Singing in Czech


Book Description

Timothy Cheek’s revised edition of Singing in Czech: A Guide to Czech Lyric Diction and Vocal Repertoire, with its accompanying audio accessible online, builds on the original pioneering work of 2001 that set “a new and very welcome high standard for teaching lyric diction,” according to Notes: The Journal of the Music Library Association. It offers users updated information, important clarifications, and expanded repertoire in a more accessible, easier to use format. Singing in Czech is divided into two parts. Using IPA, the first part takes the reader systematically through each sound of the Czech language, enhanced by recordings of native Czech opera singers. Chapters cover the Czech vowels, consonants, rules of assimilation, approaches to singing double consonants, stress and length, Moravian dialect, and an introduction to singing in Slovak. Fine points of formal pronunciation have been clarified in this revised edition. In the second part, Cheek offers a thorough overview of Czech art song, expanded from the first edition. Texts to major song literature and opera excerpts by Smetana, Dvořák, Janáček, Martinů, and Haas, with timings, editions, word-for-word translations, idiomatic translations, and IPA transcriptions follow. In this revision, Cheek has included additional cycles by Dvořák and Martinů, and two new chapters on Czech female composers Vítězslava Kaprálová and Sylvie Bodorová. This revised edition of Singing in Czech is useful for all those who are interested and engaged in the performance of the rich Czech vocal repertoire.




Singing in Polish


Book Description

Singing in Polish: A Guide to Polish Lyric Diction and Vocal Repertoire stands as the first book-length resource for non-Polish–speaking singers, voice teachers, and vocal coaches that offers the essential tools for learning how to sing in Polish. Scholar and singer Benjamin Schultz offers a rich repertory of works virtually unknown outside of Poland, providing a unique catalyst for the introduction of Polish vocal music into the English-speaking world of performance. Never before has Polish vocal music been made so accessible to the musical world. With a foreword by Timothy Cheek, the author of Singing in Czech, as well as an overview of the development of Polish music by renowned violinist, Polish music specialist, and scholar Tyrone Greive, Singing in Polish concisely outlines the science and art of Polish lyric diction through the use of the International Phonetic Alphabet (IPA). The included texts of more than 60 art songs and arias from some of the most distinguished Polish composers of all time each feature IPA transcriptions and English translations. Appendixes include lists of key Polish music publishing companies, cultural centers, and Polish poets. Singing in Polish fills a void for singers, voice teachers, and vocal coaches in the Western tradition. It is a invaluable resource for anyone looking to add global variety to vocal performance in the studio, classroom, concert hall, or on the operatic stage.




Rusalka


Book Description

This book serves as an aid to anyone seeking to perform and gain a deeper understanding of this multi-layered opera, which so trenchantly asks what it means to be human, to love, and to be loved in return.




Singing in Mandarin


Book Description

Access audio files at:https://soundcloud.com/k-chu-j-petrus/sets/singing-in-mandarin-recorded The success of Chinese artists internationally across many art forms has focused the world's attention on the developing cultural phenomenon in China, an emerging stage for the vocal arts. As one of the most widely spoken languages in the world, Mandarin is poised to become the next addition to lyric languages. Singing in Mandarin: A Guide to Chinese Lyric Diction and Vocal Repertoire is a comprehensive guide to unlocking the mysteries of Chinese contemporary vocal literature. In part one, Chu and Petrus focus on diction and language, providing detailed descriptions and exercises for creating the sounds of the language. They take a uniquely systematic approach, fusing together best practices from international music conservatories for diction study, with those for Chinese language learning. Part two outlines the historical context of Chinese vocal literature, chronicling the development of the language and its repertoire over the last one hundred years. Audio files narrated by native speakers demonstrating the sounds are also included. Singing in Mandarin provides guidance for both novices and those with previous experience singing or speaking Mandarin and is the first book of its kind to help bring the fascinating and previously inaccessible treasure of Chinese vocal music to Western audiences.




