Shogun's Ghost


Book Description

In most accounts of the struggle for economic supremacy between the United States and Japan, the inferiority of the United States' education system is continually pointed out. Here, Ken Schoolland, who taught in Japan at the college level, tells a different story about Japanese education. Schoolland gives a first person account of a side of Japanese education rarely seen in the West. Having spent five years teaching in a Japanese university, he writes of pervasive problems with the system of lower level colleges; unruly classrooms where discipline is a myth and cheating is a fact of daily life. Schoolland uses this new knowledge to redefine what he terms the new cold war between United States and Japanese systems of education. Schoolland begins by sharing his experiences as a professor at a Japanese university. He then explores some of the attitudes on education that are typical of publications that seem to be fueling a race between the economic superpowers. He describes some of the changing, relevant characteristics of Japanese society and how these shape the education system. Turning up the dark side of Japanese educaion, Schoolland elaborates on punishments in the schools and reveals the challenge that has come forth against physical punishment, the debate over students rights, court battles, and models of leadership. Finally, Schoolland shows the extent of student violence in the schools, he dissects the myth of Japan as unified, harmonious, homogeneous society, and reaches into Japanese history to show the roots of group responsibility in Japanese society.




Shōgun


Book Description

After John Blackthorne shipwrecks in Japan, he makes himself useful to a feudal lord in a power struggle with another and becomes a samurai.




The Shogun's Daughter


Book Description

Laura Joh Rowland's thrilling series set in Feudal Japan is as gripping and entertaining as ever with The Shogun's Daughter. Japan, 1704. In an elegant mansion a young woman named Tsuruhime lies on her deathbed, attended by her nurse. Smallpox pustules cover her face. Incense burns, to banish the evil spirits of disease. After Tsuruhime takes her last breath, the old woman watching from the doorway says, "Who's going to tell the Shogun his daughter is dead?" The death of the Shogun's daughter has immediate consequences on his regime. There will be no grandchild to leave the kingdom. Faced with his own mortality and beset by troubles caused by the recent earthquake, he names as his heir Yoshisato, the seventeen-year-old son he only recently discovered was his. Until five months ago, Yoshisato was raised as the illegitimate son of Yanagisawa, the shogun's favorite advisor. Yanagisawa is also the longtime enemy of Sano Ichiro. Sano doubts that Yoshisato is really the Shogun's son, believing it's more likely a power-play by Yanagisawa. When Sano learns that Tsuruhime's death may have been a murder, he sets off on a dangerous investigation that leads to more death and destruction as he struggles to keep his pregnant wife, Reiko, and his son safe. Instead, he and his family become the accused. And this time, they may not survive the day.




Shogun Iemitsu


Book Description

Rising from the fragrant, soothing water, Hideo allowed the liquid to stream down his face. His long hair trailed down his well-muscled neck in a satisfying weighty mass. Wiping his eyes and completely relaxed, Hideo looked first at the swords on the stand nearest him and then fell into a reverie. His earliest childhood memory was not of his beloved mother but of his fathers swords. The ritual was invariable. Before his father would kiss his mother, before his father would greet or dandle him, the man who had had the courage and audacity to marry the daughter of one of the Dictator Odas concubines removed his sandals with great care and walked to the black lacquer, double sword stand and, employing ever greater care, first removed the long sword from his sash and then the shorter sword. Each was positioned with incredible accuracy so that the handle and guard were outside of the cradle formed by the arms of the stand. The long sword was always placed above the shorter one. Their graceful curves, shining black lacquer scabbards, and silk-wrapped grips fascinated Hideo. They were so intimately associated with his fathera kindly but serious man of few words. Shogun Iemitsu chronicles a day in the life of two young samurai, Hideo and Kobiyashi, as they attend a festival, fall in love, and put down a rebellion against the Tokugawa government that changes their lives forever. Shogun Iemitsu is based entirely on historical events, and it is filled with breathtaking details of life under the Shoguns. A must-read for anyone who enjoyed James Clavell's Shogun. Shogun Iemitsu will thrill beyond your wildest expectations!




