Naming the Father


Book Description

Naming the Father is a collection of essays on the subject of fatherhood: its enduring power, its secret ruses, its unsettling provocations. Despite the considerable critical attention devoted to motherhood in literature-and despite the late-twentieth-century focus on patriarchy-there is surprisingly no comparable collection on fatherhood. This volume was born of the conclusion that critics of modern and contemporary literature may comprehend the father too little for presuming to have comprehended patriarchy so much. Naming the Father begins with a series of nonfiction essays that attempts to locate the missing father in the individual experiences of three scholars at various stages of their careers. The following thematically grouped sections recover and discuss fatherhood in fields ranging from Caribbean fiction to African American drama and in the work of authors as diverse as Rebecca West, Anzia Yezierska, William Burroughs, and Stephen Wright, as well as Henry James and James Joyce. A variety of critical approaches, from biographical to deconstructive, activate and engage with the cultural, national, and global implications of fatherhood for the family and for the future of literary studies. Scholars and students of contemporary literature, cultural studies, and gender studies will find this book a fascinating and invaluable collection.




Dispersing Cycles


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Derrida and the Future of Literature


Book Description

Confirms the importance of literature in Derrida’s development of a postmodern ethics.




On Deconstruction


Book Description

With an emphasis on readers and reading, the author considers deconstruction in terms of the questions raised by psychoanalytic, feminist, and reader-response criticism. As a result, this book is both an authoritative synthesis of Derrida's thought and an analysis of the often-problematic relation between his philosophical writings and the work of literary critics.




Derrida and Religion


Book Description

First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.




Self, Sign, and Symbol


Book Description

These essays wrestle with a number of postformalist questions and are ordered so as to present a new argument for the self-sufficiency of the text. Collectively they suggest that recovery of interest in the meaning of texts and the exchange between writer and reader may become the next new criticism.




Philosophical Approaches to Literature


Book Description

This volume presents eleven new essays that reveal how significant nineteenth-and twentieth-century writers have drawn from, and in some cases, opposed major trends in philosophy. Essays in this collection deal with Tennyson, Coleridge, Woolf, Faulkner, De Quincey, Beckett, romance as a genre, the state of contemporary literary theory as shaped by the writings of Wittgenstein, Ricoeur and Derrida, and other topics.




Dream of the Moving Statue


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Francis Ponge and the Nature of Things


Book Description

One of the most significant French poets of the twentieth century--Francis Ponge--is treated in this study. The fundamental role of atomistic philosophy in Ponge's writings, especially as expressed in Lucretius's De Rerum Natura is discussed. Meadows is the first author to examine Ponge's writings in a book-length study.




Derrida For Beginners


Book Description

In 1966, Jacques Derrida gave a lecture at Johns Hopkins University that cast the entire history of Western Philosophy into doubt. The following year, Derrida published three brilliant but mystifying books that convinced the pollsters that he was the most important philosopher of the late 20th Century. Unfortunately, nobody was sure whether the intellectual movement that he spawned – Deconstruction – advanced philosophy or murdered it. The truth? – Derrida is one of those annoying geniuses you can take a class on, read half-a-dozen books by and still have no idea what he’s talking about. Derrida’s ‘writing’ – confusing doesn’t begin to describe it (it’s like he’s pulling the rug out from under the rug that he pulled out from under philosophy.) But beneath the confusion, like the heartbeat of a bird in your hand, you can feel Derrida’s electric genius. It draws you to it; you want to understand it... but it’s so confusing. What you need, Ducky, is Derrida For Beginners by James Powell! Jim Powell’s Derrida For Beginners is the clearest explanation of Derrida and deconstruction presently available in our solar system. Powell guides us through blindingly obscure texts like Of Grammatology (Derrida’s deconstruction of Saussure, Lévi Strauss, and Rousseau), “Différance” (his essay on language and life), Dissemination (his dismantling of Plato, his rap on Mallarmé), and Derrida’s other masterpieces (the mere titles can make strong men tremble in terror – Glas, Signéponge/Signsponge, The Post Card, and Specters of Marx.) Readers will learn the coolest Derridian buzzwords (e.g., intertextuality, binary oppositions, hymen, sous rature, arche-writing, phallogocentrism), the high-and-low lights of deconstruction’s history (including the DeMan controvercy), and the various criticisms of Derrida and deconstruction, including Camille Paglia’s objection that America, the rock-n-roll nation, isn’t formal enough to need deconstruction. The master, however, begs to disagree: “America is Deconstruction” -Jacques Derrida