Shine On, Marquee Moon


Book Description

“A new relationship; the prescient mingling of two record collections. A stark, sonic reflection of your partnership’s potential, or lack of. Never mind compatibility tests and first date small talk, whether or not someone is a suitable prospect can be divined by a glance across the spines of well-loved jewel cases and battered LPs.” Shine On, Marquee Moon, the debut novel of respected music writer Zoë Howe, is a rock ‘n’ roll love story that celebrates the extremes of life in the music business and challenges the myth of sex, drugs and rock n’ roll with plenty of wry humour, strong characters and sharp dialogue along the way. Never mind chick lit. This is rock chick lit. Sylvie is a dresser working for a New Romantic band currently enjoying a 21st century revival. Sylvie becomes romantically involved with Nick – reluctant heart-throb and the least unhinged member of the band – after bonding amid the chaos of touring life over a shared obsession with Television’s seminal album ‘Marquee Moon’. However, a dark secret threatens to destroy their future together and much more besides. Shine On, Marquee Moon exposes the hilarious, heart-wrenching and often bizarre reality of life on and off the road, where the most unlikely people become family, and ‘friends’ aren't always who they appear to be. "A great story, full of sharp and funny observations. Someone needs to form a Concierge tribute band." – Gideon Coe, BBC 6Music "Shine on, Marquee Moon is everything you'd expect from Zoë Howe: warm, wry, evocative and unconventional. This is an author who knows the idiosyncrasies of the music business and captures them all with candour and affection in a novel that is funny, fierce and better than most comeback tours.” – Jane Bradley, founder and director of For Books’ Sake. "Zoë Howe is one of our favourite music writers – a great writer who is in love with rock 'n' roll and a writer who can make the essence and magic of the dark stuff seem so alive…" – John Robb, Louder Than War "Tangled romance, ripe idiocy, monstrous self-delusion and 'that familiar backstage smell - hairspray, sweat, alcohol, dust burning on lightbulbs' ... Zoë Howe's crackling account of life around a rock band is fast, funny and superbly well-observed" – Mark Ellen, renowned music journalist and editor (Smash Hits, The Word, Select, Mojo, Q), broadcaster and author of Rock Stars Stole My Life "Heroin, and a fine heroine – Zoë Howe knows exactly how it'll pan out. Classic, clever, funny tale of what happens in the covens around those all boy-clubs of bands…" – Kirsty Allison, founder and editor of Cold Lips, books/arts editor of DJ Magazine "Hilarious and poignant, a rock ’n' roll love story about a woman seeking her own place in a cock-centric industry. A stylish ride through band-life, written by a woman well-versed in music's tricks and secrets... Lots of fun." – Emma Jane Unsworth, bestselling author of Animals and Hungry, The Stars & Everything Shine On, Marquee Moon is shortlisted for the Virginia Prize For Fiction 2016.







Marquee Moon


Book Description




The Greenwood Encyclopedia of Rock History: From arenas to the underground, 1974-1980


Book Description

Examines the divergent paths rock music took between 1974 and 1980, discussing arena rock, West coast soft rock, ambient music, punk, and new wave, and provides a chronology, an A-Z guide to the period, and lists of top-selling recordings, important albums, and further resources, including print works, Web sites, films, and museum collections.




The Light Don't Shine No More


Book Description

Rachel Demeter—widow, mother, highly respected pillar of Greenstone, Colorado—has died. When her three sons gather for her funeral, old family tensions, rivalries, and grievances resurface. Robert, the oldest, heir to his late, domineering father’s investment firm, is a straight-arrow businessman with political ambitions. Thomas is a creative free spirit who has forged his own life in Florida, away from “the family drama.” Benjamin is the youngest, once the brother with the most promise but now suffering from a disabling head injury. At the center is Rob’s wife, Violet, a strong-willed woman whose past is somewhat clouded in mystery. Family secrets slowly come to light as the Demeter brothers search for ways to reconnect and mourn their mother’s passing.