Shogun's Painted Culture


Book Description

In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'. “Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews “[A] stylishly written and provocative cultural history.”—Monumenta Nipponica “As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).




The Samurai's Garden


Book Description

The daughter of a Chinese mother and a Japanese father, Gail Tsukiyama's The Samurai's Garden uses the Japanese invasion of China during the late 1930s as a somber backdrop for this extraordinary story. A 20-year-old Chinese painter named Stephen is sent to his family's summer home in a Japanese coastal village to recover from a bout with tuberculosis. Here he is cared for by Matsu, a reticent housekeeper and a master gardener. Over the course of a remarkable year, Stephen learns Matsu's secret and gains not only physical strength, but also profound spiritual insight. Matsu is a samurai of the soul, a man devoted to doing good and finding beauty in a cruel and arbitrary world, and Stephen is a noble student, learning to appreciate Matsu's generous and nurturing way of life and to love Matsu's soulmate, gentle Sachi, a woman afflicted with leprosy.




A Gathering of Spirits: Japan's Ghost Story Tradition


Book Description

"Prepare for a sampling of Japanese ghosts and spirits, from sources that include the worlds oldest novel, the urban legends of contemporary Japanese schoolchildren, movies both classic and modern, anime, manga, and more." For hundreds of years Japan has lived in a reality consisting of the real world and the spirit world; sometimes the wall between the two worlds gets thin enough for spirits to cross over. In such a reality, ghost stories have been popular for centuries. Patrick Drazen, author of "Anime Explosion", looks at these stories: old and new, scary or funny or sad, looking at common themes and the reasons for their popularity. This book uses one Japanese ghost story tradition: the "hyaku monogatari" (hundred stories). In the old tradition, people tell each other one hundred ghost stories in one sitting. These hundred tales run from folklore to cartoons, but all are designed to send chills up the spine ...







Embodied Performance


Book Description

In this groundbreaking book, Matsuoka Shinpei—a leading scholar of noh theater—provides a detailed account of the birth of one of Japan’s most celebrated art forms. Although noh has often been associated with the elite, Embodied Performance explores its links to a wider popular culture, revealing a rich and colorful public space where courtiers and commoners mingled. Matsuoka traces noh’s connections to popular and religious dances, linked verse, and chigo (beautiful temple boy) culture, emphasizing performance and the body. He describes the world of noh playwright Zeami as well as his views on dramaturgy and performance—and argues that Zeami was once a chigo. Matsuoka shows how religious rituals and cultural forms like ecstatic dance prayer and plays about demons in hell attracted people on the margins. Such activities, Matsuoka contends, drew on the tension between wild acrobatic movement and corporeal restraint, influencing the development of noh as well as the art of flower arranging and the tea ceremony. Janet Goff’s translation makes available in English a classic work of Japanese scholarship that will be invaluable to those interested in medieval Japanese culture, noh, and theatrical practice.




The Shogun's Queen


Book Description

Japan, and the year is 1853. Growing up among the samurai of the Satsuma Clan, in Japan's deep south, the fiery, beautiful and headstrong Okatsu has like all the clan's women been encouraged to be bold, taught to wield the halberd, and to ride a horse. But when she is just seventeen, four black ships appear. Bristling with cannon and manned by strangers who to the Japanese eyes are barbarians, their appearance threatens Japan's very existence. And turns Okatsu's world upside down. Chosen by her feudal lord, she has been given a very special role to play. Given a new name Princess Atsu and a new destiny, she is the only one who can save the realm. Her journey takes her to Edo Castle, a place so secret that it cannot be marked on any map. There, sequestered in the Women's Palace home to three thousand women, and where only one man may enter: the shogun she seems doomed to live out her days.