Shepherds of the Empire


Book Description

The late 19th century was a time of rapid industrialization, mass politicization, and modern philosophy. The resulting political and cultural upheaval confronted the German protestant church with deep questions of identity. Shepherds of the Empire engages timeless questions of identity and faith through the time-bound work of 4 key thinkers from the Wilhelmine period and their eventual failure to carve a middle way for the German parish clergy.




Shepherds of the Lord


Book Description

This book is the first study of the rural priesthood, its significance, and the statutes written for them in the time of the Carolingians. It seeks to trace and explain the rise and emergence in the Carolingian period of both local priests and episcopal statutes that aimed at steering their behaviour. It was in the context of Carolingian ideals of reform, formulated in court-centred circles from the late eighth century onwards, that local priests increasingly came to be seen as those that held the key to turning the local Frankish population into ideal Christians by their word and living example. First of all, however, these educators needed to be educated themselves, hence the emergence of the Episcopal statutes, a new tool to direct the local diocesan clergy into becoming the ideal 'Shepherds of the Lord' that they needed to be. Smooth as this process of empire-wide reform theoretically was, however, obstacles lurked, both from a top-down (episcopal) and a grass-roots (local) perspective on the status, role, and function of priests. Nevertheless, the ninth century saw the emergence of the priesthood and the development of their role as an important group that connected bishops with the lay inhabitants of their dioceses and, from a higher-up perspective, those who opened up the vast Carolingian country-side to the implementation of the ideal society in the minds of contemporary reformers.




The Cambridge History of the Byzantine Empire c.500-1492


Book Description

Byzantium lasted a thousand years, ruled to the end by self-styled 'emperors of the Romans'. It underwent kaleidoscopic territorial and structural changes, yet recovered repeatedly from disaster: even after the near-impregnable Constantinople fell in 1204, variant forms of the empire reconstituted themselves. The Cambridge History of the Byzantine Empire c.500-1492 tells the story, tracing political and military events, religious controversies and economic change. It offers clear, authoritative chapters on the main events and periods, with more detailed chapters on outlying regions and neighbouring societies and powers of Byzantium. With aids such as maps, a glossary, an alternative place-name table and references to English translations of sources, it will be valuable as an introduction. However, it also offers stimulating new approaches and important findings, making it essential reading for postgraduates and for specialists. The revised paperback edition contains a new preface by the editor and will offer an invaluable companion to survey courses in Byzantine history.




The Good Shepherd


Book Description

A statuette of Egyptian King Pepi formidably wielding a shepherd's crook stands in stark contrast to a fresco of an unassuming Orpheus-like youth gently hoisting a sheep around his shoulders. Both images, however, occupy an extensive tradition of shepherding motifs. In the transition from ancient Near Eastern depictions of the keeper of flocks as one holding great power to the more "pastoral" scenes of early Christian art, it might appear that connotations of rulership were divested from the image of the shepherd. The reality, however, presents a much more complex tapestry. The Good Shepherd: Image, Meaning, and Power traces the visual and textual depictions of the Good Shepherd motif from its early iterations as a potent symbol of kingship, through its reimagining in biblical figures, such as the shepherd-king David, and onward to the shepherds of Greco-Roman literature. Jennifer Awes Freeman reveals that the figure of the Good Shepherd never became humble or docile but always carried connotations of empire, divinity, and defensive violence even within varied sociopolitical contexts. The early Christian invocation of the Good Shepherd was not simply anti-imperial but relied on a complex set of associations that included king, priest, pastor, and sacrificial victim--even as it subverted those meanings in the figure of Jesus, both shepherd and sacrificial lamb. The concept of the Good Shepherd continued to prove useful for early medieval rulers, such as Charlemagne, but its imperial references waned in the later Middle Ages as it became more exclusively applied to church leaders. Drawing on a range of sources including literature, theological treatises, and political texts, as well as sculpture, mosaics, and manuscript illuminations, The Good Shepherd offers a significant contribution as the first comprehensive study of the long history of the Good Shepherd motif. It also engages the flexible and multivalent abilities of visual and textual symbols to convey multiple meanings in religious and political contexts.




Faith in the Face of Empire


Book Description

A Palestinian Christian theologian shows how the reality of empire shapes the context of the biblical story, and the ongoing experience of Middle East conflict.




Israel's Only Shepherd


Book Description

A comparison of the shepherd metaphor in Matthew's Gospel with its use in early Jewish, Christian, and Graeco-Roman writings, shedding light on Matthew's socio-religious location.




