Making Movies


Book Description

Why does a director choose a particular script? What must they do in order to keep actors fresh and truthful through take after take of a single scene? How do you stage a shootout—involving more than one hundred extras and three colliding taxis—in the heart of New York’s diamond district? What does it take to keep the studio honchos happy? From the first rehearsal to the final screening, Making Movies is a master’s take, delivered with clarity, candor, and a wealth of anecdote. For in this book, Sidney Lumet, one of our most consistently acclaimed directors, gives us both a professional memoir and a definitive guide to the art, craft, and business of the motion picture. Drawing on forty years of experience on movies that range from Long Day’s Journey into Night to Network and The Verdict—and with such stars as Katharine Hepburn, Paul Newman, Marlon Brando, and Al Pacino—Lumet explains how painstaking labor and inspired split-second decisions can result in two hours of screen magic.




Sidney Lumet


Book Description

The first-ever biography of the seminal American director whose remarkable life traces a line through American entertainment history Acclaimed as the ultimate New York movie director, Sidney Lumet began his astonishing five-decades-long directing career with the now classic 12 Angry Men, followed by such landmark films as Serpico, Dog Day Afternoon, and Network. His remarkably varied output included award-winning adaptations of plays by Anton Chekhov, Arthur Miller, Tennessee Williams, and Eugene O’Neill, whose Long Day’s Journey into Night featured Katharine Hepburn and Ralph Richardson in their most devastating performances. Renowned as an “actor’s director,” Lumet attracted an unmatched roster of stars, among them: Henry Fonda, Sophia Loren, Marlon Brando, Anna Magnani, Sean Connery, Ingrid Bergman, Paul Newman, Al Pacino, Ethan Hawke, and Philip-Seymour Hoffman, accruing eighteen Oscar nods for his actors along the way. With the help of exclusive interviews with family, colleagues, and friends, author Maura Spiegel provides a vibrant portrait of the life and work of this extraordinary director whose influence is felt through generations, and takes us inside the Federal Theater, the Group Theatre, the Actors Studio, and the early “golden age” of television. From his surprising personal life, with four marriages to remarkable women—all of whom opened their living rooms to Lumet’s world of artists and performers like Marilyn Monroe and Michael Jackson—to the world of Yiddish theater and Broadway spectacles, Sidney Lumet: A Life is a book that anyone interested in American film of the twentieth century will not want to miss.




Sidney Lumet


Book Description

A collection of over twenty interviews with the director of Serpico, Dog Day Afternoon, The Verdict, and 12 Angry Men




Sidney Lumet


Book Description

 Punctilious to a fault, Sidney Lumet favored intense rehearsal, which enabled him to bring in most of his films under budget and under schedule. An energized director who captured the heart of New York like no other, he created a vast canon of work that stands as a testament to his passionate concern for justice and his great empathy for the hundreds of people with whom he collaborated during a career that spanned more than five decades. This is the first full-scale biography of a man who is generally regarded as one of the most affable directors of his time. Using the oral testimonies of those who worked with him both behind and in front of the camera, this book explores Lumet's personality and working methods.




Orpheus Descending


Book Description

THE STORY: As The New York Times describes, The play tells of a woman storekeeper and a handsome, guileless youth who comes in off the highway. A guitar-player, he is a rural Orpheus who descends to rescue his love--not in Hades, precisely,




Sidney Lumet


Book Description

Since 1957, Sidney Lumet, the most prolific American director of his generation, has deepened audiences' awareness of social, ethical, and feminist issues through such distinguished films as 12 Angry Men, The Verdict, Running on Empty, and Critical Care. Especially praised for his literary adaptations—including Long Day's Journey into Night and Murder on the Orient Express—Lumet has also directed such trenchant urban films as Dog Day Afternoon, Serpico, and Network. In this new edition Frank Cunningham expands his analysis of Lumet's earlier films and examines his most recent work, from A Stranger Among Us (1992) to Gloria (1999). Also new to this edition are discussions of five other films, including The Appointment, Murder on the Orient Express, and Running on Empty. Cunningham studies in depth over thirty of Lumet's most significant films and surveys other films and the television productions to reveal their enduring artistic and humanistic importance.




Street Smart


Book Description

New York has appeared in more movies than Michael Caine, and as a result of overfamiliarity, the City poses a problem for critics and casual moviegoers alike. Audiences mistake the New York image of skyscrapers and glitter for the real thing, but in fact the City is a network of small villages, each with its unique personality. Street Smart offers a novel approach to understanding the cultural influences of New York's neighborhoods on the work of four quintessentially New York filmmakers: Sidney Lumet, Woody Allen, Martin Scorsese, and Spike Lee. The city's diverse economic and ethnic enclaves, where people live, work, shop, worship, bank, and go to school, often have little relationship to the concept of New York City created by the movies. Their New York, however, is as real as the smell of fried onions in the stairwell of an apartment building, and it is this New York, not the movie New York, that has left its impression on their films. Lumet, Allen, Scorsese, and Lee's imaginations have been shaped by their neighborhoods, not the New York of the movies. In turn, these directors have used their own life experiences to shape their films. Richard A. Blake examines their home villages -- from Flatbush and Fort Green in Brooklyn to the Lower East Side of Manhattan -- to enrich our critical understanding of the films of four of America's most accomplished contemporary filmmakers.




