Sixties British Pop, Outside in


Book Description

"Itchycoo Park, 1964-1970-the second volume of Sixties British Pop, Outside In- explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. British songwriters, musicians, and production crews explored form, sound, and subject matter as western society grappled with racism, sexism, war, revolution, and migration in a postcolonial world. As these creators and curators of popular culture combined interests in jazz, folk, blues, Indian ragas, and western classical music, they created sophisticated hybrid forms that redefined pop music. Based on extensive research and drawing on vintage and original interviews, Sixties British Pop, Outside In contextualizes the world of the Beatles through King Crimson in the frameworks of the postwar surge in births that created the Bulge Generation in the UK (and Baby Boomers in America), emergent technologies, English behavior, and the places and spaces in which people created and consumed pop music"--




Sixties British Pop, Outside in


Book Description

Itchycoo Park, 1964-1970--the second volume of Sixties British Pop, Outside In--explores how London songwriters, musicians, and production crews navigated the era's cultural upheavals by reimagining the pop-music envelope. Thompson explores how some British artists conjured up sophisticated hybrid forms by recombining elements of jazz, folk, blues, Indian ragas, and western classical music while others returned to the raw essentials. Encouraging these experiments, youth culture's economic power challenged the authority of their parents' generation. Based on extensive research, including vintage and original interviews, Thompson presents sixties British pop, not as lists of discrete people and events, but as an interwoven story.




Please Please Me


Book Description

The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.




British Pop Invasion


Book Description

1964 was the start of the British 'pop' invasion of the United States and the world was never the same. The Beatles paved the way for countless British bands and performers to find international success during the 1960s, taking the US and other international charts by storm. British Pop Invasion is a photographic record of that era using hundreds of rare Daily Mirror images, with text by respected author Alan J. Whiticker. At more than 300 pages, this book is a must for pop culture historians, baby boomers of the era and music lovers of any age.




Sixties Britain


Book Description

Sixties Britain provides a more nuanced and engaging history of Britain. This book analyses the main social, political, cultural and economic changes Britain undertook as well as focusing on the 'silent majority' who were just as important as the rebellious students, the residents if Soho and the icons of popular culture. Sixties Britain engages the reader without losing sight of the fact that the 1960s were a vibrant, fascinating and controversial time in British History.




Please Please Me


Book Description

The Beatles, the Rolling Stones, the Kinks, the Who, and numerous other groups put Britain at the center of the modern musical map. Please Please Me offers an insider's view of the British pop-music recording industry during the seminal period of 1956 to 1968, based on personal recollections, contemporary accounts, and all relevant data that situate this scene in the economic, political, and social context of postwar Britain. Author Gordon Thompson weaves issues of class, age, professional status, gender, and ethnicity into his narrative, beginning with the rise of British beat groups and the emergence of teenagers as consumers in postwar Britain, and moving into the competition between performers and the recording industry for control over the music. He interviews musicians, songwriters, music directors, and producers and engineers who worked with the best-known performers of the era. Drawing his interpretation of the processes at work during this musical revolution into a wider context, Thompson unravels the musical change and innovation of the time with an eye on understanding what traces individuals leave in the musical and recording process.




The Beatles and Sixties Britain


Book Description

In this rigorous study, Marcus Collins reconceives the Beatles' social, cultural and political impact on sixties Britain.




Adult Responses to Popular Music and Intergenerational Relations in Britain, c. 19551975


Book Description

‘Adult Reactions to Popular Music and Inter-generational Relations in Britain, 1955–1975’ challenges stereotypes concerning a post-war ‘generation gap’, exacerbated by rebellion-inducing popular music styles, by demonstrating the considerable variety which frequently characterized adult responses to the music, whilst also highlighting that the impact of the music on inter-generational relations was more complex than is often assumed. [NP] Utilizing extensive primary evidence, from first-person accounts to newspapers, television programmes, surveys and archive collections, the book adopts a thematic approach, identifying three key arenas of British society in which adult responses to popular music, and the impact of such reactions upon relations between generations, seem particularly revealing and significant. The book examines in detail the place of popular music within family life and Christian churches and their engagement with popular music, particularly within youth clubs. It also explores ‘encounters’ between the worlds of traditional Variety entertainment and popular music while providing broader perspectives on this most dynamic and turbulent of periods.




The Beatles, Popular Music and Society


Book Description

More has been written about the Beatles than any other performing artists of the twentieth century. Accounts of their lives and times have been retold, reproduced and reinvented to the extent that their achievements have passed into contemporary folklore and popular mythology. What has been surprisingly absent, however, is any sustained critical investigation of the numerous debates and issues the group provoked. This book provides that long overdue analysis, by seeking to present the academic study of the Beatles in its appropriate contexts - historical, political, musical and sociological. Consisting entirely of newly commissioned articles and written by an international group of scholars, its contents challenge many of the traditional assumptions about the Beatles and offer fresh and provocative insights into the nature of their success and its continuing influence. It is essential reading for those wishing to understand not only the phenomenon of the Beatles but also the cultural environment within which popular music continues to be practised and studied.




Working Class Heroes


Book Description

In Working Class Heroes, David Simonelli explores the influence of rock and roll on British society in the 1960s and '70s. At a time when social distinctions were becoming harder to measure, rock musicians appeared to embody the mythical qualities of the idealized working class by perpetuating the image of rebellious, irreverent, and authentic musicians.




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