Shelley's Eye


Book Description

Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of Post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. This book is informed by original research on a wide range of period travel writings, including Mary Shelley and Shelley's neglected collaboration, History of a Six Weeks' Tour (1817), in which 'Mont Blanc' first appeared. Fully responsive to the culture of travel, Shelley's travel prose and poetry form fascinating conversations with major Romantic travellers like Byron, Wollstonecraft, and Wordsworth, as well as lesser-known but widely read travel writers of the day, including Morris Birkbeck, Charlotte Eaton, and John Chetwode Eustace. In this provocative study, Benjamin Colbert demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. Shelley's travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer. Shelley's Eye offers a new perspective on Shelley's intellectual history. It is also a timely and important contribution to recent interdisciplinary scholarship that aims to re-evaluate Romantic idealism in the context of physical, experiential, or material cultural practices.




Shelley's Eye


Book Description

Percy Bysshe Shelley joined the deluge of sightseers that poured onto the Continent after Napoleon's defeat in 1814, and over the next eight years Shelley followed major travelling trends, visiting Switzerland in 1816 and Italy from 1818. Shelley's Eye is the first study to address Shelley's participation in the travel culture of Post-Napoleonic Europe, and the first to consider Shelley as an important travel writer in his own right. This book is informed by original research on a wide range of period travel writings, including Mary Shelley and Shelley's neglected collaboration, History of a Six Weeks' Tour (1817), in which 'Mont Blanc' first appeared. Fully responsive to the culture of travel, Shelley's travel prose and poetry form fascinating conversations with major Romantic travellers like Byron, Wollstonecraft, and Wordsworth, as well as lesser-known but widely read travel writers of the day, including Morris Birkbeck, Charlotte Eaton, and John Chetwode Eustace. In this provocative study, Benjamin Colbert demonstrates how the Grand Tour remains a vital cultural metaphor for Shelley and his contemporaries, under pressure from mass travel and popular culture. Shelley's travel prose and 'visionary' poetry explore motives of perception underlying travel discourse and posit an authentic 'aesthetic vision' that reconfigures social, historical, and political meanings of 'sights' from the perspective of an ideal tourist-observer. Shelley's Eye offers a new perspective on Shelley's intellectual history. It is also a timely and important contribution to recent interdisciplinary scholarship that aims to re-evaluate Romantic idealism in the context of physical, experiential, or material cultural practices.




Whose Eye Am I?


Book Description

"Who am I?" ask captions alongside close-ups of colorful animal eyes. As readers guess which animal belongs to each eye, they will discover that each animal has a unique and amazing way of seeing. Snakes have clear eyelids that cannot ever open or close. Some sea creatures have hundreds of eyes around the edges of their shells. Many animals can see colors that are invisible to humans. Brimming with vivid and engaging photographs, this book also includes a clear explanation of how human eyes work, a labeled diagram of a human eye, a glossary, and an index.




The Birds of Africa: Volume IV


Book Description

This is the fourth volume in the Birds of Africa series, covering the rich avifauna of the world's second largest continent. Volume IV covers the first 12 families of the passerines. Universally recognised as by far the most authoritative work ever published on the subject, The Birds of Africa is a superb multi-contributor reference work, with encyclopaedic species texts, stunning paintings of all species and numerous subspecies, hundreds of informative line drawings, detailed range maps, and extensive bibliographies. Each volume contains an Introduction that brings the reader up to date with the latest developments in African ornithology, including the evolution and biogeography of African birds. Diagnoses of the families and genera, often with superspecies maps, are followed by the comprehensive species accounts themselves. These include descriptions of range and status, field characters, voice, general habits, food, and breeding habits. Full bibliographies, acoustic references, and indexes complete this scholarly work of reference. This fourth volume in the series deals comprehensively with broadbills, pittas, larks, swallows and martins, wagtails, pipits and longclaws, cuckoo-shrikes, bulbuls, waxwings, dippers, wrens, accentors, and chats. The editors and artists have worked closely with other authors - all acknowledged experts in their field - to produce a superb reference in which comprehensive texts on every species are complemented by accurate and detailed paintings and drawings of the birds themselves.




Shelley's Poetry


Book Description

Shelley's detractors since Hazlitt have noticed a division in the 'self' of his poems. A central reasoning core fears the passions surrounding it and distrusts the language expressing it. A few of his admirers offer an alternative view of the poems as symbolical pointers to a non-linguistic reality transcending passion; most miss the point, justifying their admiration by referring to the poems' systems of thought. This reading of Shelley's major poems and critical prose finds the adverse case more convincing.







Shelleys' Gothic Classics: Frankenstein & St. Irvyne


Book Description

This eBook has been formatted to the highest digital standards and adjusted for readability on all devices. "Frankenstein; or, The Modern Prometheus" tells the story of Victor Frankenstein, a young scientist who creates a grotesque, sapient creature in an unorthodox scientific experiment. Frankenstein is infused with elements of the Gothic novel and the Romantic movement. At the same time, it is an early example of science fiction. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays."St. Irvyne; or, The Rosicrucian" is a Gothic horror novel which retells the destiny of Wolfstein, a solitary wanderer and a disillusioned outcast from society who seeks to kill himself. After he is saved by the monks, he encounters Ginotti, an alchemist of the Rosicrucian, or Rose Cross Order who seeks to impart the secret of immortality.




The Poems of Shelley: Volume Two


Book Description

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the second volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. This volume makes extensive use of the Shelley manuscripts in the Bodleian Library and draws on the substantial recent research which has appeared on Shelley's text and contexts, and on members of his circle such as Mary Shelley, Byron, Godwin and others. It offers significant new datings and contextual exposition of major works including Prometheus Unbound, Laon and Cythna, 'Julian and Maddalo', The Cenci, and Shelley's translations from the Greek, notably his highly original translation of Euripides' The Cyclops. There are also comprehensive treatments of some of Shelley's best known shorter poems, such as 'Lines written among the Euganean Hills' and 'Ozymandias'. The annotation demonstrates the extraordinary range and richness of Shelley's literary intelligence, and situates his work in the revolutionary politics and social upheavals of the early nineteenth century. The text and annotation are supported by an extensive bibliography, a chronology, indexes, and appendices which include a detailed examination of the history of the Cenci story. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley's poetry available to students and scholars.




Vision


Book Description