Empire of Dogs


Book Description

In 1924, Professor Ueno Eizaburo of Tokyo Imperial University adopted an Akita puppy he named Hachiko. Each evening Hachiko greeted Ueno on his return to Shibuya Station. In May 1925 Ueno died while giving a lecture. Every day for over nine years the Akita waited at Shibuya Station, eventually becoming nationally and even internationally famous for his purported loyalty. A year before his death in 1935, the city of Tokyo erected a statue of Hachiko outside the station. The story of Hachiko reveals much about the place of dogs in Japan's cultural imagination. In the groundbreaking Empire of Dogs, Aaron Herald Skabelund examines the history and cultural significance of dogs in nineteenth- and twentieth-century Japan, beginning with the arrival of Western dog breeds and new modes of dog keeping, which spread throughout the world with Western imperialism. He highlights how dogs joined with humans to create the modern imperial world and how, in turn, imperialism shaped dogs' bodies and their relationship with humans through its impact on dog-breeding and dog-keeping practices that pervade much of the world today. In a book that is both enlightening and entertaining, Skabelund focuses on actual and metaphorical dogs in a variety of contexts: the rhetorical pairing of the Western "colonial dog" with native canines; subsequent campaigns against indigenous canines in the imperial realm; the creation, maintenance, and in some cases restoration of Japanese dog breeds, including the Shiba Inu; the mobilization of military dogs, both real and fictional; and the emergence of Japan as a "pet superpower" in the second half of the twentieth century. Through this provocative account, Skabelund demonstrates how animals generally and canines specifically have contributed to the creation of our shared history, and how certain dogs have subtly influenced how that history is told. Generously illustrated with both color and black-and-white images, Empire of Dogs shows that human-canine relations often expose how people—especially those with power and wealth—use animals to define, regulate, and enforce political and social boundaries between themselves and other humans, especially in imperial contexts.




Empire of Ivory


Book Description

From the New York Times bestselling author of A Deadly Education comes the fourth volume of the Temeraire series, as the Napoleonic Wars bring Will Laurence and Temeraire to Africa in search of aid. “Temeraire is a dragon for the ages.”—Terry Brooks Tragedy has struck His Majesty's Aerial Corps, whose magnificent fleet of fighting dragons and their human captains valiantly defends England’s shores against the encroaching armies of Napoleon Bonaparte. An epidemic of unknown origin and no known cure is decimating the noble dragons’ ranks—forcing the hopelessly stricken into quarantine. Now only Temeraire and a pack of newly recruited dragons remain uninfected—and stand as the only means of an airborne defense against France's ever bolder sorties. Bonaparte’s dragons are already harrowing Britain’s ships at sea. Only one recourse remains: Temeraire and his captain, Will Laurence, must take wing to Africa, whose shores may hold the cure for the mysterious and deadly contagion. On this mission there is no time to waste, and no telling what Don’t miss any of Naomi Novik’s magical Temeraire series HIS MAJESTY’S DRAGON • THRONE OF JADE • BLACK POWDER WAR • EMPIRE OF IVORY • VICTORY OF EAGLES • TONGUES OF SERPENTS • CRUCIBLE OF GOLD • BLOOD OF TYRANTS • LEAGUE OF DRAGONS




An Empire of Women


Book Description

The three generations of Arneaux women have never gotten along. Now they must unite, to decide the fate of their temporary charge, a displaced six-year-old Chinese girl. But to do so, they'll have to come to terms with the lies they have told themselves... "Delicate yet searing...Shepard has ably portrayed how obsession with female beauty can disfigure not only families and individuals, but cultures and governments." (New York Times Book Review) "Intricate and intriguing." (New York Daily News) "A bravura performance." (Rosellen Brown) "Plainspoken and direct, yet rich in complexities, the story...raises a host of compelling questions about heritage and family, and more than a few about contemporary art." (Publishers Weekly) "An exhilarating debut." (Margot Livesey) "Not since Virginia Woolf have the snares and scars of familial relationships been rendered with such brilliance." (Ron Hansen)




The Art of Empire


Book Description

In recent years, art historians such as Johannes Deckers (Picturing the Bible, 2009) have argued for a significant transition in fourth- and fifth-century images of Jesus following the conversion of Constantine. Broadly speaking, they perceive the image of a peaceful, benevolent shepherd transformed into a powerful, enthroned Jesus, mimicking and mirroring the dominance and authority of the emperor. The powers of church and state are thus conveniently synthesized in such a potent image. This deeply rooted position assumes that ante-pacem images of Jesus were uniformly humble while post-Constantinian images exuded the grandeur of power and glory. The Art of Empire contends that the art and imagery of Late Antiquity merits a more nuanced understanding of the context of the imperial period before and after Constantine. The chapters in this collection each treat an aspect of the relationship between early Christian art and the rituals, practices, or imagery of the Empire, and offer a new and fresh perspective on the development of Christian art in its imperial background.