Silent Shield


Book Description

Shieldmaiden Ingrid Tirsdatter is in the final leg of her very first mission. After chasing a dark mage one thousand years into the future, she and her team have spent the past two months trying to stop him from doing the unthinkable—enacting a magical spell that’s certain to destroy their world. But when a collection of crystals goes missing, it’s clear their enemy is making his final play. And when Axel starts acting peculiar, Ingrid realizes that more than just their home is on the line. If she and her team can’t stop the dark mage, her past—and her future—may disappear forever.










Sorority Subterfuge


Book Description

Ingrid Tirsdatter is no stranger to difficult missions. As a first-year shieldmaiden, she’s fought off Viking warriors, defeated the not-quite-dead, and ridden into battle atop a fire-breathing dragon. But nothing in her training prepared her for her current assignment. In order to stop a madman from destroying her home, Ingrid’s jumped one thousand years into the future, moved into an elite Southern California sorority, and done everything in her power to not get distracted by Axel Andersson—her absurdly attractive, and extraordinarily egotistical, battle partner. So far, she’s managed to keep her mission reasonably on track. But when a mysterious stranger shows up with an offer to lead Ingrid to her target, her well-orchestrated plan begins to unravel. It turns out that Ingrid isn’t the only one engaged in subterfuge. If she fails to hunt down the elements that have set her enemy on his dark path, there’s no telling what will become of the future . . . or the past. Ingrid and her team are in a race against time. And if they can’t outrun their target, both of the worlds she’s come to love will be nothing more than a memory.










Of Bone and Thunder


Book Description

In a land of jungle and mountains a magic used by a few threaten to destabilize the nation of Luitox.




Blood for Magic


Book Description

Twenty-year-old Tarquin is smart, tactless, and braver than he knows. He's also been Mage of the Realm of Kelor for two years, taking the title from his mother after she died protecting Kelor from a terrible threat. Mages, unlike all other magicians, give their blood in exchange for far more powerful magic. Unfortunately for the Mage of the Realm, there's always the chance one day Kelor will need magic of such potency that a mage will have to give not just their blood, but their life. Tarquin's mother already made this sacrifice, and Tarquin knows it's likely also his fate. While on a quest to heal his brother, who is dying because of Tarquin's reckless mistake, Tarquin is attacked by a horrific, flesh-eating monster. He's saved by an enigmatic and mute young soldier, called "Five", who is cursed with a terrifying appearance that conceals the heart of a knight. There's an almost instant attraction between the two men, but no time to explore it. The monster's attack is the harbinger of a new invasion. With Kelor helpless, the realm's only hope lies with Tarquin. Just as he feared, his sole choice is to sacrifice himself the way his mother did, in exchange for magic strong enough to destroy the coming evil. He's prepared to give up his life to save the realm, but before the battle is over, he'll be faced not just with his own death, but the death of everyone he cares about. Including the cursed soldier he's come to love.




Bringing Forth the New


Book Description

Bringing Forth the New provides a headlong introduction into the world of Chinese contemporary visual art, opening from the art world onto the political, technological and economic vectors of recent Chinese history. Each chapter reads an important facet of recent Chinese history through the work of a significant artist. From examining trade war and intellectual property through the work of political pop painters such as Yu Youhan, to the development of gendered constructs in China through the work of Cui Xuiwen.




The Mortal Voice in the Tragedies of Aeschylus


Book Description

Voice connects our embodied existence with the theoretical worlds we construct. This book argues that the voice is a crucial element of mortal identity in the tragedies of Aeschylus. It first presents conceptions of the voice in ancient Greek poetry and philosophy, understanding it in its most literal and physical form, as well as through the many metaphorical connotations that spring from it. Close readings then show how the tragedies and fragments of Aeschylus gain meaning from the rubric and performance of voice, concentrating particularly on the Oresteia. Sarah Nooter demonstrates how voice - as both a bottomless metaphor and performative agent of action - stands as the prevailing configuration through which Aeschylus' dramas should be heard. This highly original book will interest all those interested in classical literature as well as those concerned with material approaches to the interpretation of texts.