Shih and Zong


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Jade


Book Description

FOREWORD RECUMBENT HORSE Chinese, Ming Dynasty. 1 Length: 3 /2 in (9 em). The formation of the head with its marked convexity of outline resembles that of one depicted on a mural painting in a Northern Song tomb, discovered at Pai-Sha in Honan. Despite its size, this horse has a strong sculptural quality. Worked from pale green jade with light brown markings. t has been said that a single daily issue of a newspaper effort to survey the jade scene worldwide. These volumes such as The New York Times, Neue Zurcher Zeitung or Le were bigger than was necessary considering the amount of Monde contains more information than someone text included (measuring 24 x 18 inches, 61 x 46 cm, and living in the 17th century would have faced in a lifetime. weighing 110 lb (50 kg) together), and Bishop was not Jade scholarship cannot escape the information explosion interested in wide dissemination of the subject. He printed of our century. Our knowledge on the subject of jade has only 106 copies, none of which was for sale, and then des been radically expanded in two directions, from the past troyed the plates. The copies were sent to important libra and in the present, and a definitive survey bringing together ries, museums and crowned heads around the world. As the latest research from around the world is long overdue.




The Establishment and Reconstruction of the Academician System in China


Book Description

This book is the first monograph to study the processes of establishing and reconstructing the academician system, and the landmark events in the history of science and technology in 20th century China. It also provides new insights to help us understand the process of scientific institutionalization in modern China. Drawing on detailed archive records, it discusses the process of the establishment of the Academia Sinica's academician system in the Republic of China, as well as the unique and tortuous transformation process from members of the Academic Divisions(学部委员)to academicians of the Chinese Academy of Sciences(中国科学院)in the People's Republic of China. These play an important part of China's modernization process, and reflect scientific institutionalization in China. The book also highlights the fact that under the leadership of the government, the academic elite became participants in the construction of national academic system after the founding of the People's Republic of China.







Ancient and Early Medieval Chinese Literature (vol. 2)


Book Description

At last here is the long-awaited, first Western-language reference guide focusing exclusively on Chinese literature from ca. 700 B.C.E. to the early seventh century C.E. Alphabetically organized, it contains no less than 1095 entries on major and minor writers, literary forms and "schools," and important Chinese literary terms. In addition to providing authoritative information about each subject, the compilers have taken meticulous care to include detailed, up-to-date bibliographies and source information. The reader will find it a treasure-trove of historical accounts, especially when browsing through the biographies of authors. Indispensable for scholars and students of pre-modern Chinese literature, history, and thought. Part Two contains S to Xi.




Chinese Kinship


Book Description

First published in 1983. Professor Paul Chao writes Chinese Kinship in the line of the Chinese tradition; it is in this tradition that cultural complexes, such as family structure and kinship in relation to religious, political and economic organizations, are expounded by analysis of concepts and supported by historical documents. For the anthropological study of kinship is indispensable as a supplement to important historical work on basis of written documents. Professor Chao has made, in the main, a study of kinship in China of all known periods. He has taken the points of view of social anthropology and has also given a history of his topic.




The Church Missionary Atlas


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The Oxford Dictionary of Family Names in Britain and Ireland


Book Description

Containing entries for more than 45,000 English, Scottish, Welsh, Irish, Cornish, and immigrant surnames, The Oxford Dictionary of Family Names in Britain and Ireland is the ultimate reference work on family names of the UK. The Dictionary includes every surname that currently has more than 100 bearers. Each entry contains lists of variant spellings of the name, an explanation of its origins (including the etymology), lists of early bearers showing evidence for formation and continuity from the date of formation down to the 19th century, geographical distribution, and, where relevant, genealogical and bibliographical notes, making this a fully comprehensive work on family names. This authoritative guide also includes an introductory essay explaining the historical background, formation, and typology of surnames and a guide to surnames research and family history research. Additional material also includes a list of published and unpublished lists of surnames from the Middle Ages to the present day.




The Aesthetics of Qiyun and Genius


Book Description

In The Aesthetics of Qiyun and Genius: Spirit Consonance in Chinese Landscape Painting and Some Kantian Echoes, Xiaoyan Hu provides an interpretation of the notion of qiyun, or spirit consonance, in Chinese painting, and considers why creating a painting—especially a landscape painting—replete with qiyun is regarded as an art of genius, where genius is an innate mental talent. Through a comparison of the role of this innate mental disposition in the aesthetics of qiyun and Kant’s account of artistic genius, the book addresses an important feature of the Chinese aesthetic tradition, one that evades the aesthetic universality assumed by a Kantian lens. Drawing on the views of influential sixth to fourteenth-century theorists and art historians and connoisseurs, the first part explains and discusses qiyun and its conceptual development from a notion mainly applied to figure painting to one that also plays an enduring role in the aesthetics of landscape painting. In the light of Kant’s account of genius, the second part examines a range of issues regarding the role of the mind in creating a painting replete with qiyun and the impossibility of teaching qiyun. Through this comparison with Kant, Hu demystifies the uniqueness of qiyun aesthetics and also illuminates some limitations in Kant’s aesthetics. The publication of this work was supported by the Fundamental Research Funds for the Central Universities (project no: 3213042202A1).