Women in Nineteenth-Century Czech Musical Culture


Book Description

This volume focuses on the circumstances of women’s music-making in the vibrant and diverse environment of the Czech lands during the nineteenth century. It sheds light on little-known women musicians, while also considering more well-known works and composers from new woman-centric perspectives. It shows how the unique environment of Habsburg Central Europe, especially Bohemia and Lower Austria, intersects with gender to reveal hitherto unexplored networks that challenge the methodological nationalism of music studies as well as the discipline’s continued emphasis on singular canonical figures. The main areas of enquiry address aspects of performance and identity both within the Czech lands and abroad; women’s impact on social life with a view to different private, semiprivate, and public contexts and networks; and compositional aesthetics in musical works by and about women, analysed through the lens of piano works, song, choir music, and opera, always with the reception of these works in mind.




Czech Bluegrass


Book Description

Bluegrass has found an unlikely home, and avid following, in the Czech Republic. The music’s emergence in Central Europe places it within an increasingly global network of communities built around bluegrass activities. Lee Bidgood offers a fascinating study of the Czech bluegrass phenomenon that merges intimate immersion in the music with on-the-ground fieldwork informed by his life as a working musician. Drawing on his own close personal and professional interactions, Bidgood charts how Czech bluegrass put down roots and looks at its performance as a uniquely Czech musical practice. He also reflects on “Americanist” musical projects and the ways Czech musicians use them to construct personal and social identities. Bidgood sees these acts of construction as a response to the Czech Republic’s postsocialist environment but also to US cultural prominence within our global mediascape.




School of Music Programs


Book Description




Singing in Greek


Book Description

In Singing in Greek: A Guide to Greek Lyric Diction and Vocal Repertoire, Lydía Zervanos reveals to singers the vast riches of Greek vocal music. Dating back to 1770, Greek art music—following the Western European styles, often drawing on themes from folk music and motifs—long awaits its rightful place in a truly international vocal repertoire. Modern singers in search of new musical opportunities will find in Singing in Greek the necessary tools to locate and perform art songs and arias from this extensive national vocal repertoire. Concisely written and full of practical advice, the book opens with an introduction to the Greek alphabet and pronunciation, navigating the assignment of International Phonetic Alphabet symbols. Zervanos covers such topics as Greek vowels, digraphs, consonants, binary consonants, consonant combinations, palatalization, basic Greek grammatical concepts and their role in stress and length, syllabification, and punctuation—all separated into easily referenced chapters and supported by online recordings of native Greek opera singers. In the second half of Singing in Greek, Zervanos offers a short history of Greek art music, biographies of prominent Greek composers, texts of their most representative works with IPA transcriptions, and word-for-word and poetic translations, with arias and art songs chosen for all voice types and levels. This book also includes indexes of direct vowel-to-IPA and consonant-to-IPA transcriptions, as well as useful appendixes on publications, organizations, and famous Greek poets. Singing in Greek is a must-have resource for every singer, voice teacher, vocal coach, collaborative pianist, and opera and choral conductor seeking to perform and teach in this unique language, explore the wealth of music available, and expand their knowledge of Greek repertoire.




The Kaprálová Companion


Book Description

The Kaprálová Companion, edited by Karla Hartl and Erik Entwistle, is a collection of biographical and analytical essays on Czech composer Vítezslava Kaprálová [1915–1940]. Accompanied by an annotated catalog of works, annotated chronology of life events, bibliography, discography, and a list of published works, The Kaprálová Companion is an essential, comprehensive guide to the composer's life and music. It is also the first book published on Kaprálová in English. As readers will discover, the work of Vítezslava Kaprálová represents a progressive and distinctive voice in inter-war Czech musical culture. Despite her untimely death at the age of twenty-five, Kaprálová created an impressive body of work that has earned her the distinction of being considered the most important woman composer in the history of Czech music. Editors Hartl and Entwistle have gathered a roster of scholars from the United States, Canada, and the Czech Republic, whose contributions to The Kaprálová Companion cover a variety of topics relevant to Kaprálová and her times. It is not only be a welcome starting point for scholars and music lovers, but its critical essays also advance thought-provoking assessments of her music, engender further inquiries into aspects of her life and work, and inspire a new generation of performers.