Follies of God


Book Description

This remarkably illuminating portrait of Tennessee Williams lifts the veil on the heart and soul of his artistic inspiration: the unspoken collaboration between playwright and actor. At a low moment in Williams’s life, he summoned to New Orleans a young twenty-year-old writer, James Grissom, who had written him a letter asking for advice. After a long, intense conversation, Williams sent Grissom on a journey on his behalf to find out if he or his work had mattered to those who had so deeply mattered to him. Among the more than seventy women and men with whom Grissom talked were giants of American theater and film: Lillian Gish, (“the escort who brought me to Blanche”), Jessica Tandy (the original Blanche DuBois on Broadway), Eva Le Gallienne (“She was a stone against which I could rub my talent and feel that it became sharper”), Maureen Stapleton, Julie Harris, Bette Davis, Katherine Hepburn, Elia Kazan, Marlon Brando, John Gielgud, and many more. Follies of God provides dazzling insight into how Williams conjured the dramatic characters and plays that so transformed American theater.




Reginald Rose and the Journey of 12 Angry Men


Book Description

Finalist, 2021 Wall Award (Formerly the Theatre Library Association Award) The untold story behind one of America’s greatest dramas In early 1957, a low-budget black-and-white movie opened across the United States. Consisting of little more than a dozen men arguing in a dingy room, it was a failure at the box office and soon faded from view. Today, 12 Angry Men is acclaimed as a movie classic, revered by the critics, beloved by the public, and widely performed as a stage play, touching audiences around the world. It is also a favorite of the legal profession for its portrayal of ordinary citizens reaching a just verdict and widely taught for its depiction of group dynamics and human relations. Few twentieth-century American dramatic works have had the acclaim and impact of 12 Angry Men. Reginald Rose and the Journey of “12 Angry Men” tells two stories: the life of a great writer and the journey of his most famous work, one that ultimately outshined its author. More than any writer in the Golden Age of Television, Reginald Rose took up vital social issues of the day—from racial prejudice to juvenile delinquency to civil liberties—and made them accessible to a wide audience. His 1960s series, The Defenders, was the finest drama of its age and set the standard for legal dramas. This book brings Reginald Rose’s long and successful career, its origins and accomplishments, into view at long last. By placing 12 Angry Men in its historical and social context—the rise of television, the blacklist, and the struggle for civil rights—author Phil Rosenzweig traces the story of this brilliant courtroom drama, beginning with the chance experience that inspired Rose, to its performance on CBS’s Westinghouse Studio One in 1954, to the feature film with Henry Fonda. The book describes Sidney Lumet’s casting, the sudden death of one actor, and the contribution of cinematographer Boris Kaufman. It explores the various drafts of the drama, with characters modified and scenes added and deleted, with Rose settling on the shattering climax only days before filming began. Drawing on extensive research and brimming with insight, this book casts new light on one of America’s great dramas—and about its author, a man of immense talent and courage. Author royalties will be donated equally to the Feerick Center for Social Justice at Fordham Law School and the Justice John Paul Stevens Jury Center at Chicago-Kent College of Law.




Mad as Hell


Book Description

The behind-the-scenes story of the making of the iconic movie Network, which transformed the way we think about television and the way television thinks about us "I'm mad as hell, and I'm not going to take this anymore!" Those words, spoken by an unhinged anchorman named Howard Beale, "the mad prophet of the airwaves," took America by storm in 1976, when Network became a sensation. With a superb cast (including Faye Dunaway, William Holden, Peter Finch, and Robert Duvall) directed by Sidney Lumet, the film won four Academy Awards and indelibly shaped how we think about corporate and media power. In Mad As Hell, Dave Itzkoff of The New York Times recounts the surprising and dramatic story of how Network made it to the screen. Such a movie rarely gets made any more—one man's vision of the world, independent of studio testing or market research. And that man was Paddy Chayefsky, the tough, driven, Oscar-winning screenwriter whose vision—outlandish for its time—is all too real today. Itzkoff uses interviews with the cast and crew, as well as Chayefsky's notes, letters, and drafts to re-create the action in front of and behind the camera at a time of swirling cultural turmoil. The result is a riveting account that enriches our appreciation of this prophetic and still-startling film. Itzkoff also speaks with today's leading broadcasters and filmmakers to assess Network's lasting impact on television and popular culture. They testify to the enduring genius of Paddy Chayefsky, who foresaw the future and whose life offers an unforgettable lesson about the true cost of self-expression.