A Collection of Songs with Symphonies and a Thorough Bass
Author : Elizabeth Turner
Publisher :
Page : 50 pages
File Size : 10,73 MB
Release : 1756
Category : Harpsichord music
ISBN :
Author : Elizabeth Turner
Publisher :
Page : 50 pages
File Size : 10,73 MB
Release : 1756
Category : Harpsichord music
ISBN :
Author : Lorenzo Bocchi
Publisher :
Page : 70 pages
File Size : 14,53 MB
Release : 1990
Category : Solo cantatas, Secular (High voice) with instrumental ensemble
ISBN :
Author : William Bates
Publisher :
Page : 148 pages
File Size : 34,65 MB
Release : 1765
Category :
ISBN :
Author : Francesco Zannetti
Publisher :
Page : 50 pages
File Size : 26,77 MB
Release : 1770
Category :
ISBN :
Author : Gioacchino Cocchi
Publisher :
Page : pages
File Size : 47,64 MB
Release : 1763
Category :
ISBN :
Author : Julian Rushton
Publisher :
Page : 398 pages
File Size : 13,94 MB
Release : 2018
Category :
ISBN : 9781107506954
Author : Francis William Galpin
Publisher :
Page : 510 pages
File Size : 32,57 MB
Release : 1978
Category : Music
ISBN :
Author : John Stow
Publisher :
Page : 1124 pages
File Size : 26,79 MB
Release : 1631
Category :
ISBN :
Author : Thomas Busby
Publisher :
Page : 334 pages
File Size : 24,84 MB
Release : 1811
Category : Music
ISBN :
Author : Samantha Owens
Publisher : Boydell Press
Page : 506 pages
File Size : 30,17 MB
Release : 2011
Category : Music
ISBN : 1843835983
Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. What was musical life at German courts really like during the eighteenth century? Were musical ensembles as diverse as the Holy Roman Empire's kaleidoscopic political landscape? Through a series of individual case studies contributed by leading scholars from Germany, Poland, the United States, Canada, and Australia, this book investigates the realities of musical life at fifteen German courts of varied size (ranging from kingdoms to principalities), religious denomination, and geographical location. Significant shifts that occurred in the artistic priorities of each court are presented through a series of "snapshots"- in effect "core sample" years - which highlight both individualand shared patterns of development and decline. What emerges from the wealth of primary source material examined in this volume is an in-depth picture of music-making within the daily life of individual courts, featuring acast of music directors, instrumentalists, and vocalists, together with numerous support staff drawn from across Europe. Music at German Courts serves to illustrate the extraordinary diversity of eighteenth-century German court music establishments without losing sight of what these Kapellen had in common. SAMANTHA OWENS is Senior Lecturer in Musicology at the University of Queensland, Brisbane, Australia. BARBARA M. REUL is Associate Professor of Musicology at Luther College, University of Regina, Canada. JANICE B. STOCKIGT is a Principal Fellow of the University of Melbourne, Australia. Contributors: DIETER KIRSCH, URSULA KRAMER, MICHAEL MAUL, MARY OLESKIEWICZ, SAMANTHA OWENS, RASHID-S. PEGAH, BÄRBEL PELKER, BARBARA M. REUL, WOLFGANG RUF, BERT SIEGMUND, JANICE B. STOCKIGT, MICHAEL TALBOT, RÜDIGER THOMSEN-FÜRST, ALINA ZORAWSKA-WITKOWSKA, STEVEN ZOHN