Shelter for Roman Ruins I Peter Zumthor


Book Description

Film stills of "Shelter for Roman Ruins I Peter Zumthor", a documentary film of Shelter for Roman Ruins in Chur, designed by Pritzker Prize winner Swiss architect Peter Zumthor in 1986.




Manual of Section


Book Description

Along with plan and elevation, section is one of the essential representational techniques of architectural design; among architects and educators, debates about a project's section are common and often intense. Until now, however, there has been no framework to describe or evaluate it. Manual of Section fills this void. Paul Lewis, Marc Tsurumaki, and David J. Lewis have developed seven categories of section, revealed in structures ranging from simple one-story buildings to complex structures featuring stacked forms, fantastical shapes, internal holes, inclines, sheared planes, nested forms, or combinations thereof. To illustrate these categories, the authors construct sixty-three intricately detailed cross-section perspective drawings of built projects—many of the most significant structures in international architecture from the last one hundred years—based on extensive archival research. Manual of Section also includes smart and accessible essays on the history and uses of section.




Sunshine & Noir


Book Description

Artwork by Mike Kelley, David Hockney. Contributions by William Hackman, Lars Nittve. Text by Mike Davis.




Peter Zumthor Therme Vals


Book Description

Therme Vals, the spa complex built in the Swiss Alps by celebrated architect Peter Zumthor, became an icon of contemporary architecture soon after its opening in 1996. Inspired by the spa's majestic surroundings, Zumthor built the structure on the sharp grade of an Alpine mountain slope with grass-topped roofs to mimic Swiss meadows, captured here in a series of sumptuous images. This is the only book-length study of this singular building. It features the architects own original sketches and plans for its design as well as striking photographs of the structure. Architectural scholar Sigrid Hauser contributes an essay drawing out the connections between the elemental nature of the spa and mythology, bathing, and purity. Annotations by Peter Zumthor on his design concept and the building process elucidate the structure's symbiotic relationship to its natural surroundings, revealing, for example, why he insisted on using locally quarried stone.




Fundamental Concepts of Architecture


Book Description

Architecture is an experience – with the intellect and with all our senses, in motion, and in use. But in order to actually discuss and assess it with relevance, a clarification of terms is essential in order to avoid the vagueness that often prevails when talking about architecture. This dictionary provides a vocabulary that allows the architecture discourse to go beyond the declaration of constructive relationships or the description of architectonic forms in familiar terms like “roof,” “base,” “wall,” and “axis” or “proportion”. The point is to describe the experience of architecture: how exactly does it contribute to the experience of a situation? For instance, the staging of an entrance situation, or the layout and visitor routes through a museum. From “context,” through “guidance,” “readability,” “patina,” “spatial structure,” “symmetry” and “tectonics,” to “width” (and “narrowness”) or “window,” the most important terms in architectural language are explained precisely and in detail.




The Environmental Imagination


Book Description

The Environmental Imagination explores the relationship between tectonics and poetics in environmental design in architecture. Working thematically and chronologically from the eighteenth century to the present day, this book redefines the historiography of environmental design by looking beyond conventional histories to argue that the environments within buildings are a collaboration between poetic intentions and technical means. In a sequence of essays, the book traces a line through works by leading architects of the nineteenth and twentieth centuries that illustrate the impact of new technologies on the conception and realisation of environments in buildings. In this, a consideration of the qualitative dimension of environment is added to the primarily technological narratives of other accounts. In this second edition, the book has been substantially rewritten and restructured to include further research conducted in the decade since the first edition. A number of important buildings have been revisited, in order to extend the descriptions of their environments, and studies have been made of a number of newly studied, significant buildings. A completely new essay offers an environmental interpretation of Luis Barragán’s magical own house in Mexico City and the earlier studies of buildings by Peter Zumthor have been gathered into a single, extended essay that includes a body of new research. On the fiftieth anniversary of the publication of Reyner Banham’s, The Architecture of the Well-tempered Environment, the book concludes with a critical tribute to that seminal text. The Environmental Imagination will appeal to academics and practitioners with interests in the history, theory and technology of architecture.




Swiss Sensibility


Book Description

Contemporary architecture in Switzerland is influenced by Peter Zumthor and Herzog & de Meuron, recipients of the Swiss Pritzker Prize, as well as a number of other prominent architects. The book presents 25 buildings in Switzerland designed by 16 influential Swiss architects: The range covers high-density urban developments through to rural sites in the alpine environment, with examples of traditional craftsmanship and materials, and modern construction technology and engineering. Large-format photographs illustrate the buildings’ proportions, materials, and details. Four authors analyze the Swiss building culture and its high architectural quality from an insider’s and an outsider’s point of view. In a detailed interview, Peter Zumthor explains his approach to architectural design.




Diagramming the Big Idea


Book Description

As a beginning design student, you need to learn to think like a designer, to visualize ideas and concepts, as well as objects. In the second edition of Diagramming the Big Idea, Jeffrey Balmer and Michael T. Swisher illustrate how you can create and use diagrams to clarify your understanding of both particular projects and organizing principles and ideas. With accessible, step-by-step exercises that interweave full color diagrams, drawings and virtual models, the authors clearly show you how to compose meaningful and useful diagrams. As you follow the development of the four project groups drawn from the authors’ teaching, you will become familiar with architectural composition concepts such as proportion, site, form, hierarchy and spatial construction. In addition, description and demonstration essays extend concepts to show you more examples of the methods used in the projects. Whether preparing for a desk critique, or any time when a fundamental insight can help to resolve a design problem, this new and expanded edition is your essential studio resource.




Architectural Styles


Book Description

Have you ever wondered what the difference is between Gothic and Gothic Revival, or how to distinguish between Baroque and Neoclassical? This guide makes extensive use of photographs to identify and explain the characteristic features of nearly 300 buildings. The result is a clear and easy-to-navigate guide to identifying the key styles of western architecture from the classical age to the present day.




Analysing Architecture


Book Description

Now in its fifth edition, Analysing Architecture has become internationally established as the best introduction to architecture. Aimed primarily at those studying architecture, it offers a clear and accessible insight into the workings of this rich and fascinating subject. With copious illustrations from his own notebooks, the author dissects examples from around the world and all periods of history to explain the underlying strategies in architectural design and show how drawing may be used as a medium for analysis. In this new edition Analysing Architecture has been revised and expanded. Notably, the chapter on ‘How Analysis Can Help Design’ has been redeveloped to clearly explain this crucially important aspect of study to a beginner readership. Four new chapters have been added to the section dealing with Themes in Spatial Organisation, on ‘Axis’, ‘Grid’, ‘Datum Place’ and ‘Hidden’. Material from the 'Case Studies' in previous editions has been redistributed amongst earlier chapters. The ‘Introduction' has been completely rewritten; and the format of the whole book has been adjusted to allow for the inclusion of more and better illustrative examples. Works of architecture are instruments for managing, orchestrating, modifying our relationship with the world around us. They frame just about everything we do. Architecture is complex, subtle, frustrating... but ultimately extremely rewarding. It can be a difficult discipline to get to grips with; nothing in school quite prepares anyone for the particular demands of an architecture course. But this book will help.