Sketching Savannah


Book Description

Sketching Savannah is a treasure trove of exquisite ink-and-watercolor sketches featuring over a hundred places of interest and charm throughout downtown Savannah, Georgia. The sketches, organized in constellations, are accompanied by historic captions and neighborhood maps that will enhance any experience of the Hostess City of the South.




Savannah


Book Description

A fascinating history of Savannah, Georgia from an artist who shares her knowledge and experiences in her paintings and drawings of the historic district of Savannah. The artwork throughout the book is done in watercolor, sepia, pencil, and ink. Text accompanies each illustration.




Picturing Savannah


Book Description

This catalogue for the Telfair Museum of Art’s exhibition Picturing Savannah: The Art of Christopher A. D. Murphy provides valuable information on Murphy’s life and career, documenting four decades of his finest work in all media: oils, watercolors, etchings, and pencil and charcoal drawings. Born in 1902, Murphy was one of Savannah’s most accomplished and beloved artists. After studying in New York City at the Art Students League, he returned to his native Savannah. He taught privately at the Telfair Academy of Arts and Sciences and at Armstrong College (now Armstrong Atlantic State University). In 1929, he helped found the Association of Georgia Artists and in 1947 he collaborated with Walter Hartridge on the book Savannah, providing drawings and etchings of his native city. Just as his success peaked in New York in 1929, the stock market crashed and Murphy found it necessary to return home to his family. Of all the artists who have taken Savannah and its environs as their primary inspiration, Murphy was among the most sensitive and skillful. He knew the city intimately and portrayed it in all its facets--elegant and shabby, rich and poor. His work ranged from refined portraits of Savannah’s elite to spontaneous depictions of African American children, from images of the city’s grand homes to renderings of rural farms and shanties. Murphy’s work captures a city in flux, a southern town slowly adopting a modern lifestyle. An incipient preservationist, Murphy documented many homes, neighborhoods, and landmarks that no longer exist. Murphy’s work was included in annual exhibits of the Southern States Art League and at the American Watercolor Society and was shown nationally and internationally at the Victoria and Albert Museum, the Cleveland Print Society, the Philadelphia Print Club, the Brooklyn Society of Etchers, the Savannah Art Club, and the Whitney Museum of American Art. He also contributed to such popular publications as Country Life, American Architect, House Beautiful, and Southern Architect. The show, which is installed at the Telfair Academy from February 6 through June 1, 2008, presents 80-100 works drawn from local private and corporate collections, from the Telfair Museum of Art’s nineteen holdings, and from holdings of the Morris Museum of Art in Augusta.




Living Art Lessons


Book Description

Observe the seven elements of art:linesshapescolorvaluetextureformspaceALL around you in this complete, easy-to-use, year-long program. The course includes helpful supply lists, step-by-step instructions, and photos of the process and completed projects. Students will explore creations made from clay, watercolor, tempera, markers, colored pencils, and household items as they:Explore the seven elements through a variety of fun and engaging activities and projects.Discover and experiment with primary, secondary, tertiary colors; perspective, shading, shadows, dimensions, and more.Learn about seven famous artists and then "re-create" their style as you develop your own!




Art and Power in the Central African Savanna


Book Description

Revealing the powers immanent in works that the West long regarded only as exotic or abstract, Constantine Petridis looks beneath the surface of the arts of the Luba, Songye, Chokwe and Luluwa peoples to find, literally embedded in sculpture, the forces that enable the spirit world to intervene in daily life. Ritual use of these objects is expected to ensure a healthy birth, successful hunt, or triumph over an enemy. Analysis of the scholarly record illuminates the changing visions of leadership and prestige that fostered the development of the majestic, elaborate figure styles long prized in the West. These sculptures nevertheless retain the mysterious potency of more humble objects trusted for centuries to protect, heal and harm. Art and Power in the Central African Savanna examines an artistic culture in which the sacred and the secular are indivisible, and aesthetic and moral value inseparable.




The Art of Kahlil Gibran at Telfair Museums


Book Description

Comprising two essays, this book features the Telfair's collection of work by and about Gibran, the largest holding in the United States, which spans Gibran's career from his first major exhibition at photographer Frederick Holland Day's studio in Boston in 1904 to works created during the last years of his life.




The Art Lover?s Pocket Guide


Book Description

"Featuring diverse artists such as Joseph Albers, Picasso, Monet, Francisco de Zurbaran, and a host of others, this comprehensive handbook provides essential biographical information and historical context for more than 250 visual artists. It follows with an orderly list of each artist's works and where those works are located throughout the world, including museums, galleries, churches, monasteries, athanaeums, universities, parks, and libraries in the United States, Canada, and Europe." --Page [4] of cover.




Overshot


Book Description

Woven coverlets have appeared in several guises within the history of folk textiles. Created on four-harness looms, coverlets made in the nineteenth-century American South typically featured colored wool and cotton threads woven into striking geometric patterns. Although they are not as well known as other textiles and domestic objects, “overshot” coverlets were, and continue to be, significant examples of material culture that require tremendous skill and creativity to produce. They also express currents of conformity and dissent. In addition to being pleasing to the eye and hand, “overshot” coverlets have advanced a variety of social and political ends. At times exhibited in slave quarters along the seaboard in Georgia and South Carolina in association with plantation properties, they also appear in piedmont areas attached to the antebellum yeomanry, in the context of nationalist craft revivals, and in white-box contemporary art. With Overshot, Susan Falls and Jessica R. Smith analyze what we can learn by examining the exhibition and interpretation of these materials within American public history. By showing how geometric overshot coverlets can be understood in relationship to the global economy and within politicized cultural movements, Falls and Smith demonstrate how these erstwhile domestic, utilitarian objects explode the art/craft dichotomy, belong to a rich narrative of historical art forms, and tell us far more about American culture today than simply representing a nostalgic past, particularly with regard to ideas about race, class, nationalism, women’s labor, and the separation of private versus public spaces.







Girl Boy Girl


Book Description

Soon to be a major motion picture starring Kristen Stewart (as JT) and Laura Dern. The JT LeRoy scandal is a story of our times. In January 2006, the New York Times unmasked Savannah Knoop as the face of the mysterious author JT LeRoy. A media frenzy ensued as JT’s fans, mentors, and readers came to terms with the fact that the gay-male-ex-truck-stop-prostitute-turned literary-wunderkind was really a girl from San Francisco, whose sister-in-law wrote the books. Girl Boy Girl is the story of how Savannah Knoop led this bizarre double life for six years, trading a precarious existence as a college dropout for a life in which she was embraced by celebrities and artists—Carrie Fisher, Courtney Love, Mary Ellen Mark, Winona Ryder, Asia Argento, Sharon Olds, Gus Van Sant, Mike Pitt, Calvin Klein, and Shirley Manson, to name a few—and traveled the world. Telling her side of the story for the first time, Savannah reveals how being perceived as a boy gave her a sense of confidence and entitlement she never had before. Her love affair with Asia Argento is particularly wrenching, as they embark on an intimate relationship that causes more alienation than closeness. As Savannah and Laura struggle over control of the JT character, Savannah realizes the limits of the game - - and inadvertently finds herself through the adventure of being someone else.