The Merchant of Venice


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The Merchant of Venice


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Shylock's Venice


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The thrilling story of the Jews in Venice – and the truth behind one of Shakespeare's most famous characters. Millions of visitors flood to Venice every year. Yet many are unaware of its history – one of dramatic expansion but also of rapid decline. And essential to any history of Venice during its glory days is the story of its Jewish population. Venice gave the world the word ghetto. Astonishingly, the ghetto prison turned out to be as remarkable a place as the city of Venice itself. With sound scholarship and a narrator's skill, Harry Freedman tells the story of Venice's Jews. From the founding of the ghetto in 1516, to the capture of Venice by Napoleon in 1797, he describes the remarkable cultural renaissance that took place in the Venice ghetto. Gates and walls notwithstanding, for the first time in European history Jews and Christians mingled intellectually, learned from each other, shared ideas and entered modernity together. When it came to culture, the ghetto walls were porous. Any history of Venice and its Jews also can't avoid the story of Shakespeare's Shylock. The cultural and political revival in the Venice ghetto is often obscured from history by this fictional character. Who, we wonder, was Shylock? Would the people of Venice have recognized him and what did Shakespeare really think of him? Shakespeare's ambivalent anti-Semitism reflects attitudes to Jews in Elizabethan England – but as Freedman demonstrates, Shakespeare's myth is wholly ignorant of the literary, cultural and interfaith revival that Shylock would have experienced.




Wrestling with Shylock


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This book explores responses to The Merchant of Venice by Jewish writers, critics, theater artists, thinkers, religious leaders and institutions.




People Love Dead Jews: Reports from a Haunted Present


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Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.




Shylock Is Shakespeare


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Shylock, the Jewish moneylender in The Merchant of Venice who famously demands a pound of flesh as security for a loan to his antisemitic tormentors, is one of Shakespeare's most complex and idiosyncratic characters. With his unsettling eloquence and his varying voices of protest, play, rage, and refusal, Shylock remains a source of perennial fa...




Serenissima


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A story of Venice today and Venice in its illustrious past, this novel gives the reader a portrait of the modern-day film world and a clue to the passions behind Shakespeare's most enigmatic work. Jessica Pruitt, a Hollywood actress in her forties has come to Venice to judge the film festival.




The Character of Shylock in the Merchant of Venice


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Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Augsburg, course: Proseminar, 9 entries in the bibliography, language: English, abstract: William Shakespeare's The Merchant of Venice surely can be considered one of the playwright's greatest works. Still today critics are not fully aware of its actual meaning and there are many different opinions of how this play is to be interpreted. As a matter of fact we can say that Shakespeare has created one of the most diverse plays in the history of drama. Containing two equally important plot-lines and several sub-plots it is very difficult to make out even one main character or to be absolutely sure about their variety of intentions. On the one hand there is one of the main characters, the Jew Shylock, "a comic antagonist far more important than any such figure had been in his Shakespeare's] earlier comedies," who plays the role of a non-Christian villain. And opposing him we have the Venetian society with all its flaws and hypocrisies which are pointed out during the conflict with Shylock. On the other hand there is the romantic love story between Portia and Bassanio located in remote Belmont, which is the actual trigger for the conflict between Antonio and Shylock and also brings a solution to it. This solution is due to Portia's cunning and liberation as a woman, which can be seen in her disguising as the judge in order to be able to save Antonio's life; there are only two qualities which are supposed to be quite unusual for a female character of that time. But at the same time she has to fulfil her typical role as "a faithful daughter whatever the consequence," yielding to fate by obeying her father's will. And Portia is not the only ambigous and exceptional figure of the play.




Shylock's Daughter


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Jessica, the 16-year old daughter of miserly pawnbroker Shylock, feels trapped by the endless rules of the 16th-century Venetian ghetto, until she falls for Lorenzo, a handsome and charming aristocrat. But it is a doomed passion - for Jessica is a Jew and Lorenzo a Christian.




Of Human Kindness


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An award-winning scholar and teacher explores how Shakespeare's greatest characters were built on a learned sense of empathy While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways. Cohen takes her readers through a selection of Shakespeare's most famous plays, including Hamlet, Othello, King Lear, and The Merchant of Venice, to demonstrate the ways in which Shakespeare thought deeply and clearly about how we treat "the other." Cohen argues that only through close reading of Shakespeare can we fully appreciate his empathetic response to race, class, gender, and age. Wise, eloquent, and thoughtful, this book is a forceful argument for literature's power to champion what is best in us.