Looking Back at Me


Book Description

'Looking Back At Me' is the autobiography of the guitarist Wilko Johnson, written and collated with Zoe Howe. Within the pages of this vibrant rock 'n' roll scrapbook, the former Dr Feelgood guitarist and beloved British R&B legend tells his story in his own words.




The Pet Thief


Book Description

The Pet Thief is a dystopian fable of science, rebellion, humankind's inhumanity, and the struggle for identity and survival in a post-human world.




Typical Girls? The Story of the Slits


Book Description

Wild, defiant and startlingly inventive, The Slits were ahead of their time, embodying the creative fire of punk music and rebellion like few others. Although they created unique hybrids - dub reggae and pop-punk, funk and free jazz - they were dismissed as being unable to play. Their lyrics were witty and perceptive, their debut album challenged perceptions of punk music and female bands, and their infamous album cover, with the group appearing topless and mud-daubed, provided as bold a statement as the Sex Pistols’ Queen. Yet the first ladies of punk were destined to be marginalised and disregarded. Now, forty years on, author Zoë Street Howe speaks to The Slits themselves, to former manager Don Letts, mentor and PIL guitarist Phil Levene, and many others who swirled within their cosmos to discover exactly how the Slits phenomenon erupted and to celebrate the legacy of a seminal band long overdue its rightful acclaim. Too long seen as a note in the margin of the history of rock, The Slits at last get a fair hearing.




Moonshine


Book Description

Nothing but clear, 100-proof American history. Hooch. White lightning. White whiskey. Mountain dew. Moonshine goes by many names. So what is it, really? Technically speaking, “moonshine” refers to untaxed liquor made in an unlicensed still. In the United States, it’s typically corn that’s used to make the clear, unaged beverage, and it’s the mountain people of the American South who are most closely associated with the image of making and selling backwoods booze at night—by the light of the moon—to avoid detection by law enforcement. In Moonshine: A Cultural History of America’s Infamous Liquor, writer Jaime Joyce explores America’s centuries-old relationship with moonshine through fact, folklore, and fiction. From the country’s early adoption of Scottish and Irish home distilling techniques and traditions to the Whiskey Rebellion of the late 1700s to a comparison of the moonshine industry pre- and post-Prohibition, plus a look at modern-day craft distilling, Joyce examines the historical context that gave rise to moonshining in America and explores its continued appeal. But even more fascinating is Joyce’s entertaining and eye-opening analysis of moonshine’s widespread effect on U.S. pop culture: she illuminates the fact that moonshine runners were NASCAR’s first marquee drivers; explores the status of white whiskey as the unspoken star of countless Hollywood film and television productions, including The Dukes of Hazzard, Thunder Road, and Gator; and the numerous songs inspired by making ’shine from such folk and country artists as Joan Baez, Bob Dylan, Alan Jackson, and Dolly Parton. So while we can’t condone making your own illegal liquor, reading Moonshine will give you a new perspective on the profound implications that underground moonshine-making has had on life in America.




Fly me to the moon


Book Description

Suppose the New Rijksmuseum were in the market for a site on the moon, some time in the near or distant future. Would it be sensible, or nonsensical, for the Rijksmuseum to purchase a lunar plot where it can safely house its collection? Since the "discovery" of the moon, people have laid claim to it, whether symbolic or genuine. The moon has resources that could potentially be extracted using technologies yet to be developed. What is more, it may become possible for people to live on the moon someday. Pending future developments, there is a lively Internet trade in deeds to pieces of the moon, available at bargain prices. The legality of this form of private enterprise is obviously debatable, and yet... Bik Van der Pol took as core item of the project one of the oldest objects in the collection of the Rijksmuseum: a moon rock. The crew of the first manned lunar landing mission, Apollo 11, brought this rock back to earth in 1969. That same year the three astronauts Neil Armstrong, Edwin Aldrin, and Michael Collins visited the Netherlands. Willem Drees, a former Dutch prime minister, received the rock on that occasion as a present from the United States ambassador. And later, this piece of stone was donated to the Rijksmuseum. The moon rock creates links between the site of the museum, the city, the collection and its own origins. These links are examined from various perspectives. In the background are questions concerning the public and private significance of a collection, as well as questions of public interest.