reading as a simple romance novel, the book presents complexity of characters and plot. Woodward's book paints a portrait of a time when all were divided into factions. He writes about the various terrains the Cherokee traveled, as well as the land they soon inhabited. Woodward himself grew up in eastern Oklahoma among the descendants of those who traveled the Trail of Tears, and he spent his childhood in Tahlequah, Park Hill and Fort Gibson, all parts of the new territory, which lend credibility to the historical nature of the book. Symmetry is a genuinely moving romance that brings a different perspective to historical times. As the title suggests, it is a story about the balance of two worlds. It is about two men who fall in love, who are not always accepted, do not belong fully to any group, and who bring life, sweetness and genuine hearts to an otherwise challenging and painful time. Christina Claassen Copyright c2005 ForeWordreviews.com. All Rights Reserved