Double-Takes


Book Description

Over the past forty years, Canadian literature has found its way to the silver screen with increasing regularity. Beginning with the adaptation of Margaret Laurence’s A Jest of God to the Hollywood film Rachel, Rachel in 1966, Canadian writing would appear to have found a doubly successful life for itself at the movies: from the critically acclaimed Kamouraska and The Apprenticeship of Duddy Kravitz in the 1970s through to the award-winning Love and Human Remains and The English Patient in the 1990s. With the more recent notoriety surrounding the Oscar-nominated Away from Her, and the screen appearances of The Stone Angel and Fugitive Pieces, this seems like an appropriate time for a collection of essays to reflect on the intersection between literary publication in Canada, and its various screen transformations. This volume discusses and debates several double-edged issues: the extent to which the literary artefact extends its artfulness to the film artefact, the degree to which literary communities stand to gain (or lose) in contact with film communities, and perhaps most of all, the measure by which a viable relation between fiction and film can be said to exist in Canada, and where that double-life precisely manifests itself, if at all. - This book is published in English.




Making it Home


Book Description

As a pioneer in Canada in the early 1800s, Parr Traill was one of the first writers to record the Ontario wilderness in detail, and her stories for young people became part of a new focus on young people. This biography shows how an English girl called Katie became an adult who gave so much to North America's early literature.







Rudiments of Conchology


Book Description




Flora's Fieldworkers


Book Description

When Catharine Parr Traill came to Upper Canada in 1832 as a settler from England, she brought along with her ties to British botanical culture. Nonetheless, when she arrived she encountered a new natural landscape and, like other women chronicled in this book, set out to advance the botanical knowledge of the time from the Canadian field. Flora’s Fieldworkers employs biography, botanical data, herbaria specimens, archival sources, letters, institutional records, book history, and abundant artwork to reconstruct the ways in which women studied and understood plants in the nineteenth century. It features figures ranging from elite women involved in imperial botanical projects in British North America to settler-colonial women in Ontario and Australia – most of whom were scarcely visible in the historical record – who were active in “plant work” as collectors, writers, artists, craft workers, teachers, and organizers. Understood as an appropriate pastime for genteel ladies, botany offered women pathways to scientific education, financial autonomy, and self-expression. The call for more diverse voices in the present must look to the past as well. Bringing botany to historians and historians to botany, Flora’s Fieldworkers gathers compelling material about women in colonial and imperial Canada and Australia to take a new look at how we came to know what we know about plants.










Pearls and Pebbles


Book Description

How fitting to close out the 20th century with a brand new edition of Pearls & Pebbles by the noted chronicler of pioneer life, Catharine Parr Traill. Published in 1894, Pearls & Pebbles is an unusual book with a lasting charm, in which the author’s broad focus ranges from the Canadian natural environment to early settlement of Upper Canada. Through Traill’s eyes, we see the life of the pioneer woman, the disappearance of the forest, and the corresponding changes in the life of the Native Canadians who have inhabited that forest. Editor Elizabeth Thompson reminds us of the significance of the writings by Traill, the aged author/naturalist, who felt that the hours spent gathering the pebbles and pearls from her notebooks and journals written in the backwoods of Canada was not time wasted.