Chinese Women Writers and the Feminist Imagination, 1905-1948


Book Description

This book works equally well in the following multiple fields: Gender Studies, Literary/Cultural Studies, Performance Studies, Asian and Pacific Studies, Chinese Studies, Critical Theory and Literary Historiography




Chinese Women Writers on the Environment


Book Description

The stories, prose and poems in this anthology offer readers a unique and generous array of women's experiences in China. In a world that is rapidly modernizing, these writings attempt to reconcile with the ever-changing people, plants, beasts and environment. After five years of painstaking collection and translation, the authors present these stories of strength and sadness, defiance and resilience, urban and village life, from the days of the cultural revolution to the present. Whether a house full of hawks and eagles, a stubborn cow, or a defiant elderly couple sabotaging a lumber operation, these stories express powerful visions of the earth interwoven with human memory.




Nativism Overseas


Book Description

This book examines five of the most influential Chinese-born women writers of the post-war era: Nie Hualing, Yu Lihua, Chen Ruoxi, Li Li, and Zhong Xiaoyang. They have become a dominating force in Chinese literature today, although they presently reside outside their homeland. This book raises a clear and consistent voice in line with the literature of exile and self discovery. As these writers talk of the 'root'—the self, and their social, cultural, and historical identities— their varied voices share the unique characteristics of the literature of exile. These women, who continue to write in their native language, envision themselves as the literary mediators between their lost past and their newly adopted homeland. They compare each of these worlds in terms of the demons with which they have wrestled for identity, recognition, and freedom. The book is of interest not only to those with a particular interest in the phenomenon of these Chinese exiled intellectual émigrés and their role in the influence on the development of Chinese literature, but to those who seek to understand the development of women's studies and world literature as a whole, and the influence of East-West literary relations in particular.







Modern Chinese Women Writers


Book Description

The essays in this volume consider the state of current writing of the world's best Chinese women writers. All the contributors relate their authors to the life and work of other contemporary Chinese women writers, and compare work coming from PRC, Taiwan and overseas Chinese. The essays make a contribution to the fields of Modern Chinese literature and women's studies, and although they are primarily intended to bear witness to the quality of women's writing, they also attempt to elucidate the complex issues of Chinese women's lives in the contemporary world.




Resisting Manchukuo


Book Description

The first book in English on women’s history in twentieth-century Manchuria, Resisting Manchukuo adds to a growing literature that challenges traditional understandings of Japanese colonialism. Norman Smith reveals the literary world of Japanese-occupied Manchuria (Manchukuo, 1932-45) and examines the lives, careers, and literary legacies of seven prolific Chinese women writers during the period. He shows how a complex blend of fear and freedom produced an environment in which Chinese women writers could articulate dissatisfaction with the overtly patriarchal and imperialist nature of the Japanese cultural agenda while working in close association with colonial institutions.




Contemporary Chinese Fiction Writers


Book Description

In the years since the death of Mao Zedong, interest in Chinese writers and Chinese literature has risen significantly in the West. In 2000, Gao Xingjian became the first Chinese writer to receive the Nobel Prize for Literature followed by Mo Yan in 2012, and writers such as Ha Jin and Da Sijie have also become well known in the West. Despite this progress, the vast majority of Chinese writers remain largely unknown outside of China. This book introduces the lives and works of eighty contemporary Chinese writers, and focuses on writers from the "Rightist" generation (Bai Hua, Gao Xiaosheng, Liu Shaotang), writers of the Red Guard generation (Li Rui, Wang Anyi), Post-Cultural Revolution Writers, as well as others. Unlike earlier works, it provides detailed, often first-hand, biographical information on this wide range of writers, including their career trajectories, major themes and artistic characteristics. In addition to this, each entry includes a critical presentation and evaluation of the writer’s major works, a selected bibliography of publications that includes works in Chinese, works translated into English, and critical articles and books available in English. Offering a valuable contribution to the field of contemporary Chinese literature by making detailed information about Chinese writers more accessible, this book will be of interest to students and scholars Chinese Literature, Contemporary Literature and Chinese Studies.




Holding up Half the Sky


Book Description

These 21 dynamic articles by Chinese women scholars explore the limitations on women's lives in premodern China, detail their involvement in the great political movements of the 20th century and examine how new laws have improved women's status, yet have left them open to exploitation as China enters the global economy. With statistics and reports otherwise unavailable, they give a refreshing outlook on China's women that is breathtaking both for the problems it confronts and for the spirit of struggle it embodies.




Literary Fantasy in Contemporary Chinese Diasporic Women's Literature


Book Description

This book explores the use of literary fantasy in the construction of identity and ‘home’ in contemporary diasporic Chinese women’s literature. It argues that the use of fantasy acts as a way of undermining the power of patriarchy and unsettling fixed notions of home. The idea of home explored in this book relates to complicated struggles to gain a sense of belonging, as experienced by marginalized subjects in constructing their diasporic identities — which can best be understood as unstable, shifting, and shaped by historical conditions and power relations. Fantasy is seen to operate in the corpus of this book as a literary mode, as defined by Rosemary Jackson. Literary fantasy offers a way to rework ancient myths, fairy tales, ghost stories and legends; it also subverts conventional narratives and challenges the power of patriarchy and other dominant ideologies. Through a critical reading of four diasporic Chinese women authors, namely, Maxine Hong Kingston, Adeline Yen Mah, Ying Chen and Larissa Lai, this book aims to offer critical insights into how their works re-imagine a ‘home’ through literary fantasy which leads beyond nationalist and Orientalist stereotypes; and how essentialist conceptions of diasporic culture are challenged by global geopolitics and cultural interactions.